Weekend links 547

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Anti-Vanitas (2018) by Carrie Ann Baade.

• RIP Richard Corben, an artist whose work I wasn’t always keen on but whose enthusiasm for pulp weirdness and cosmic horror was matched by a pulp vitality of his own. Corben’s Den was the first story in the first issue of Heavy Metal, a strip in which Den’s ever-present penis provided some rare equality of nudity in American comics. Corben was also a lifelong Lovecraftian; his 1972 adaptation of The Rats in the Walls is one of the earliest Lovecraft-derived comic strips.

• “Wit was the great man’s defence. Once, crossing Leicester Square with a friend, he looked up and saw a cinema marquee advertising a new film: Michael Redgrave and Dirk Bogarde in The Sea Shall Not Have Them. Coward turned to his friend and said: ‘I don’t see why not. Everyone else has.'” Philip Hoare on Noël Coward’s private lives: the photographs that could have landed him in jail.

• The end of the year brings the lists: Strange Flowers’ Secret Satan, 2020 is a guide to a surfeit of delectable volumes, while at 3 Quarks Daily Dave Maier selects his favourite ambient music of the year.

It’s not an easy life, but for Layne it is better than the alternative. “There is a generation of writers who think that it is a perfectly acceptable thing to accumulate a couple of hundred thousand dollars in student loan debt and go write “takes”—contrary opinion on things like ‘Why Dogs Are Actually The Worst Pet.’” None of it is new, he says, “it’s what people were doing when Rome burned.” But it has left us worse off, he says.

“I feel like we are post-language now,” he says. “Things are more symbolic. The relationship between words and facts and objectivity and their impact seems to have separated to the point where most of the writing that I see, especially on something like Twitter, is by people baffled that people don’t get what they are trying to say. It’s depressing.”

Dominic Rushe on how Ken Layne created an alternative to clickbait in the desert

• “Underworlds, otherworlds, so many passageways on this earth to elsewheres, especially during these weeks of the year.” Nina MacLaughlin on The Shadows below the Shadows.

Dennis Cooper‘s favourite fiction, poetry, non-fiction, film, art, and internet of 2020. Thanks again for the link here!

• The week in strange worlds: The Strange World of Colossive Press, and The Strange World of Robbie Basho.

• The Images Wish To Speak: An interview with artist Carrie Ann Baade.

Jackson Arn on why so many filmmakers have paid homage to Pieter Bruegel.

Physicists nail down the “Magic Number” that shapes the Universe.

Dreams, Built By Hand

Shadow (1990) by Nusrat Fateh Ali Khan | Shadows (1994) by Pram | Shadow Of A Twisted Hand Across My House (2001) by I.E.M.

Weekend links 473

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“Spectra of various light sources, solar, stellar, metallic, gaseous, electric”, print by René Henri Digeon; plate IV in Les phénomènes de la physique (1868).

• More polari: Thom Cuell this time with another review of Fabulosa!: The Story of Polari by Paul Baker. Good as it is to see these articles, one thing they all share is paying tribute to the polari-enriched radio series Round the Horne without crediting its writers, Barry Took and Marty Feldman.

• “…with its conspiracy theories, babbling demagogues and demonised minorities, Bahr’s investigation is sadly all too relevant today.” Antisemitism (1894) by Hermann Bahr, is the latest new translation from Rixdorf Editions.

Isao Tomita in 1978 showing a presenter from NHK around his tiny studio. Japanese-only but the discussion reveals that the words “synthesizer”, “tape recorder” and “mixer” sound the same as they do in English.

Ben Frost talks to Patrick Clarke about his music for German TV series, Dark.

• PYUR composes a guide through limbo with Oratorio For The Underworld.

• Steven Heller on Don Wall’s book design for a Paolo Soleri retrospective.

• Coming soon from Fulgur Press: Ira Cohen: Into the Mylar Chamber.

Will Harris compiles an oral history of Q: The Winged Serpent.

• Mix of the week: a mix for The Wire by Overlook.

• At Dennis Cooper’s: Magic Shop Internationale.

Shadow In Twilight by Pram.

The Feathered Serpent Of The Aztecs (1960) by Les Baxter | The Serpent (In Quicksilver) (1981) by Harold Budd | Black Jewelled Serpent Of Sound (1986) by Dukes Of Stratosphear

Owls and flowers

1: The pattern

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2: A novel by Alan Garner

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The Owl Service (1967). Cover design by Kenneth Farnhill.

3: A Granada TV serial

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The Owl Service (1969). Eight episodes, written by Alan Garner, directed by Peter Plummer.

Continue reading “Owls and flowers”

Weekend links 84

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Regeneration (2011) by Toshiyuki Enoki. Via.

HIDE/SEEK: Difference and Desire in American Portraiture, the art exhibition that caused such a fuss last year at the Smithsonian Institution, opens at the Brooklyn Museum, NYC, on November 18th. Among the events associated with the show is a screening of James Bidgood’s lusciously erotic Pink Narcissus. David Wojnarowicz’s video piece, A Fire in My Belly, is still a part of the exhibition so the New York Daily News reached for the outrage stick to prod some reaction from people who’d never heard of the artist or his work before. Will history repeat itself? Does the Pope shit in the woods? Watch this space…

Magic is not simply a matter of the occult arts, but a whole way of thinking, of dreaming the impossible. As such it has tremendous force in opening the mind to new realms of achievement: imagination precedes the fact. It used to be associated with wisdom, understanding the powers of nature, and with technical ingenuity that could let men do things they had never dreamed of before. The supreme fiction of this magical thinking is The Arabian Nights, with its flying carpets, hidden treasure and sudden revelations…

Marina Warner, whose new book, Stranger Magic: Charmed States and the Arabian Nights, is reviewed here and here.

• Those Americans who adore big business but loathe the idea of gay marriage will be dizzy with cognitive dissonance at the news that 70 major US companies—including CBS, Google, Microsoft and Starbucks—have signed a statement saying the Defense of Marriage Act (DOMA) is bad for business. Mark Morford at SFGate says this now means that real homophobes don’t Google.

Divining with shadows and dreams, tears and blood: S. Elizabeth talks to JL Schnabel of BloodMilk about her “supernatural jewels for surrealist darlings“.

Earth: Inferno (2003), a short film by Mor Navón & Julián Moguillansky based on the book by Austin Osman Spare. Via form is void.

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Illustration by Virgil Finlay for A. Merritt’s The Face in the Abyss. From a 1942 Finlay portfolio at Golden Age Comic Book Stories.

The Mute Synth as created by Dirty Electronics & designed by Adrian Shaughnessy.

Phil Baker reviews two new Aleister Crowley biographies at the TLS.

A Brief Rant on the Future of Interaction Design

The Most Amazing Room In Queens, NYC.

Brian Eno on composers as gardeners.

Alan Turing is Alan Garner’s hero.

• Paintings by Guy Denning.

Static (1998) by Redshift | The Owl Service (2000) by Pram | Lover’s Ghost (2010) by The Owl Service.