Reynard the Fox

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Reineke Fuchs, Einband der Ausgabe des Versepos von Johann Wolfgang von Goethe (1846).

From Wikimedia Commons’ stock of images related to the medieval trickster hero, and another great cover showing the 19th century art of the blocked binding. In a similar vein, don’t miss these marvellous illustrations at BibliOdyssey.

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Reineke als Sieger by Wilhelm von Kaulbach (1846).

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The etching and engraving archive
The book covers archive

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Old book covers
Decorated Russian book covers
The Hetzel editions of Jules Verne

The art of Virginia Frances Sterrett, 1900–1933

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“Rosalie saw before her eyes a tree of marvellous beauty” from Old French Fairy Tales.

Continuing the series of occasional posts mining the scanned library books at the Internet Archive, these illustrations are from a 1920 edition of Old French Fairy Tales by Comtesse Sophie de Ségur and a 1921 volume of Tanglewood Tales by Nathaniel Hawthorne. Virginia Frances Sterrett, like Beardsley and Harry Clarke, was another artist whose life was cut short by tuberculosis. She was a remarkably accomplished 19-year-old when she illustrated the Sophie de Ségur book. Her incredible illustrations for The Arabian Nights (1928) can be seen here.

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“They walked side by side during the rest of the evening” from Old French Fairy Tales.

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“She whipped up the snakes and ascended high over the city” from Tanglewood Tales.

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“This pitiless reptile had killed his poor companions” from Tanglewood Tales.

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The illustrators archive

John Phillip Law, 1937–2008

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Pygar the angel, Barbarella (1968).

John Phillip Law, who died on Tuesday, was featured here last year in a look at Mario Bava’s crazy live action fumetti, Danger Diabolik (below). Law made that film the same year as he played a blind angel in an equally crazy slab of Sixties’ decadence, Barbarella. In a more serious role, he played opposite the very formidable Rod Steiger in The Sergeant which was released the same year; together with Victim, this was one of the first films I remember watching that dealt with same-sex attraction (albeit in the usual angst-ridden mode), with Law’s character being the understandable object of Steiger’s doomed affection.

After those heights, things tended to be more down than up but I do have an affection for Ray Harryhausen’s The Golden Voyage of Sinbad (1974). Law’s Sinbad was pretty good even if he spends much of the time fighting monsters while Tom Baker was great as the villainous Koura. And I always appreciated that screenwriter Brian Clemens made Lemuria the destination of the voyage, a lost continent mentioned by Madame Blavatsky and many of the Weird Tales writers, including HP Lovecraft in The Haunter of the Dark.

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Danger Diabolik (1968).

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CQ
Danger Diabolik

The art of Leonor Fini, 1907–1996

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Painter, illustrator and novelist Leonor Fini has been mentioned here before in a post about women Surrealist artists but her wonderful paintings deserve renewed attention. There’s an official site and galleries here (follow the links at the bottom of the page) and here but her work is so profuse and varied there could easily stand to be more.

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The fantastic art archive

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The art of Michel Henricot
Surrealist women