Weekend links 16

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Sumer Is Icumen In but you wouldn’t have known it today, it being cold and wet, O my brothers. The picture above is the work of David Owen whose Ink Corporation does a splendid job of updating the iconography of the folk music world. Via Electric Eden.

• Biting the hand that feeds: designer Jonathan Barnbrook’s contribution to the Biennale of Sydney takes a dig at the whole enterprise. The art market is impervious to criticism (or shame) but the gesture is an amusing one.

Emanuel Schongut’s book covers of the 1960s and 1970s on the artist’s own Flickr pages. Via A Journey Round My Skull.

• Owen Freeman on illustrating William Burroughs. Related: Reality Studio interviews Victor Bockris.

• RIP Jack Birkett, Derek Jarman’s Caliban and the Pope in Caravaggio. And RIP Dennis Hopper, actor, director and photographer.

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“Sea Nettle” (1873), a costume design by the Mistick Krewe of Comus. From this BibliOdyssey posting of New Orleans Mardi Gras designs.

• Chris Summerfield’s surfer boys at Lulu.

• Homotography also has a Tumblr page.

The Ghost Box Study Series Singles.

• More 3D projection on buildings.

John Foxx interviewed at FACT.

Song of the week: Ineffect (1989) by Material.

Passage 13

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Ed Jansen writes again with news that no. 13 of his Dutch-language web magazine Passage is now online:

Number 13 of Passage contains stories about the Buddha Machine, a strange little box that emits music, then there is ‘Escape from the dollhouse?’, which is about the art of Hans Bellmer, surreal and strangely erotic, ‘The Skeleton that Climbed in Through the Window’ tells the equally strange and sad story of the life of Unica Zürn, companion of Bellmer and ‘Nomads of the Timestream’ is of course about the work of Michael Moorcock. This collection begins and ends with two sides of a story about the version of the visit of Odysseus to the Underworld, by Ezra Pound.

The customary eclectic mix, in other words. The Buddha Machine section is a nice overview of recent ambient music machines. I love the ad art for Zhang Jian’s Short-Wave of Bengal Bay.

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Previously on { feuilleton }
Passage 12
Gristleism
Passage 11
Buddha Machine Wall
Passage 10
God in the machines
Layering Buddha by Robert Henke

Weekend links 14

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A drawing by Eric Fraser from the Radio Times, 1947. From this Flickr set.

• I helped put together the design for the Pursuit Grooves album recently. FACT magazine interviewed Vanese Smith about her work.

• One of the books whose interiors I designed last year for Tachyon was The Secret History of Science Fiction, a story collection edited by James Patrick Kelly and John Kessel. (And a book which I’ve yet to add to my web pages, I’m still behind with updates.) The LA Times has a piece about the anthology here, focusing on the Don DeLillo contribution, Human Moments in World War III.

• It’s been another week of Facebook hate; being a self-satisfied refusenik I can’t help but find this amusing. Too many good pieces to list but Gizmodo had more reasons why you should still quit Facebook, Jason Calacanis gathered lots of links to other stories on his blog while social media expert Danah Boyd got to the heart of the matter with a very cogent polemic.

• If you want an alternative to Facebook, Diaspora is “the privacy aware, personally controlled, do-it-all distributed open source social network”.

• David Toop has a new book out next month. “Sinister Resonance begins with the premise that sound is a haunting, a ghost, a presence whose location is ambiguous and whose existence is transitory. The intangibility of sound is uncanny – a phenomenal presence in the head, at its point of source and all around. The close listener is like a medium who draws out substance from that which is not entirely there.”

• Coilhouse looks at the late Decadent artist and designer Hans Henning Voigt (1887–1969), better known as Alastair.

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come, been and gone.

• “After a sold out season at the Barbican in 2009 Michael Clark Company returns with the next instalment of his critically acclaimed production made primarily to the music of David Bowie. come, been and gone also embraces the work of Bowie’s key collaborators: Lou Reed , Iggy Pop , Brian Eno and touches on some of his influences; The Velvet Underground , Kraftwerk and Nina Simone……This production contains loud music and graphic images.” I should hope so.

• “Why should boys always be boys, and girls always be girls?” Brutal/Beautiful, photography by Austin Green.

• John Foxx, Iain Sinclair and others appear at Short Circuit 2010 next month.

Black, Brown, and Beige: Duke Ellington’s music and race in America.

Jane Siberry has made all her albums available as free downloads.

Ruth Bayer photographs people after they’ve inhaled poppers.

Swiss artist catalogues mutant insects around nuclear plants.

