Oct 31, 2011

Bluebeard (1982) by János Kass. I thought I might not be able to do a fresh playlist this year, so much has already been covered by the previous lists (see the links below to earlier posts). The search for new tonalities and timbres in 20th-century orchestral music led many composers to produce works that sound [...]
Oct 30, 2011

At the Mountains of Madness (1979) from Halloween in Arkham by Harry O. Morris. • Golden Age Comic Book Stories always pulls out the stops in the run up to Halloween. In addition to a wonderful collection of Harry O. Morris collages, Mr Door Tree has also been posting Virgil Finlay’s illustrations for Edgar Allan [...]
Oct 29, 2011

The Isle of the Dead (second version, 1880), Kunstmuseum, Basel. In the sudden flares of light over the water, reflected off the sharp points of his cheeks and jaw, a harder profile for a moment showed itself. Conscious of Sanders’s critical eye, Father Balthus added as an afterthought, to reassure the doctor: “The light at [...]
Oct 28, 2011

Another post about Ver Sacrum, the art journal of the Viennese Secession and one of the world’s major art magazines during its short run from 1898 on. This is another digitised edition from the University of Heidelberg’s archive and is the second volume of the journal’s monthly issues. It’s difficult to make a small selection [...]
Oct 27, 2011

Norman McLaren’s 1968 film is not only one of the greatest ballet films ever made, it’s also an astonishing combination of high-contrast photography and optical printing. Choreography by Ludmilla Chiriaeff, dance by Margaret Mercier and Vincent Warren, music by Dobre Constantin and the Folk Orchestra of Romania. YouTube isn’t the ideal medium to watch anything [...]
Oct 26, 2011

Stowitts photographed by Nickolas Muray. The title is from two gallery pages at the Queer Arts Resource which runs through a history of the old subterfuge whereby homoerotic pictures were decorated to look suitably Greek or Roman. This seldom fooled anyone, even in Oscar Wilde’s day, but it no doubt helped to keep the studios [...]
Oct 25, 2011

For a taste of the unalloyed strangeness of the past you have to bypass the fine art and cultivated histories and look to the ephemera. The Frolie Grasshopper Circus (1898) is an uncredited booklet for American children made to promote Quaker Oats, and it does so in a manner far removed from today’s bland and [...]
Oct 24, 2011

Yet another Dalí documentary, Soft Self-Portrait of Salvador Dalí is a welcome arrival at the splendid Ubuweb for its being the source of a number of sequences that turn up in later Dalí documentaries, notably the scenes of the artist and wife Gala emerging from giant eggs, and Dalí clattering away at a piano in [...]
Oct 23, 2011

Black Cat on a Chair (1850–1860) by Andrew L Von Wittkamp. • “A little bit of acid, lots of weed, and too much Castaneda and I was ready to move from the magical realm of Middle Earth into a world that was much stranger than any involving hairy dwarves and white wizards…” Too Much to [...]
Oct 22, 2011

Yes, it’s that Ed Wood, Mr Plan 9 from Outer Space, who apparently supplemented his erratic film career by penning dubious porn novels and exposés of the erotic underworld. Most of what I know about him is culled from Tim Burton’s biopic so this was news to me. Ed Wood’s Sleaze Paperbacks is an exhibition [...]
Oct 21, 2011

(1974). Artist John Holmes, whose obituary was published this week, had a style that was immediately recognisable from the many paintings featured on book covers (and a few record sleeves) in the 1970s and 1980s. His painting for The Female Eunuch is by far the most well-known, of course, although I often used to wonder [...]
Oct 20, 2011

Calder & Boyars, 1972. Design by John Sewell. This must be the first space novel, the first serious piece of science fiction—the others are entertainment. Mary McCarthy defending The Naked Lunch in the New York Review of Books, June, 1963. Mary McCarthy’s view—echoed a year later by Michael Moorcock and JG Ballard in the pages [...]
Oct 19, 2011

Picador, 1982. Being an occasional cover designer I naturally have a more than passing interest in how the books of favourite writers are packaged. I’ve mentioned a couple of times how much I liked the covers that Thomi Wroblewski produced in the 1980s for UK editions published by Picador and John Calder. Wroblewski is a [...]
Oct 18, 2011

Naked Lunch (1991). So what happens when you take a regular scenario like this: There is a type person occasionally seen in these neighbourhoods who has connections with junk, though he is neither a user nor a seller. But when you see him the dowser wand twitches. Junk is close. His place of origin is [...]
Oct 17, 2011

I did have vague plans earlier this year for doing a new calendar but when work gets as busy as it has been you really need to plan these things weeks in advance and in the end I didn’t have the time. Since I created my psychedelic Alice in Wonderland calendar in 2009 I’ve had [...]
Oct 16, 2011

Niels Klim’s descent to the planet Nazar from the 1845 edition of Nicolai Klimii Iter Subterraneum (Niels Klim’s Underground Travels) (1741) by Ludvig Holberg. BibliOdyssey posts illustrations from different editions of Ludvig Holberg’s satirical fantasy, appends the usual informative links and draws our attention Stories of a Hollow Earth at The Public Domain Review. I’d [...]
Oct 15, 2011

