{art} – Page 171 – { feuilleton }

Weekend links 498

The Sentinel 280, a car design by Syd Mead from 1964.

• “Boris Dolgov did not exist. The man who bore that name may have existed, but there never was a man in the United States with that name until 1956, too late for Weird Tales.” Teller of Weird Tales on the mysterious identity of a magazine artist.

• Saying goodbye to 2019 also meant saying farewell to Vaughan Oliver, Neil Innes and Syd Mead. Related: Vaughan Oliver at Discogs; I’m The Urban Spaceman; a look back at Syd Mead’s vehicle designs.

• Lanre Bakare on how ambient music became cool. (Again. This begs the question of when it became uncool, especially when a ten-year-old Brian Eno piece about “the death of uncool” is being quoted.)

Westerners interpreted the peyote experience very differently from the practitioners of the peyote religion, where the focus was “ritual, song and prayer, and to dissect one’s private sensations was to miss the point”. Writers such as Havelock Ellis, who published an essay on his peyote experiences in the Lancet in 1897 (it’s likely that he also administered the substance to his friends W.B. Yeats and Arthur Symons), instead tended to focus on its visual effects. Ellis described “the brilliance, delicacy and variety of the colours” and “their lovely and various textures”. Peyote reached Europe in tandem with the X-ray, cinema and electric lights, Jay notes, and “nothing delighted the eye of the mescal eater so much as the new electrical sublime”.

Emily Witt reviewing Mescaline: A Global History of the First Psychedelic by Mike Jay

• Peter Bradshaw takes on the thankless task of ranking Federico Fellini’s feature films.

• Geoff Manaugh on when Russia and America coöperated to avert a Y2K apocalypse.

• “Music is an ideal medium for interstellar communication,” says Daniel Oberhaus.

• Keith Allison on Karel Zeman, a creator of remarkable cinematic fantasies.

• Japanese Designer New Year’s Cards of 2020.

• At Dennis Cooper’s: Vera Chytilová Day.

• 2020 in public domain.

• Sentinel (1992) by Mike Oldfield | Sentinels (2001) by Cyclobe | Sentinel (2004) by Transglobal Underground

The Last Ritual

Starting the new year with a new cover, and another from the plethora I was working on last year. Art Deco occultism is the theme this time, a satisfying combination since the rectilinear Deco style is a good match for the sigils and thaumaturgic diagrams you find in grimoires. The publisher is Aconyte Books, a new imprint launched a year ago to produce novels that complement the games created by parent company, Asmodee UK. Arkham Horror is an Asmodee game with a Lovecraftian theme, and S.A. Sidor’s novel is set in the game’s world:

Aspiring painter Alden Oakes is invited to join a mysterious art commune in Arkham: the New Colony. When celebrated Spanish surrealist Juan Hugo Balthazarr visits the colony, Alden and the other artists quickly fall under his charismatic spell. Balthazarr throws a string of decadent parties for Arkham’s social elite, conjuring arcane illusions which blur the boundaries between nightmare and reality. Only slowly does Alden come to suspect that Balthazarr’s mock rituals are intended to break through those walls and free what lies beyond. Alden must act, but it might already be too late to save himself, let alone Arkham (more).

The design of the cover combines the look of much Art Deco metalwork, especially bronze door and grille designs, with the kind of inlay you see on Deco furniture and the more lavish leatherbound books of the period. Part of the brief was to show a magic ritual taking place but I thought it wouldn’t do to make the figures look too realistic, hence the stylised poses; George Barbier rather than Weird Tales. Another request in the brief was to incorporate the Yog-Sothoth sigil from the Simon Necronomicon (the bronze circle under the title). I think I’ve said before that the symbols in the Simon Necronomicon tend to be used a lot today as though they’re the only ones available, even though the book is only one of several unofficial attempts to imagine the contents of Lovecraft’s notorious grimoire. I’ve always favoured the George Hay-edited Necronomicon so the symbol at the top of the cover is the Yog-Sothoth sigil from the Hay volume.