Pompeii’s X-rated art will titillate a new generation.

The Happy, Haunted Island of Poveglia, Venice.

The Art of American Book Covers, a blog.

Kanellos, the Greek protest dog.

• Song of the week: Twiggy Twiggy (1994) by Pizzicato Five.

Weekend links: the queer edition

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A T-shirt design by artist Daryl Vocat.

Tove Jansson: Out of the Closet. The unorthodox life and work of the woman who gave us the Moomins.

Submissions are now open for PANK’s October special online issue featuring Queer prose, poetry & art.

• More new magazines: Zeus and Made in Brazil Magazine, the latter being a spin-off from the justly-praised weblog of Brazilian hotness.

• An old magazine, called, er…Magazine: “Everything about Magazine was new, from the stark photoless cover design with its bold typeface to the way the men were photographed. The pictures weren’t overtly sexual, but proudly confronted the viewer in a different way: “To us, showing a face was the most important thing because back in 1980, gay people still had to hide their faces,” Lestrade says.” A few pictures from Magazine.

Revealed: The Tradition of Male Homoerotic Art, an exhibition at the Leslie-Lohman Gallery, NYC, from May 12th.

• The programme for the International Dublin Gay Theatre Festival which is running to May 16th.

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Scissor Sisters have a new album, Night Work, out next month. The cover picture is a photo of dancer Peter Reed by Robert Mapplethorpe. Antony and the Johnsons have announced a new album (and accompanying book) for October.

• Headline of the week: “Christian right leader George Rekers takes vacation with ‘rent boy’ ”. Rekers took issue with the story; his Rentboy.com escort took issue with Rekers’ issue-taking. Then things became unpleasant. And now another escort has come forward.

Henry & Glenn Forever, “a love story to end all love stories”. “Who knew Rollins was such a caring spouse? Who knew Hall and Oates were so infernally evil—yet so considerate?”

• This week’s Tumblr silliness: Lesbians Who Look Like Justin Bieber.

• I’m not on Facebook, nor will I ever be. If you are, however, here’s ten reasons why you should quit. The EFF has six things you need to know about Facebook Connections. Wired thinks that Facebook has gone rogue and an alternative is needed. What does Facebook publish about you and your friends? Finally, Gawker has ten reasons why you’ll be on Facebook forever.

The Prague Pneumatic Post.

How to serve absinthe.

Cthulhu is not cute.

• Song of the week: Gay Messiah by Rufus Wainwright.

Mark Twain

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Nikola Tesla and Mark Twain, 1894.

Mark Twain died 100 years ago today, April 21st, 1910, and the anniversary is being marked in America by a variety of events throughout the year, some of which are listed on this dedicated site. I’ve always been grateful to Twain for cheering a portion of my dismal school days with The Adventures of Huckleberry Finn, one of two books we were forced to read that I actually enjoyed. (The other was Lord of the Flies; both stories, perhaps significantly, concern Wild Boys.) I’ve wanted to re-read Huckleberry Finn for years, perhaps now would be a good time to actually do so.

Unlike many writers of his generation, Twain’s work still seems vital today, and not only his fiction. His broadsides and polemics return continually to basic issues of tolerance and humanity and are often as relevant now as they were a century ago. Twain had little patience for the hypocrisies of his fellows when it came to matters of religion, warfare or the treatment of other human beings; like his contemporary, Oscar Wilde, he’s always been endlessly quotable. Consider these two extracts:

Citizenship? We have none! In place of it we teach patriotism which Samuel Johnson said a hundred and forty or a hundred and fifty years ago was the last refuge of the scoundrel—and I believe that he was right. I remember when I was a boy and I heard repeated time and time again the phrase, ‘My country, right or wrong, my country!’ How absolutely absurd is such an idea. How absolutely absurd to teach this idea to the youth of the country. True Citizenship at the Children’s Theater, 1907

But the truth is, that when a Library expels a book of mine and leaves an unexpurgated Bible lying around where unprotected youth and age can get hold of it, the deep unconscious irony of it delights me and doesn’t anger me. Letter to Mrs FG Whitmore, February 7, 1907

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…then wonder what Twain would have to say about America’s current crop of blustering yahoos with their flags and crosses and misspelled signs.

A copy of the first edition of The Adventures of Huckleberry Finn, illustrated throughout by EW Kemble, can be downloaded at the Internet Archive. For Twain’s dim view of the Bible and its adherents, see his Letters from the Earth. The Tesla Memorial Society has another photograph of Twain in the great inventor’s laboratory.