Cartouche with Macabre Symbols and a Hairy Skull (no date). Some macabre things for a macabre month. Jacopo Ligozzi was a Mannerist artist, and the date of his birth here is the most commonly cited one, some sources give later years. The excesses of Mannerism—distorted figures, sensational subject matter, grotesquery in general—used to be regarded [...]
Oct 14, 2011

While chasing down Virgil Finlay’s illustration for Lovecraft’s The Colour Out of Space earlier this week I came across another Finlay drawing I’d not noticed before in a book I’ve owned for years. Makes me wonder what else is lurking on the shelves. Finlay’s depiction of Salomé was an illustration for Waxworks, a story by [...]
Oct 13, 2011

I was going to title this post “Fucked by Monty” but thought that might give the wrong impression. The phrase was one of several titles added to the cover of The Collected Plays of Emelyn Williams by Joe Orton and Kenneth Halliwell when they were happily defacing the books of Islington Library, London, in the [...]
Oct 12, 2011

Die Farbe (2010). The colour, which resembled some of the bands in the meteor’s strange spectrum, was almost impossible to describe; and it was only by analogy that they called it colour at all. Its texture was glossy, and upon tapping it appeared to promise both brittleness and hollowness. The Colour Out of Space (1927). [...]
Oct 11, 2011

More decorated initials, these being from Early Woodcut Initials (1908), a collection by Oscar Jennings of ornamental letters from books of the fifteenth and sixteenth centuries. By way of contrast with yesterday’s examples, not all of these feature the religious or mythological figures one would expect, some show early mathematical and astronomical devices.
Oct 10, 2011

Whoever I. Paulini was, no one seems to know his (or, indeed, her) first name. Even the Metropolitan Museum of Art, NYC, which owns a copy of these plates, doesn’t elaborate. The copies here are scans from a Getty edition of Alphabeto, part of the collection of Getty Institute volumes at the Internet Archive. The [...]
Oct 9, 2011

Neville Brody creates a cover design for an issue of the V&A magazine tied to the museum’s current exhibition, Postmodernism: Style and Subversion 1970–1990. Brody’s comment amused me for the way he smartly explained the thinking behind the design whilst also distancing himself from its theme: For me, Post Modernism felt like a kind of [...]
Oct 8, 2011

Another new piece of illustration and design. Somnium is an occult novel by Steve Moore being published this month by Strange Attractor. Some readers here may know Steve’s work as a comics writer, ex-editor of Fortean Times and also the subject of Alan Moore’s recent Unearthing text and recording. I’ve not seen the book yet [...]
Oct 7, 2011

Fountain (2011) by John Coulthart. seminal, a. and n. A. adj. Of or pertaining to seed; of the nature of seed. 1. a. Of or pertaining to the seed or semen of men and animals (applied Phys. and Anat. to structures adapted to contain or convey semen); of the nature of semen. Oxford English Dictionary [...]
Oct 6, 2011

Today’s post is another guest piece at Tor.com where I talk a little about using collage to create steampunk illustrations and designs. The post is part of their Steampunk Week, and I take the opportunity to acknowledge the influence of some artists who have become familiar points of reference here, namely Max Ernst and Wilfried [...]
Oct 5, 2011

Bezdna (Abyss). A couple of film posters from a time when poster artists weren’t prevented from treating their subject in a symbolic manner. Both these designs are the work of one M. Kalmanson (and I’m assuming here that the scant information is accurate), and both are for Russian films produced in 1917. Beautiful Century alerted [...]
Oct 4, 2011

Efflaration (1952) by Austin Osman Spare. The Austin Spare revival continues with another exhibition, Murmur Become Ceaseless and Myriad at Flat Time House, London, curated by Mark Titchner. Unless I’ve missed something this is a significant moment since it’s the first time Spare’s work has been paired with that of a more contemporary artist, the [...]
Oct 3, 2011

Hydra-Calm (1992). It’s always good to find a group of musicians who not only make the kind of sounds you like but also package their work effectively. Having read the Quietus interview with Robert Hampson last week I was going back through the catalogue of Hampson’s 90s group Main and thinking again how well the [...]
Oct 2, 2011

Struggle (2009) by Lindsey Carr. • “Twilight Science is an imprint for sound, music and DVD editions initiated by artist Paul Schütze. We will progressively publish all back catalogue, new projects and collaborations. These will include works by Phantom City, NAPE, Schütze-Hopkins and others.” Related (because Paul Schütze remixed Main): Main Feed The Collapse, Neil [...]
Oct 1, 2011

A couple more pieces from yesterday’s Posters in Miniature. The drawing above is entitled A Wilde Night and credited to Claude Fayette Bragdon (1866–1946) whose design work has appeared here before. Bragdon was an acquaintance of Will Bradley’s, and like Bradley was a man of many talents being variously employed as an architect, writer and [...]