Weekend links 400

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Le Répit (La Mort allaitant une chauve-souris) (1895) by Valère Bernard.

Playhouse 90 presents Heart of Darkness by Joseph Conrad. An American TV production from 1957 starring Boris Karloff, Roddy McDowall, Eartha Kitt and others; introduced by Sterling Hayden. It’s bizarre. Acidemic goes into the detail.

• Erik Davis talks to occult writer and drug geek Julian Vayne about Baphomet, the (sur)reality of spirits, evolution, ritualizing entheogens, and his new book Getting Higher: The Manual of Psychedelic Ceremony.

• “Unsurprisingly, 1. Outside was the record that the #BowieBookClub readers most readily associated with Hawksmoor.” Anna Aslanyan revisits Peter Ackroyd’s architectural mystery.

The Flowers of Dorian Gray: part one of a series of posts examining one of Oscar Wilde’s favourite symbols.

• At Haute Macabre, an interview with Michael Locascio & Heather Jean Skawold of Dellamorte & Co.

One Minute Art History, an animated film by Cao Shu.

Film posters at the Harry Ransom Center, UT-Austin.

• Mix of the week: FACT mix 639 by Black Milk.

Susanna‘s favourite albums.

• Welcome to The Spoodoir.

• Flowers Of Evil (1983) by Cortex | Baphomet (1989) by Foetus Inc. | Heart Of Darkness (1989) by Syd Straw

Weekend links 396

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Cover art for Outer Dark (1994) by Bill Laswell. Photography by Thi-Linh Le.

• “In an era where music, among other creative endeavors, has been devalued as mere ‘content,’ freely accessed through the new digital medium, the very survival of those who create music and art and culture has been threatened. Bassist, iconic producer, and sonic visionary Bill Laswell becomes the latest legendary talent to fall victim to the vagaries of these crazy times. Beset by health problems while trying to navigate this harsh and uncertain economic landscape, Laswell is struggling to maintain Orange Music, the legendary New Jersey studio that he as helmed for the last 20 years. He is putting the call out to all fans, friends, and fellow artists alike: If you can help, please do so now. No contribution is too small.”

A Perspex Town is a video by Ian Hodgson (aka Moon Wiring Club) for Applied Music Vol.2: Plastics Today, a new album by Jon Brooks (aka The Advisory Circle).

• The strangeness in the land: Adam Scovell on the BBC’s Play for Today adaptation of Red Shift by Alan Garner. I’d recommend reading the novel as well.

• “My last album was pretty perfect,” says Scott Walker. Sundog, a book of his lyrics, is out now from Faber.

Popular Graphic Arts at the Library of Congress, a new resource of free-to-use, high-resolution scans.

• At The Quietus: LoneLady & Stephen Mallinder offer playlists of music they’ve enjoyed recently.

• Another Green World: Lewis Gordon on how Japanese ambient music found a new audience.

• The discography of Drew Mullholland (aka Mount Vernon Arts Lab) is now at Bandcamp.

• Mixes of the week: FACT mix 635 by Riobamba, XLR8R Podcast 526 by DJ Sports.

The occult roots of higher dimensional research in physics.

• Animated Britain: a YouTube playlist from the BFI.

Pye Corner Audio remixes Knightstown.

• At Dennis Cooper’s: John Waters Day.

• A World Of Different Dimensions (1979) by Tomita | Into The Fourth Dimension (Essenes In Starlight) (1991) by The Orb | New Dimensions In (2010) by The Advisory Circle

Weekend links 395

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Love is a Martyrdom (1965) by Stephanie Godwin. See Joscelyn Godwin’s Flickr pages for more.

David Shire’s synthesizer score for Apocalypse Now was the first music recorded for the film but was abandoned when Shire was fired due to other commitments. 39 years later, his score has been released by La-La Land Records.

Moon Safari by “French band” Air was released in the UK on January 16th, 1998. Jeremy Allen looks back at an album that was more successful here than elsewhere.

• On the occasion of the US publication of Iain Sinclair’s The Last London, Geoff Nicholson presents an A to Z of the author and his works.

This is the story of how two artists fell in love with each other, with Kelmscott Manor, and with William Morris, the poet, craftsman, and socialist who had made it his home. As Kelmscott’s first tenants afer the Morris family, Edward and Stephani Scott-Snell rented the historic Oxfordshire house throughout the Second World War. There they created an aesthetic and erotic paradise based on a fantasy land called ‘Thessyros’, and produced a body of figurative painting unique for its time. Much of this was done under the influence of a legally-obtained drug they called ‘Starlight’, making many of their paintings  early examples of psychedelic art.

The Starlight Years is a book by Joscelyn Godwin about his artist-parents and their strange relationship

• Mixes of the week: FACT mix 634 by Minor Science, Secret Thirteen Mix 243 by Moa Pillar, and XLR8R Podcast 524 by Burnt Friedman.

• At The Smart Set: Marian Calabro pays a visit to the Brussels apartment where René and Georgette Magritte lived from 1930 to 1954.

Hormone Lemonade, a new album by Cavern Of Anti-Matter, will be released in March. The Quietus has a preview.

• At the Internet Archive: QZAP, the Queer Zine Archive Project; 551 downloadable publications from 1974 to 2015.

• At Dennis Cooper’s: Briefly recounting Tim Buckley‘s short, inconvenient stylistic trajectory.

• Musician and bookseller Richard Bishop recommends a handful of rare occult volumes.

• At Kickstarter: Arsgang, a short psychological horror film by Harry Edmundson-Cornell.

