Anti-Vanitas (2018) by Carrie Ann Baade.
• RIP Richard Corben, an artist whose work I wasn’t always keen on but whose enthusiasm for pulp weirdness and cosmic horror was matched by a pulp vitality of his own. Corben’s Den was the first story in the first issue of Heavy Metal, a strip in which Den’s ever-present penis provided some rare equality of nudity in American comics. Corben was also a lifelong Lovecraftian; his 1972 adaptation of The Rats in the Walls is one of the earliest Lovecraft-derived comic strips.
• “Wit was the great man’s defence. Once, crossing Leicester Square with a friend, he looked up and saw a cinema marquee advertising a new film: Michael Redgrave and Dirk Bogarde in The Sea Shall Not Have Them. Coward turned to his friend and said: ‘I don’t see why not. Everyone else has.'” Philip Hoare on Noël Coward’s private lives: the photographs that could have landed him in jail.
• The end of the year brings the lists: Strange Flowers’ Secret Satan, 2020 is a guide to a surfeit of delectable volumes, while at 3 Quarks Daily Dave Maier selects his favourite ambient music of the year.
It’s not an easy life, but for Layne it is better than the alternative. “There is a generation of writers who think that it is a perfectly acceptable thing to accumulate a couple of hundred thousand dollars in student loan debt and go write “takes”—contrary opinion on things like ‘Why Dogs Are Actually The Worst Pet.’” None of it is new, he says, “it’s what people were doing when Rome burned.” But it has left us worse off, he says.
“I feel like we are post-language now,” he says. “Things are more symbolic. The relationship between words and facts and objectivity and their impact seems to have separated to the point where most of the writing that I see, especially on something like Twitter, is by people baffled that people don’t get what they are trying to say. It’s depressing.”
Dominic Rushe on how Ken Layne created an alternative to clickbait in the desert
• “Underworlds, otherworlds, so many passageways on this earth to elsewheres, especially during these weeks of the year.” Nina MacLaughlin on The Shadows below the Shadows.
• Dennis Cooper‘s favourite fiction, poetry, non-fiction, film, art, and internet of 2020. Thanks again for the link here!
• The week in strange worlds: The Strange World of Colossive Press, and The Strange World of Robbie Basho.
• The Images Wish To Speak: An interview with artist Carrie Ann Baade.
• Jackson Arn on why so many filmmakers have paid homage to Pieter Bruegel.
• Physicists nail down the “Magic Number” that shapes the Universe.
• Shadow (1990) by Nusrat Fateh Ali Khan | Shadows (1994) by Pram | Shadow Of A Twisted Hand Across My House (2001) by I.E.M.
Thanks VERY much for posting the Robbie Basho link, and also the physicists “magic number”. Two fields of interest to me, and I wouldn’t have been aware of either article.
Thanks, that’s good to hear. The Basho post was very useful for me since I’m still more familiar with the people he influenced like Jack Rose.
Please check out these guitarists, if you haven’t already done so: John Fahey, Glenn Jones, Leo Kottke, Peter Lang, George Cromarty. They all qualify as “American Primitive,” although some of them are also singers. As with Basho’s work, I tend to ignore the singing and appreciate the guitar work; there is real magic there.
I’ve very familiar with John Fahey, less so with Leo Kottke and the others.