Weekend links 674

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The Far Side of the Moon, as photographed by NASA’s Lunar Reconnaissance Orbiter.

• “It goes against centuries of traditional belief to accept that the moon is barren, that it is indifferent, that it is innocent of any role in monthly spikes in the crime rate or in the cycles of menstrual unreason. When telescopic observation had found nothing on the near side (Roger Boscovich had established by 1753 that it lacks even an atmosphere), the far side still remained a site for the projection of fantasies of a different, neighbouring world.” Justin EH Smith working his way towards a history of the dark side of the moon.

• “It shocks me that movies still lean in so hard to all these outmoded gay narrative tropes: coming out, coming of age; very identity-oriented representations of gay characters. It’s much easier to represent a gay boy who’s repressed in high school and comes out and makes friends. It’s very mainstream, and kind of played out.” Bruce LaBruce on cinematic trends in relation to his new film, a gay-porn take on Pasolini’s Teorema.

• At Cartoon Brew: Pavel Sannikau explains how he developed his own techniques of digital animation in order to create the ever-expanding Floor796.

• There’s always more Poe: Mysterium, Incubus et Terror, Poe-inspired music by a variety of artists, plus illustrations by John D. Chadwick.

• At Smithsonian Magazine: The results of a themed contest in the Close-Up Photographer of the Year Challenge.

• Mixes of the week: In Praise of the Saddest Chord at Ambientblog, and The Funky Eno Pts 2 & 3 by DJ Food.

• Steven Heller talks to Hungarian artist István Orosz about his Escher-like drawings.

• At Unquiet Things: Caitlin McCormack’s ghostly chains of knotted memory.

• At Spoon & Tamago: Intricate and organic sculptures by ceramicist Eriko Inazaki.

• New music: Illumina by Call Super with Julia Holter.

Dark Side Of The Mushroom (1967) by The Chocolate Watchband | Dark Side Of The Star (1984) by Haruomi Hosono | On The Dark Side Of The Sun (live) (2003) by Helios Creed

In The Past

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In The Past (1966) by We The People.

Thanks to Modzilla in the comments for yesterday’s post I’ve been listening to different versions of In The Past all day. I always found the Chocolate Watchband rendition to be very catchy, the kind of song you’d expect to be covered by other bands even though the version in yesterday’s playlist is the work of session musicians under the direction of producer Ed Cobb. The original song is an uptempo number written by Wayne Proctor and recorded in 1966 by his garage outfit, We The People, a group I knew of already since two of their songs are featured on the Nuggets CD box. In The Past isn’t one of them, however, so I hadn’t heard it until today. More surprising is seeing the amount of times it’s been covered since. Lava lamps and false eyelashes at the ready, here’s a quick summary of a musical obsession.

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La Fermeture Eclair (1966) by Delphine.

The title translates as The Zipper Closure (?). Delphine was a Belgian singer who recorded a handful of singles. This seems to be her most popular song (see below), and a regular inclusion on compilations such as this. The YouTube video matches the music to shots from Vera Chytilová’s marvellous Daisies (1966).

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In The Past (1968) by The Chocolate Watchband.

Posted again so I get a chance to show the (uncredited) collage cover. Cobb and co. add sitar flourishes worthy of Bill Laswell.

Continue reading “In The Past”

Listen to the Colour of Your Dreams: Part Five

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Haight Street hippies, San Francisco, Oct. 26, 1967. From the Charles W. Cushman Photograph Collection.

Continuing the psychedelic mega-mix based on Jon Savage’s list of “100 mind-expanding masterpieces” (see this post). The fifth of the six mixes is the second visit to the USA, and features songs from the years 1967 to 1968 arranged in chronological order. As before, the selections from the Savage 100 are in bold, and I’ve added notes about my additions or amendments.

Savage’s selections for the USA can be more arguable than those in the UK list. As I noted earlier, UK singles are easily identifiable for being effects-heavy studio creations. The US scene evolved out of the dance halls of San Francisco, the same halls that also fuelled the demand for all the trend-setting psychedelic poster art. Some of the bands could be just as adventurous in the studio but the sound at this point is more a transcription of the live performance. In other songs the “psychedelic” quality is a result of context, as with Otis Redding who played at the Monterey Pop Festival, and is singing here about the San Francisco Bay, but isn’t really a psychedelic artist.

US Psychedelia, Part Two by Feuilleton on Mixcloud

Radio ad — The Trip
The Glass Family — House Of Glass (The first song on the group’s only album.)
Kaleidoscope (US) — Egyptian Candy (The multi-generic multi-instrumentalists recorded a number of Middle Eastern-style pieces. This is one of the more obscure ones.)
Park Avenue Playground — The Trip (The wildest trip song of them all.)
The Red Crayola — Hurricane Fighter Plane (One of the few actual songs in the psychedelic soup of the group’s first album. This version is from a compilation.)
Jefferson Airplane — White Rabbit
Tim Buckley — Hallucinations
The Chocolate Watchband — In The Past (The Savage 100 has Are You Gonna Be There (At The Love-In). This replacement is by the “fake” Watchband assembled by producer Ed Cobb to fill out a side of the group’s second album. Real or fake, I always liked the song.)
Big Brother and the Holding Company — Piece Of My Heart (The Savage 100 has Ball And Chain.)
The West Coast Pop Art Experimental Band — Smell of Incense (A great song by a group who never sound as experimental as their name implies.)
The Third Bardo — Five Years Ahead Of My Time
Painted Faces — Anxious Colour
The Beau Brummels — Magic Hollow
Buffalo Springfield — Broken Arrow
The Strawberry Alarm Clock — Incense And Peppermints
Love — The Red Telephone
The Byrds — Change Is Now
Otis Redding — (Sittin’ On) The Dock Of The Bay
The Balloon Farm — A Question Of Temperature
Sly & The Family Stone — Dance To The Music
Quicksilver Messenger Service — Pride Of Man
The Monkees — Porpoise Song (The Monkees at their most tripped-out. A song by Goffin & King that plays over shots of Micky Dolenz swimming with solarised mermaids during the opening of their feature film, Head.)

Previously on { feuilleton }
Listen to the Colour of Your Dreams: Part Four
Listen to the Colour of Your Dreams: Part Three
Listen to the Colour of Your Dreams: Part Two
Listen to the Colour of Your Dreams: Part One
What Is A Happening?
My White Bicycle
Ogdens’ Nut Gone Flake
Tomorrow Never Knows
The Dukes declare it’s 25 O’Clock!
A splendid time is guaranteed for all