{film} – Page 312 – { feuilleton }

Monsieur Fantômas by Ernst Moerman

Jean Michel as Fantômas.

Ernst Moerman’s Belgian short from 1937 is available for viewing at Ubuweb and is described on its title card as “Un film Surrealiste”. One might equally describe it as “un film amateur” since it’s very much in the home movie mould as was much of the independent cinema of this time. The direction may be perfunctory but the photography is surprisingly good in places. The action, such as it is, concerns an avatar of the Surrealists’ favourite anti-hero, Fantômas, in a series of farcical scenes many of which are filmed on a beach with a few spare props. The most notable moment for me is one which none of the online documentation mentions, a brief appearance by a youthful René Magritte who pretends to be painting Le Viol. Magritte was a great Fantômas enthusiast so his presence here isn’t too surprising.

Previously on { feuilleton }
• The Dark Ledger
• Judex, from Feuillade to Franju
• Fantômas

Bob Peak revisited

left: Mame (1974); right: Excalibur (1981).

Matthew Peak, son of film poster artist Bob Peak, left on a comment this week on an earlier post I made about his father’s art with news of the relaunch of the Peak site. I’m looking forward to seeing what gets posted there especially since the additions to date are such good quality. Peak was a tremendously powerful and dramatic artist whose posters are often a lot more engaging than the films they were intended to promote. He was also exceptionally versatile, as the two examples above demonstrate (via IMP Awards), being equally adept at hard-edged graphics as he was with nebulous airbrush paintings. As with the similarly versatile Richard Amsel, the more time passes, the more these posters seem evidence of an artistry and individuality which has vanished from the world of film design.

Previously on { feuilleton }
• The art of Aquirax Uno
• Alice in Acidland
• Salomé posters
• Polish posters: Freedom on the Fence
• Kaleidoscope: the switched-on thriller
• The Robing of The Birds
• Franciszek Starowieyski, 1930–2009
• Dallamano’s Dorian Gray
• Czech film posters
• The poster art of Richard Amsel
• Bollywood posters
• Lussuria, Invidia, Superbia
• The poster art of Bob Peak
• A premonition of Premonition
• Metropolis posters
• Film noir posters

Three Heads Six Arms by Zhang Huan

A new sculpture by Chinese artist Zhang Huan which was officially dedicated in San Francisco’s City Hall Plaza last week. The photo is by Flickr user David Dasinger and similar views can be found in this Flickr pool. Huan’s copper figures may be intended to evoke Buddhist serenity but I can never see that plaza without remembering the horrible ending of Philip Kaufman’s Invasion of the Body Snatchers.

Three Heads Six Arms is part of a series of monumental works depicting the fragmented extremities of Buddhist statues. The series was inspired by Zhang’s discovery of religious sculptures that had been destroyed during the Cultural Revolution for sale in a Tibetan market. (More.)

Via Erik Davis.

Previously on { feuilleton }
• The art of Arnaldo Pomodoro
• Sculptural collage: Eduardo Paolozzi
• Dead monuments
• The art of Igor Mitoraj

Lynn Redgrave, 1943–2010

Lynn Redgrave did a lot more than just Georgy Girl (1966) and Smashing Time (1967), of course, but the latter especially made an indelible impression on me when it turned up on TV in the early 1970s. George Melly’s smart and funny poke at the pretensions of Swinging London has a satirical edge which meant nothing to a nine-year-old, I just loved the exaggerated modishness, the Richard Lester-style wacky direction and especially Lynn and Rita, two girls from “up north” who I’d have loved to have as older sisters. I haven’t seen Smashing Time for years, it was one of those films which was so much of its time that it seemed to vanish from TV schedules and was never available in video form. I see there was a DVD release in the US although that’s now been deleted. Happily YouTube is more reliable, so here’s Rita and the splendidly camp Murray Melvin (both of whom were in A Taste of Honey) in the ‘Too Much’ boutique, and Lynn recording I’m So Young, the song which makes her a pop star. Austin Powers is a fake, baby, this is the real thing.

Previously on { feuilleton }
• Through the Wonderwall

Weekend links 13

• Watch the trailer for the newly-restored version of Fritz Lang’s masterwork, Metropolis.

• My cover design for Jeff VanderMeer’s Finch was voted best cover in the 2010 Spinetingler Awards.

• Figment announces the 2nd Annual Figment Album Cover Design Contest. The judge this time round is William Schaff.

• Two interviews at The Quietus: Jon Brooks of The Advisory Circle and Richard H Kirk of Cabaret Voltaire.

• “Merely a Man of Letters.” Jorge Luis Borges interviewed in 1977.

• Another Engelbrecht: The Miniature Theatres of Martin Engelbrecht.

• The Unearthing Box Set by Alan Moore & Mitch Jenkins.

• The gays: RIP Felix Lance Falkon, author of the landmark study, A Historic Collection of Gay Art (1972). The Independent is the latest newspaper to look at sexuality in the animal kingdom.

• Publisher to Release Philip K Dick’s Insights Into Secrets of the Universe.

• Roger Ebert shows the world a draft of his unfilmed Sex Pistols screenplay, Who Killed Bambi? Jon Savage comments.

• Further Flickr sets: History of the Book/Typography and Dutch Graphic Design. Related: more Dutch graphic design at the NAGO.

• Far Red: Video by u-matic & telematique, music by Monolake.

• Has steampunk jumped Captain Nemo’s clockwork shark yet?

• An edge over which it is impossible to look.

• Surrender. It’s Brian Eno.

• Ecstatic Peace Library.

• Songs of the week: See Emily Play by Pink Floyd and Metropolis by Kraftwerk.