Weekend links 91

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Untitled (1978) by GR Santosh at 50 Watts.

Evertype Publishing produces a range of Lewis Carroll special editions including Ailice’s Àventurs in Wunnerland (a translation in Scots), Alicia in Terra Mirabili (a Latin version), and an edition printed in the Nyctographic Square Alphabet devised by Carroll.

• This week’s bookshop animations: Type Books, Toronto presents The Joy of Books while at Shakespeare and Company, Paris, Spike Jonze and Simon Cahn explore the erotic life of book covers in Mourir Auprès de Toi.

• Invisible Girls and Phantom Ladies, a 1982 article on sexism in (US superhero) comics by Alan Moore. Thirty years on, things haven’t improved much at all.

I reread it now, 35 years later, and I am struck by its capacity to change like a magic mirror. Where I had originally seen it as a book about writing, about becoming a writer, I now see it as a book about reading, about taking one’s place in the chain. Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live.

Tilda Swinton on Virginia Woolf’s Orlando

Dark Water, Lovecraftian carpet designs (yes, carpets) by Kirill Rozhkov. Danish carpet manufacturer Ege has a catalogue showing the finished products.

Neil Gaiman ventures into the treacherous labyrinth of M. John Harrison’s Viriconium.

Nicholas Lezard reviews The White People and Other Weird Stories by Arthur Machen.

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The Dream (1910) by Henri Rousseau at the Google Art Project.

• Reassessing the Saul Bass and Alfred Hitchcock Collaboration by Pat Kirkham.

• Getting There Too Quickly: Peter Bebergal on Aldous Huxley and Mescaline.

Hidden in the Open: A Photographic Essay of Afro-American Male Couples.

Filles En Aiguilles, a new musical work by Schütze+Hopkins.

RubiCANE’s Erotic Illustrations.

Laurie Anderson has a Godplex.

Alan Bennett on Smut.

The Jungle Line (1975) by Joni Mitchell | The Jungle Line (1981) by Low Noise (Kevin Armstrong, Thomas Dolby, JJ Johnson & Matthew Seligman) | The Jungle Line (2007) by Herbie Hancock with Leonard Cohen.

Weekend links 90

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Portrait of Dr. Ignacio Chavez (1957) by Remedios Varo (1908–1963) some of whose Surrealist paintings can be seen at Frey Norris, San Francisco, from 19th January. There’s also In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States at the Los Angeles County Museum of Art from 29th January.

The current crop of Republicans jostling for the Presidential nomination have reminded me of the Downunder people in Harlan Ellison’s post-apocalypse novella A Boy and His Dog (1969): a retrograde, fear-ridden community who send troublesome individuals to be exterminated at “the farm”. Rick Santorum (unforgettably pictured here with family in 2006 after losing an election) almost received the majority of Iowa’s votes for his nomination last week, prompting renewed scrutiny of his negative views about gay people, sexually active people, foreign people (especially Arabs and Mexicans), and anyone generally who isn’t a white, Catholic, Downunder person. Santorum is against gay marriage, of course—it’s hard to find a Republican who isn’t—but he also wants to ban abortion even in cases of rape and incest, and given the opportunity would allow US states to prevent any use of contraception. Add to this his pro-torture stance (which offends current Catholic church policy), and his willingness to wage war with Iran, and it’s easy to see why his name prompts reactions such as this:

I have a history with Rick Santorum. In 2003, when Santorum, in an interview with the Associated Press, first compared gay relationships to child rape and dog fucking (have I mentioned that Santorum has compared gay relationships to child rape and dog fucking?), I held a contest to redefine Santorum‘s last name. The winning definition: “the frothy mix of lube and fecal matter that is sometimes the byproduct of anal sex.” (“Sometimes” is the most important word in the new definition of santorum; if you’re doing anal sex correctly, there won’t be any santorum – lower- or upper-case.) And since 2003, the new definition has been the No. 1 Google return when you search “santorum“.

Rick Santorum’s homophobic frothing by Dan Savage

Related: Santorum was named one of the three “most corrupt” Senators in 2006 | “Homohater fosser fram” which is how Dagbladet, Norway’s second largest tabloid newspaper, introduces Santorum to its readers | “Rick Santorum channels Saint Augustine” an article at Slate exploring the Handmaid’s Tale extent of Santorum‘s attitudes towards sex and morality | Rick Santorum quotes as New Yorker cartoons.

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The Rod (1973) by Brigid Marlin.

