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Manuel Orazi’s Salomé

The Biblical bad girl returns in three pictures from an illustrated edition of Oscar Wilde’s play, published as a limited run in 1930. Manuel Orazi (1860–1934) was a French artist whose work has appeared here before, and no doubt will do again very soon since I’ve been finding further examples of his illustrations and designs. These drawings are closer to Gustav Klimt or George Barbier than his earlier illustrations which owed much to the stylisation of Mucha’s Art Nouveau.

Elsewhere on { feuilleton }
• The illustrators archive
• The Salomé archive

Hector Guimard sketches

Projet pour la couverture Revue d’art (1899).

French architect and designer Hector Guimard (1867–1942) is most renowned today for his entrances to the Paris Metro but his work extended from architecture to interior and graphic design, much of it a superior application of the Art Nouveau style. Le cercle Guimard is a site devoted to the designer’s work (French-only for now) while these sketches are from a substantial collection at the Musée d’Orsay, Paris.

Projet de demi-canapé pour Mme Legrand (1900).

Previously on { feuilleton }
• Temples for Future Religions by François Garas
• Elizabetes Iela 10b, Riga
• Atelier Elvira
• Louis Bonnier’s exposition dreams
• The Maison Lavirotte
• The House with Chimaeras

The art of Aquirax Uno

First Love Inferno (1968).

There’s very little web information available for Aquirax Uno, a Japanese artist active in the 1960s and 1970s who really ought to have a dedicated site. Much of his work seems to be poster art for cinema or product advertising, and, as usual on the web, what there is tends to get repeated a great deal. You can see more examples like these at Pink Tentacle, Ganymede Kids and Beautiful/Decay.

Keiko’s at Marubutsu Department Store (1967).

Previously on { feuilleton }
• Alice in Acidland
• Salomé posters
• Polish posters: Freedom on the Fence
• Kaleidoscope: the switched-on thriller
• The Robing of The Birds
• Franciszek Starowieyski, 1930–2009
• Dallamano’s Dorian Gray
• Czech film posters
• The poster art of Richard Amsel
• Bollywood posters
• Lussuria, Invidia, Superbia
• The poster art of Bob Peak
• A premonition of Premonition
• Metropolis posters
• Film noir posters

The panoramic towers of Prague

The Tower at Charles Bridge, Old Town.

More panoramas of Prague from 360 Cities by Jeffrey Martin, a photographer who’s made a speciality of capturing the city in 360º views. Among his collection are a number of photos taken from Prague’s many towers and steeples including a few where he’s managed to remove the supporting building, as in the view from the Charles Bridge above. This gives the effect of floating in weightless suspension above the city and may well induce alarm in vertigo sufferers. Needless to say, all these are best viewed on the full screen setting.

The Powder Tower (Prasna Brana).

Mikulas Tower.

Prague TV Tower Babies 1; one of David Cerný’s crawling baby sculptures looks over the city. See also the 18 gigapixel view from the tower.

Elsewhere on { feuilleton }
• The panoramas archive

Previously on { feuilleton }
• Karel Plicka’s views of Prague

Jugend, 1899

Continuing the delve into back issues of Jugend magazine, the German fin de siècle periodical of “art and life”, this post covers the year 1899. The earlier years of the magazine are replete with a variety of elegant and often bizarre graphics, as well as some classic examples of Art Nouveau graphic design. 1899 is the point in the magazine’s history that the variety (and, for me, the interest) begins to diminish. The covers lose their earlier inventiveness while the Art Nouveau stylings within are being replaced by drab illustrations of the German middle classes and patriotic depictions of country folk. There are still gems to be found, however, some of which follow below. As before, anyone wanting to see more of these graphics is advised to explore the bound volumes at the Heidelberg University archive. The two books for 1899 can be found here and here.

Otto Eckman (above) and Julius Diez (below) were heavily featured in the earlier years of the magazine and Diez in particular produces some of the best work in this year’s run.

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