Saki: The Improper Stories of HH Munro

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I thought I’d written about this some time ago but it appears not so the present post can serve as a way to honour the talents of the late Fenella Fielding. The obituaries this week have inevitably emphasised her roles in the Carry On films, a series of alleged comedies that I’ve never liked, and which weren’t much liked by several of the actors who appeared in them. Fenella Fielding did much more than this, of course, especially in the theatre, on radio and in television, including appearances such as the one here from a collection of adaptations of the peerless short stories of Hector Hugh Munro, better known as Saki. Granada TV made a whole series of these in 1962, broadcasting this anthology in 1985 following the death of producer Philip Mackie. Fenella appears in the second story, A Holiday Task, as the forgetful Mary Drakmanton, and she fits so well with into Saki’s world that I really wish I’d suggested to my colleagues at Savoy Books a reading or two by Fenella from Saki. She enjoyed reading Colette for Savoy, and chose the selections herself, one of which concerned Colette’s homosexual friends. Given this, I can imagine Fenella teasing out some of the sly gay humour that runs like a scarlet thread through Saki’s Clovis stories.

The other pieces in this Granada collection are The Stampeding of Lady Bastable, The Way to the Dairy, Sredni Vashtar and A Defensive Diamond. The story editor was Gerald Savory who later did such an excellent job adapting Dracula for the BBC.

Previously on { feuilleton }
Fenella Fielding reads Colette

Weekend links 429

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• Julia Holter’s next album, Aviary, will arrive next month with a cover design bearing astrological symbols (a cryptic message?) and what looks like a grimoire page in the background, although I may be reading too much into this. Whatever the esoterics signify, the album is a double, and going by the sound of new song I Shall Love 2 it’s going to be a good one. Aviary will be released on 26th October just in time for the witch season.

Donna Ferguson talks to Oscar Wilde’s grandson, Merlin Holland, about the manuscript for The Picture of Dorian Gray which includes more openly homoerotic sentences than were included in the printed versions. A facsimile of the manuscript is now available in a limited, numbered edition from SP Books.

• The final single in the excellent Other Voices series from the Ghost Box label is released later this month. Something Out Of Nothing is by Sharron Kraus and Belbury Poly.

…we’re still trying to operate this new, paranoid society on what amounts to a psychedelic substrate—with little or no awareness of how our sets and settings are determining our results. The set and setting of the advertiser yield addictive behavioral design and persuasive technologies. The set and setting of the investor lead to algorithmic trading and winner-takes-all, extractive businesses. The set and setting of the military lead to drone warfare. The set and setting of the politician lead to targeted propaganda and digital fascism.

America is unconsciously living in a psychedelic landscape and having a bad trip. We don’t realize that we are living in a media environment that offers us an unprecedented capacity over reality. The world may have always been a consensual hallucination to some extent, but never before have we built our world so completely.

The internet is acid, and America is having a bad trip, says Douglas Rushkoff

Photographia Erotica Historica is a tiny leatherbound collection of antique pornography from Goliath Books.

Why is the Federal Government threatening an indie book publisher with $100,000 in fines?

• Undead, undead: my illustrations for Dracula are featured at Dangerous Minds. Thanks!

• The Vinyl Factory meets Japanese composer and musician Midori Takada.

• Exploring HP Lovecraft’s Gothic roots by Dr Xavier Aldana Reyes.

• From 2013: Dario Argento discussing his films with Alan Jones.

• Aurora Mitchell on Electro pioneer Doris Norton.

• Mix of the week: XLR8R Podcast 558 by DJ T.

Aviator (1970) by Michael Chapman | Aviation (2000) by Fluxion | Aviation (2001) by Monolake

Weekend links 428

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Straat met standbeeld (1934) by Carel Willink.

• “[Edward] Gorey, who died in 2000 at 75, was the unequaled master of—of what? Gothic whimsy? The high-camp macabre? Existential black comedy in the Firbankian mode? Essentially unclassifiable, he was, at the end of the day (and it’s always twilight, in Gorey’s stories), simply, inimitably Edwardian.” Mark Dery’s Born to be Posthumous: The Eccentric Life and Mysterious Genius of Edward Gorey, the first full-length biography, will be published in November.

• “In an East Prussian manor house, a Bohemian library, a Bulgarian railway station; in a Venetian citadel, a Breton harbour, a city in the Caucasus, characters encounter not only the vicissitudes of history but also the subtle influences of the uncanny.” Inner Europe by John Howard and Mark Valentine.

• “To the good men I offer the hand of friendship, to the foes of our sex I offer resistance and annihilation!” The next title from Rixdorf Editions (due in November) will be We Women Have no Fatherland (1899), a novel by Ilse Frappan.

• At Dangerous Minds: “The career of Penny Slinger, intrepid surrealist artist of the 1970s, is ripe for rediscovery,” says Martin Schneider.

• Mixes of the week:  FACT mix 668 by Smerz, and XLR8R Podcast 557 by re:ni.

