Art of Fencing

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Race Imboden.

The Men with swords archive hasn’t received much attention recently, the last addition being in May 2012. Had I been more diligent I might have found a photo or two of American fencer Race Imboden before now, the picture above being one of many such images at a Pinterest page entitled Art of Fencing. Many of the pictures there are sport-related but the concerns are also a little less academic, in fact at least two of them are things I’ve posted myself in the past.

If you spend a lot of time scouring the web for images then Pinterest has become very useful, very quickly with all manner of niches and micro-niches covered. That this has happened just as Flickr has been rendered unusable by idiotic interface changes is especially welcome. So we’ll say farewell, Flickr, if we want more pictures of the pulchritudinous Race Imboden in future we’ll look here.

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The men with swords archive

The weekend artists, 2013

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“Chloromgonfus detectis, a dragonfly that can detect volatile pollutants.” A speculative insect by artist Vincent Fournier.

The annual review of artists/designers/photographers featured in the weekend posts should have run at the end of December but MR James got in the way. Big thanks, and happy new year to Form is Void and Beautiful Century for pointing the way to many of these people.

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Two cover designs from Eliash Strongowski’s 30 Days—30 Covers project.

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Pink Boy by Melinda Gebbie.

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Seam Stress (1987) by Laurie Lipton. The Drawings of Laurie Lipton is out now from Last Gasp.

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The Baron in the Trees (2011), a book-cut sculpture by Su Blackwell.

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Abbeys by MR James

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MR James is remembered today for his ghost stories but the four collections published during his lifetime represent a small percentage of his written work. His scholarly studies inform his stories, of course, but they also contribute to a pair of popular non-fiction books which have peripheral associations with the ghost collections: Suffolk and Norfolk: A Perambulation of the Two Counties with Notices of Their History and Their Ancient Buildings (1930) is a guide to the low-lying eastern counties where a number of the stories are set; Abbeys (1925) is a guide to the monastic ruins of the south-western counties and central England, locations which the author and his characters would enjoy visiting. This is a favourite book of mine, and one I often recommend to James enthusiasts.

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Abbeys is one of a three-volume set of illustrated guides published by the Great Western Railway company in 1925, (my copy is a second edition from 1926) the other titles being Cathedrals (1924), with no author credited, and Castles (1926) by Charles Oman. The books detail the ancient attractions a traveller in Britain might wish to explore using the services of Great Western Railway. Many of the more celebrated buildings in England and Wales are covered but the lines only travel as far north as Manchester and as far east as London. In addition to photo plates and illustrations, each book contains a removable map of the rail network folded into a pocket inside the back of the book. The coloured boards (red for Abbeys, blue for Cathedrals and brown for Castles) are sturdy enough to withstand the rigours of travel.

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Another of those poignant inscriptions.

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Although Abbeys lacks any credits for its photos and illustrations, Cathedrals states that the photos are the work of the railway’s staff photographers while the pen-and-ink illustrations are by William M. Hendy. There’s also a credit for the typographer, William Gordon Tucker, who not only provides many fine illuminated capitals but also uses ligatures for “ct” and “st”. Abbeys has an additional feature in the form of several fold-out plans of the larger buildings.

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Weekend links 191

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Two cover designs from Eliash Strongowski’s 30 Days—30 Covers project.

My thanks once again to Dennis Cooper for placing this blog on his end-of-year lists. Meanwhile. one of the albums I designed earlier this year, Cold Mission by Logos, made the 30 Best Album Covers of 2013 list at FACT.

• “Many of their more outlandish ideas never saw fruition: an organ powered by an entire factory, an electro-acoustic orchestra mounted on a fleet of airplanes.” Colin McSwiggen reviews Sound in Z: Experiments in Sound and Electronic Music in Early 20th Century Russia by Andrey Smirnov.

Queer Pagan Punk, a major film retrospective of the work of Derek Jarman, will take place in February and March 2014 at the BFI Southbank, London.

• “For over forty years, Iain Sinclair’s work has combined obsessive myth-making with urban despair. But what do we know about him?” asks Fatema Ahmed.

• “Rather than trying to intercept alien communications, perhaps we should go looking for alien artefacts.”

• Mix of the week: Radio Belbury Programme 12, and Winter Hours, the Cafe Kaput 2013 winter mix.

BEEP BEEP. BLOOP BLEEP: Road Runner cartoons soundtracked by a Eurorack synthesizer.

Historia Discordia: Documenting the Origins, History & Chaos of the Discordian Society.

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Pink Boy by Melinda Gebbie.

Suffered From The Night: Queering Stoker’s Dracula edited by Steve Berman.

• At Dangerous Minds: An interview with soundtrack composer Cliff Martinez.

Sarah Schoenfeld puts recreational drugs under the microscope.

• Powerplant Art-déco, a set of photos by Romain Veillon.

Adrian Curry chooses the best film posters of 2013.

Portent’s Content Idea Generator

Tarkovsky at Pinterest

The Sea Named Solaris (1977) by Tomita | Is That What Everybody Wants? (2002) by Cliff Martinez | Reyja (2011) by Ben Frost & Daníel Bjarnason

Bad Behaviour Boys 2014 calendar

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Marco Blaze.

Who knew there were hot guys in the Black Lodge? Not another calendar of mine (I don’t know anyone this attractive) but a new calendar from Ross Brownsdon and Travis de Jonk at Bad Behaviour Publishing who notified me about this yesterday. See François Sagat as a drawing, Chi Chi LaRue as herself, and much more here (but only if you’re not alarmed by penises). The calendar is on sale here.

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Bad Behaviour