The Last Ritual will be published in August 2020.

Elsewhere on { feuilleton }
• The Lovecraft archive

Weekend links 497

Poster by Zdeněk Ziegler for Roma (1972), a film by Federico Fellini.

• At Dennis Cooper’s: a short history of Straight to Hell, a long-running fanzine launched by Boyd McDonald in 1971 dedicated to true stories of men having sex with other men. The post gives an idea of the contents but for a deep dive I’d suggest Meat (1994) at the Internet Archive, a collection of the best of the early editions of STH. Related: “Straight to Hell was an immensely popular underground publication. John Waters, William S. Burroughs, and Robert Mapplethorpe were fans; Gore Vidal called it ‘one of the best radical papers in the country.'” Erin Sheehy on Boyd McDonald’s determination to kick against the pricks.

• RIP psychedelic voyager and spiritual guide Richard Alpert/(Baba) Ram Dass. The Alpert/Ram Dass bibliography includes The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead (1964), an acid-trip manual written in collaboration with Timothy Leary and Ralph Metzner from which John Lennon borrowed lines for the lyrics of Tomorrow Never Knows. But the most celebrated Ram Dass volume is Be Here Now (1971), a fixture of countless hippy bookshelves whose first editions were all handmade.

• “An Einstein among Neanderthals”: the tragic prince of LA counterculture. Gabriel Szatan talks to David Lynch, Devo and others about the eccentric songwriter, performer and voice of Lynch’s Lady in the Radiator, Peter Ivers.

• For the forthcoming centenary of Federico Fellini’s birth Stephen Puddicombe offers suggestions for where to begin with the director’s “exuberant extravaganzas”. Related: Samuel Wigley on 8½ films inspired by 8½.

• “I met resident Tony Notarberardino for the first time in 2015 and entering his apartment was like crossing into another dimension.” Collin Miller explores the Chelsea Hotel.

• “More green tea, professor?” The haunted academic, a reading list by Peter Meinertzhagen. Related: Our Haunted Year: 2019 by Swan River Press.

• “30 July, Yorkshire. Thunder, which is somehow old-fashioned.” Alan Bennett’s 2019 diary.

• More acid trips: Joan Harvey on the resurgence of interest in psychedelic drugs.

• At Lithub: Werner Herzog’s prose script for Nosferatu the Vampyre.

• Tief gesunken, a new recording by Bohren & Der Club Of Gore.

• In Heaven (1979) by Tuxedomoon | Die Nacht Der Himmel (1979) by Popol Vuh | Roma (1981) by Steve Lacy

Weekend links 496

Fahrenheit 451 (1966) poster by György Kemény.

• “The novel is constantly assailed by people wanting to conscript it to their own ends. (Other art forms are not similarly burdened; someone yelling ‘What about global warming?’ between numbers at a Keith Jarrett concert would be recognized to have made a category error.)” Jonathan Clarke on the demands that literature should nurture empathy.

• The first three features by Alejandro Jodorowsky—Fando y Lis (1968), El Topo (1970) and The Holy Mountain (1973)—return to Britain’s cinema screens in January (well…two of them return; I’m not sure that Fando y Lis has ever been shown in cinemas over here). All three films will be given overdue blu-ray releases by Arrow in March.

• “What distinguishes Oulipo from other language games, is that its methods have to be capable of producing valid literary results.” Tony White reviews The Penguin Book of Oulipo: Queneau, Perec, Calvino and the Adventure of Form, edited by Philip Terry.

But from a present-day perspective, it is also remarkable the extent to which cafés, busy conduits for knowledge and sentiment, resembled later digitally connected systems. The larger establishments offered not just a huge selection of newspapers, domestic and foreign, but also reference material—maps, dictionaries, encyclopaedias, language lexicons, address books—for writers struggling with their research, or merely trying to settle an argument. The combination of hard facts and caffeinated opinion firing through the steamy analogue ether constituted a local area network of extraordinary reach. In the pre-digital era, the Viennese café offered the greatest possible concentration of current knowledge—for the price of a mélange.