• Ballardian posts a long-overdue interview with Brigid Marlin, famous now for having brought two lost Paul Delvaux paintings back to life for JG Ballard, but also a woman with an extensive career as a fantastic artist using Ernst Fuchs‘s laborious mische painting technique.

Quentin Blake on Ronald Searle, in which Blake notes that his hero was given a full-scale exhibition of his work at the Bibliothèque Nationale, France, in 1973 whilst being ignored throughout his life by the major institutions in Britain.

Alfred Jarry: A Pataphysical Life by Alastair Brotchie is reviewed by Michael Moorcock who tells me the Guardian cut out his references to Boris Vian, Maurice Richardson and David Britton.

Ian McKellen stirs things up by suggesting (not for the first time) that Shakespeare was bisexual.

• Ten posters by Only More Never Less inspired by Pink Floyd’s Dark Side of the Moon.

An end to bad heir days: The posthumous power of the literary estate.

Peace Eye! Fug! A Long Talk With Ed Sanders.

• Sand sculptures by Carl Jara.

Letterheady

• Skylab: These Are The Blues (1995) | Beyond The Breeze (1995) | Red Light, Blue Light (1995) | Indigo (Sabres of Paradise remix, 1995) | Seashell (Nobukazu Takemura mix, 1995).

Albert Bierstadt in Yosemite

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Sunset in the Yosemite Valley (c. 1868).

After yesterday’s photos of the Yosemite Valley I have to follow up with paintings of the region by Albert Bierstadt (1830–1902), a German immigrant whose landscape art is connected to the Hudson River School although much of his work concerned views of California and the Rocky Mountains. Some of the paintings apparently received criticism for their deliberately Romantic approach to landscape, especially the John Martin-like blazing sunsets. All the pictures here date from the same period that Carelton Watkins was taking his celebrated photos of the area (which makes me wonder whether artist and photographer ever met) so complaints about lack of realism would seem somewhat redundant.

Wikimedia Commons has a substantial collection of Bierstadt’s paintings.

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Looking Down Yosemite Valley, California (1865).

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The Domes of the Yosemite (1867).

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Cathedral Rocks, A Yosemite View (1872).

Previously on { feuilleton }
Carleton Watkins in Yosemite
Two American paintings

Lunation: Art on the Moon

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Image by Noah Doely.

Steve Moore’s lunarian occult novel Somnium was published a couple of months ago, and now we have an art exhibition exploring similar themes. Lunation: Art on the Moon is a group show at Observatory, Brooklyn, NYC which opens on January 7th:

Artists portray the moon as a source of danger and power, and latter-day sorceresses and men of magic call up to that heavenly lamp, seeking to transcend the ordinary night. For them, the old myths have not changed so much: the moon is still a secret mirror, showing in pale light how the familiar contains always an element of the unexpected…

Participants include Grace Baxter, Jesse Bransford, Susan Crawford, Noah Doely, Joanna Ebenstein, Theo Ellsworth, Michelle Enemark, Ted Enik, Jesse Gelaznik, Ethan Gould, Dr. Gary Greenberg, Pam Grossman, Maria Liebana, Gerald Marks, Chad Merritt, Heidi Neilson, G.F. Newland, Rebeca Olguín, Kathryn Pierce, Lado Pochkhua, Dylan Thuras, Binky Walker, James Walsh and Julianne Zaleta.

Lunation: Art on the Moon runs to the end of February, 2012.

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The Lake at Night by Jesse Gelaznik (2011).

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Salvio Hexia by Chad Merritt (2011).

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A gigantic space-man has landed on the moon, but why?! by Theo Ellsworth (2011).

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Luna by Jesse Bransford (2009).

Previously on { feuilleton }
Somnium by Steve Moore
Blood on the Moon
Filippo Morghen’s Voyage to the Moon

The weekend artists

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Flower Me Gently (2010) by Linn Olofsdotter.

Yes, this is one of those lazy end-of-year retrospectives, a look back at all the artists whose work was highlighted in the weekend posts for 2011. Thanks to BibliOdyssey, Form is Void and 50 Watts for so often pointing the way.

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Blasphemous Rumours (2009/2010) by Ryan Martin. The artist now has a dedicated site for his paintings.

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DG-2499 (1975) by the fantastic (in every sense of the word) Zdzisław Beksiński (1929–2005). See the Dmochowski Gallery for a comprehensive collection of the artist’s work.

Continue reading “The weekend artists”