• “A Sloppy Machine, Like Me”: Michael Grasso on the history of video synthesizers.

• At Flashbak: 27 Snapshots of Manchester in the 1960s.

• At Strange Flowers: 18 books for 2018.

Love Is Strange (1956) by Mickey & Sylvia | Love Is Peace (1970) by Amon Düül | Love Is The Drug (1980) by Grace Jones

Weekend links 390

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French poster by Basha (Barbara Baranowska) for Andrzej Żuławski’s extraordinary Possession (1981).

• “Alive from Off Center, renamed Alive TV in 1992, was an American arts anthology television series aired by PBS between 1984 and 1996. Each week, the series featured experimental short films by a mixture of up-and-coming and established directors. Notable episodes included As Seen on TV, starring comic actor Bill Irwin as an auditioning dancer who becomes trapped in a television, wandering among daytime dramas, MTV, and PBS’s own Sesame Street and the atmospheric puppet melodrama Street of Crocodiles, adapted by the Brothers Quay from the Bruno Schultz story. […] Arguably the series’ best-known episode was What You Mean We? a short film written by, directed by, and starring Laurie Anderson, which aired in 1986.” Alive from Off Center, 11 episodes at Ubuweb.

• “[Count] Stenbock was a homosexual convert to Roman Catholicism and owner of a serpent, a toad, and a dachshund called Trixie. It was said that toward the end of his life he was accompanied everywhere by a life-size wooden doll that he believed to be his son. His poems and stories are replete with queer, supernatural, mystical, and Satanic themes; original editions of his books are highly sought by collectors of recherché literature.” Of Kings and Things: Strange Tales and Decadent Poems by Count Eric Stanislaus Stenbock will be published by Strange Attractor in March, 2018.

• Music news of the week (in this house, anyway) is a new song, The Mysterious Vanishing of Electra, by Anna von Hausswolff. A new album, Dead Magic, is due in March, and I’m doubly-thrilled to read that Randall Dunn of Master Musicians of Bukkake (and producer/engineer for Earth, Sunn O))), etc.) is involved.

• “Why do Texas prisons ban Freakonomics but not Adolf Hitler’s Mein Kampf?” asks Lauren McGaughy. On the banned list is the three-volume The Graphic Canon, edited by Russ Kick, which includes my adaptation of The Picture of Dorian Gray.

• “To understand how other planets are made, exogeologists are synthesizing those planets in miniature in the earthbound equipment in their labs.” BLDGBLOG on speculative mineralogy.

• “What does the Bardo sound like?” Lauria Galbraith on Éliane Radigue‘s Trilogie de la Mort, three hour-long electronic compositions based on The Tibetan Book of the Dead.

• And speaking of Earth, Joseph Stannard talked to Dylan Carlson (Earth) and Kevin Martin (The Bug) about their recent collaboration.

• Mixes of the week: FACT mix 630 by Hanz, XLR8R Podcast 519 by Setaoc Mass, and Secret Thirteen Mix 239 by Blush Response.

• The League’s seven deadly sins: Reese Shearsmith on the cinematic influences behind The League of Gentlemen’s TV series.

Donnie & Laurie, a jam from the late 1970s with Laurie Spiegel on Electrocomp 101 synthesizer, and Don Christensen on drums.

• Guests and dates for the Dublin Ghost Story Festival have been announced.

David Bowie sang for Devo, and Mark Mothersbaugh might have the tapes.

• The albums of the year according to The Quietus.

• At Dennis Cooper’s: Isabelle Adjani Day.

Possessed (1979) by MX-80 Sound | Possession (1988) by Danzig | Possessed (1992) by Balanescu Quartet

Weekend links 380

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Night Out, Shibuya, a photograph by Yoshito Hasaka. One of a remarkable series.

• Rixdorf Editions is a new publishing venture from Strange Flowers’ James Conway which “…aims to cast light on an era which is misunderstood to the extent that it is thought of at all. I speak of the German Empire, specifically the Wilhelmine period from 1890 to 1918.” The first two titles, both translated by Conway himself, are Berlin’s Third Sex (1904), a study of the city’s queer demi monde by the pioneering Magnus Hirschfeld; and The Guesthouse at the Sign of the Teetering Globe (1917), a collection of strange stories by Franziska zu Reventlow.

• Patrick McGoohan’s enigmatic TV series, The Prisoner, premiered 50 years ago this week. Among the series’ many stylistic hallmarks was the use of Berthold Wolpe’s Albertus typeface, as detailed at We Made This.

• Three of Bill Nelson’s home-produced instrumental albums from the 1980s—Sounding The Ritual Echo, Das Kabinet, and La Belle Et La Bête—are reissued in November.

Photos by Heinrich Klaffs of German group Faust performing live (for the first time?) in 1971. Klaffs’ other photos are worth looking at as well.

• Mixes of the week: XLR8R Podcast 509 by Laylla Dane, and Secret Thirteen Mix 231 by New Hip Tiki Scene.

• At Spoon & Tamago: Altered landscapes meticulously rendered in pencil by Shinji Ogawa.

• “Why are UK and US book jackets often so different?”asks Danuta Kean.

Samantha Manzella on eight of the world’s remaining gay bookstores.

• At greydogtales: F. Marion Crawford & the Screaming Skull.

Tunnel View, a previously unheard demo by Broadcast.

Zealandia: Earth’s Hidden Continent

Seeland (1975) by Neu! | Neu Seeland (1992) by Terminal Cheesecake | Osprey’s Odyssey (2010) by Seeland