From the Strange Flowers guide to Vienna, part 2

• “People like Edmund Wilson and Isaiah Berlin, they have to love Zhivago to prove that good writing can come out of Soviet Russia. They ignore that it is really a bad book.” Jennifer Wilson on Vladimir Nabokov’s fighting spirit.

• Master animator Richard Williams died in August so here again is the exceptional adaptation of A Christmas Carol made by his studio in 1971.

• Hearing a person: Annea Lockwood remembers her partner, composer Ruth Anderson, whose death was announced last week.

• The London Review of Books has relaunched its website. The paywall is currently down until mid-January so dig in.

• Live In Paris by Pharoah Sanders, a previously unreleased ORTF concert recording from 1975.

• Unrising sun: Amos Chapple’s photographs of the polar nights of Murmansk.

• Mary McNamara on the rescuing of 200 historic Hollywood backdrops.

• Mix of the week: XLR8R Podcast 623 by Aida.

• At Dennis Cooper’s: Sandy Dennis Day.

• The Desert Is A Circle (1970) by Shades Of Joy | The Desert Is A Circle (1971) by Paul Horn | Holy Mountain (1994) by Axiom Ambient

Weekend links 495

Angelus Novus (1920) by Paul Klee.

• “Compared to [László] Krasznahorkai’s earlier fiction, Baron Wenckheim’s Homecoming is funnier and more stylistically accessible—despite its length and seemingly endless sentences—but it is also his most unremittingly ruthless work,” says Holly Case. Elsewhere: “Baron Wenckheim’s Homecoming may not bring joy or consolation, but reading it is a mesmerisingly strange experience: a slab of late modernist grindcore and a fiercely committed exercise in blacker-than-black absurdity,” says Sukhdev Sandhu.

• Zeitraffer (“Time-lapse“) is an exhibition devoted to Tangerine Dream which opens at the Barbican, London, in January. Also coming in January is a new album, Recurring Dreams, by the current iteration of the group which will be available on CD and double vinyl. I was impressed by the last TD release, Quantum Gate, so I’m looking forward to this even if it is only a reworking of popular pieces from the Virgin years.

• RIP Gershon Kingsley, an electronic music pioneer best known for the silly but fun albums he made with Jean-Jacques Perrey, and for being the composer of that evergreen synthesizer novelty, Popcorn.

The first major study in English of ancient Greek sexuality—especially the way relationships between men were both common and celebrated as a perfect embodiment of love—A Problem in Greek Ethics helped set the stage for the modern-day gay rights movement. But it did so surreptitiously, behind closed doors, as required by the times. Symonds printed it privately in 1883; a print run of just 10 copies reduced the risk that it would fall into the wrong hands. The typesetter complained about the content. Symonds circulated it cautiously, to people he trusted or had reason to think would be discreet. Until now, researchers believed that only five copies survived.

Rachel Wallach on the discovery of a sixth copy of John Addington Symonds’ landmark study

• Contagious Magick of the Super Abundance is a book of art by the late Ian Johnstone, former partner of John Balance and cover artist for some of the last releases by Coil.

• Dennis Cooper‘s favourite fiction, poetry, non-fiction, film, art, and internet of 2019. Thanks again for the link here!

• At the BFI: Hannah McGill on the umbrellas of cinema, and Jasper Sharp on 10 essential films by Yasujiro Ozu.

• Bobby Krlic, aka The Haxan Cloak, talks to Claire Lobenfield about creating the soundtrack for Midsommar.

• Joker and Chernobyl composer Hildur Guðnadóttir: “I’m treasure hunting”.

• Joshua Rothman on how William Gibson keeps his science fiction real.

• Samantha Rose Hill on Walter Benjamin’s last work.

• Scientific phenomena photographs of the year.

• The Dream Before (1989) by Laurie Anderson | Angel Tech (1994) by The Grid feat. Sheila Chandra | Angel Tech (1994) by Pete Namlook & Bill Laswell