• Dreaming of Walter Benjamin on Walter Benjamin Platz by Roger Gathman.

Alison Kinney on Ludwig II’s obsession with the operas of Richard Wagner.

• A trailer for The Other Side of the Wind, the final film by Orson Welles.

• A happy tenth anniversary to The Quietus.

Wizards (1982) by JD Emmanuel.

The Wizard (1964) by Albert Ayler Trio | The Wizard (1970) by Black Sabbath | Dancin’ Wizard (1973) by Sopwith Camel

Weekend links 427

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Inside an O’Neill Cylinder, an orbital megastructure. Painting by Don Davis, 1975.

• RIP Lindsay Kemp: dancer, actor, choreographer and (if we have to drop names) mentor to David Bowie and Kate Bush. Kemp’s work has been featured here on a number of occasions, particularly his landmark productions of an all-male Salomé, and Flowers, A Pantomime for Jean Genet. There was also considerable overlap with Kemp’s troupe and the films of Derek Jarman via appearances by Kemp himself, David Haughton and the irrepressible Jack Birkett. The Genet production was filmed in 1982, and is now available on DVD. (There’s also a rougher copy with unmatched audio and video.) From 1970: Pierrot in Turquoise, or The Looking Glass Murders, a Commedia dell’arte performance for Scottish TV featuring David Bowie. And reversing roles, Mick Rock’s video for Bowie’s John, I’m Only Dancing featuring Kemp and company.

• At Expanding Mind: Erik Davis in conversation with activist and writer David Nickles about “the DMT Nexus, psychedelic militancy, extraction tek, the Statement on Open Science for Psychedelic Medicines, MAPS, and the trouble with for-profit psilocybin companies”.

• From the end of August to January 2019: Spellbound at the Ashmolean; “Spellbinding stories, fascinating objects…from crystal balls and magic mirrors to witch bottles and curse poppets”.

On Earth, as on the International Space Station, the collective misperception of a flat plane helps build community and culture. We are all equal in our geometric relationship to one another. The reality, of course, is that we do not stand parallel. Each of our bodies corresponds with a distinct radial vector on the surface of a sphere, pointing away from a common center that we can never perceive or occupy. Our vectors diverge by imperceptible angles.

In “inside-out” worlds like the Bernal Sphere and the concave Earth, the situation is reversed. Our feet all point outward, into an inaccessible, but technologically habitable void, while our heads point inward, some of us apparently “upside-down.” Standing, we rise toward a visible center, which can be reached simply by climbing a hill, strapping on wings, and jumping into the air, as low-tech as Icarus.

The Shape of Space by Fred Scharmen

Michael Moorcock again, interviewed this time by Bernard Braden in 1968. I think this one was for a Braden TV series which was never broadcast.

• “Stupid things are best”: Neil Fox on Conny Plank: The Potential of Noise, a documentary about the great music producer.

• Mixes of the week: XLR8R Podcast 556 by Helios, and An Ode to Eris with An Other Ode to Eris by The Ephemeral Man.

• A monstrous primer on the works of HP Lovecraft by Emma Stefansky. With illustrations by Michael Bukowski.

Silent Agents by Julius-Christian Schreiner: photographs of hostile architecture from around the world.

• Back to the Futuro: Mark Hodgkinson on the spaceship house that landed in Yorkshire.

• The Great Chinese Art Heist by Alex W. Palmer.

Rhizome: a new recording by Drew McDowall.

The Starman Tarot

Mad Pierrot (1978) by Yellow Magic Orchestra | Spellbound (1981) by Siouxsie And The Banshees | Sphere (2011) by Emptyset

Weekend links 426

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Self Preservation (1970–77), a collage by Penny Slinger from the series An Exorcism.

• RIP John Calder, one of the most important British publishers of the last century whose death was acknowledged in the Washington Post (and in the Telegraph, a paper that would have given him no support during his censorship battles) but at the time of writing hasn’t been mentioned at all in the increasingly useless Guardian. The omission in the latter seems even more surprising when Calder himself wrote obituaries for the paper, and they ran an archive piece two weeks ago for the 50th anniversary of Calder & Boyars’ successful court defence of Last Exit to Brooklyn. “Publishing is an industry run by capitalists now.

• Another 50th anniversary: David Bushman asked Alan Moore for his memories of Patrick McGoohan’s superb TV series The Prisoner.

Michael Moorcock in conversation with Hari Kunzru at Shakespeare and Company, Paris.

Stephen O’Malley presents Acid Quarry Paris – In Session with Richard Pinhas (Heldon).

• When a rock is a stone: Louise Steinman on finding Robert Smithson’s Spiral Jetty.

• Victorians, Vaults, and Violet Water: a profusion of links at Greydogtales.

• Mix of the week: FACT mix 666 by Róisín Murphy.

• The amazing adventures of Melinda Gebbie.

Starbirthed

Exorcism (1971) by Lucifer | The Final Calling (Physical Exorcism) (1984) by CTI | Exorcism Of The Hippies (2010) by Mater Suspiria Vision