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Presenting an interview by John Wisniewski with William E. Jones, author of Halsted Plays Himself (2011). The subject is gay filmmaker and performer Fred Halsted (1941–1989) whose 1972 film LA Plays Itself was a pioneering piece of low-budget cinema which combined a fragmented view of Los Angeles with explicit liaisons between several men, one of [...]

The street is upper Grant Avenue, San Francisco, seven minutes of local colour captured on silent 16mm film by Edward Silverstone Taylor: This edited Ektachrome home movie with professional titles documents a 1959 street fair, upper Grant Avenue, San Francisco—the center of Beat culture. The film includes shots of filmmaker Dion Vigne and his wife [...]

Scarfolk, as was noted here last month, is a home from home, especially if you grew up in the 1970s. The mayor of the rabies-afflicted town, Richard Littler, talked to Creative Review about his unheimlich design project. • Ensemble Pearl, an album stream of “cosmic psychedelic space-doom minimal drone soundscapes” by Atsuo, William Herzog, Eyvind [...]

Another recent piece of Angeriana, and another short video sketch, Brush of Baphomet (2009) is a kind of addendum to Anger’s The Man We Want to Hang (2002), being a further look at Aleister Crowley’s paintings. The title refers to one of Crowley’s many occult names. As a painter Crowley’s technical ability was almost nil [...]

A video sketch from 2004 in which Kenneth Anger manages to give us in four minutes some familiar preoccupations: Rudolph Valentino, occult symbolism, and a hunky guy in the form of the sunbathing gentleman named Red who provides the focus of the piece. The copy on YouTube is labelled “restricted work print” so this may [...]

Nigel Finch was a key member of the team of producers and directors working on the BBC’s Arena arts documentaries throughout their golden run during the 1980s and 1990s. The films he directed himself—among them studies of Robert Mapplethorpe’s photography, and a history of the Chelsea Hotel in New York—gave him an opportunity to push [...]

Thanks to Callum for pointing the way to a beautiful set of playing cards designed by Picart le Doux. • Of cigars and pedants by Houman Barekat, in which Vladimir Nabokov has a problem with Henry James. Tangentially related: Post-Punk’s Nabokov: Howard Devoto and Magazine, live from Berlin, 1980. (Given A Song From Under The [...]

Lucifer Rising: A Love Vision by Kenneth Anger (1967) by Rick Griffin. The status of Kenneth Anger’s Lucifer Rising as a kind of poly-cultural crossroads even extends to its poster art. The original poster by Rick Griffin dates back to the earliest drafts of the film, and with its swipe from Gustave Doré makes me think [...]

Lucifer Rising (1973). The first time I saw Kenneth Anger’s Lucifer Rising (1983, at a film club) I recognised all the ancient monuments apart from the peculiar group of rocks where we see a line of robed and cowled torchbearers ascending a stairway at night. These shots are intercut with a caped Marianne Faithfull making [...]

How to become a mermaid and dissolve into sea foam in just seven surgical operations (2010) by Carla Bedini. • D.I.Y. Magic was a regular feature in the late Arthur Magazine that’s now become a book by Anthony Alvarado: “Think of it as jail-breaking the iPhone of your mind. Teaching it to do things that [...]

Duggie Fields in It’s A Sin A hidden Derek Jarman film lies scattered among a handful of music videos from the 1980s, something you can pretend you’re seeing flashes of in the promo shorts the director was making whilst trying to raise money for his last few feature films. A recent re-watch of Caravaggio reminded [...]

Untitled etching by Briony Morrow-Cribbs. • An interview with author Paul Russell whose new novel, The Unreal Life of Sergey Nabokov, concerns the gay brother of the celebrated Vladimir. • Joseph Cornell turns up again in a report at Strange Flowers about Locus Solus, an exhibition in Madrid devoted to the work of Raymond Roussel. [...]

Max Ernst. The posts this week have all followed a Surrealist theme so I feel compelled to draw attention to the DVD-quality copy of Hans Richter’s Dreams That Money Can Buy (1947) at the Internet Archive. As mentioned before, Richter’s film is one of the key works of Surrealist cinema, made at the time when [...]

The Hand of Fate, Life magazine, October, 1912. Artist unknown. • In Search of Barney Bubbles: the great graphic designer is profiled on BBC Radio 4, Monday, 2nd January. And speaking of album cover designers, Cool Hunting talked to Storm Thorgerson about his work. • FACT mix 310 is a hugely eclectic two-parter from Moon [...]

Words and Music (1975) by Tom Phillips. Two related posts is coincidence, three is a series. Earlier posts from the past couple of weeks looked at album covers created by designers better known for their work in other areas. Tom Phillips is a British artist, writer and composer who I continue to insist is one [...]

Komposition für einen Rhombus (2007) by Fabian Marti. Fabian Marti’s print is one of the few works that stood out for me in the press materials for the Secret Societies exhibition which has just opened at the CAPC Museum of Contemporary Art, Bordeaux: [Secret Societies] deals with the general theme of secret societies through the [...]

With William Burroughs: A Report from the Bunker (1982) by Victor Bockris. Design by Neville Brody. If it’s interviews you want, some of the most entertaining are in Victor Bockris’s collection of conversations between El Hombre Invisible and the various New York notables ferried round to sit at Burroughs’ table in his Bowery Bunker. The British [...]

Prospero (Heathcote Williams) and Miranda (Toyah Willcox), The Tempest (1979). The Shakespeare who spun The Tempest must have known John Dee; and perhaps through Philip Sidney he met Giordano Bruno in the year when he was writing the Cena di Ceneri—the Ash Wednesday supper in the French Ambassador’s house in the Strand. Prospero’s character and [...]

In which the great German theatre director goes to Hollywood to show America how to stage Shakespeare. Nearly everyone who was anyone in pre-war German cinema passed through Max Reinhardt’s Deutsches Theater in Berlin so it seemed natural that he’d gravitate eventually to film himself. The 1935 production of A Midsummer Night’s Dream was directed [...]

The flip-side of the kitsch London of Smashing Time can be found in this frenetic short made a year later which presents a fragmented view of that other locus of the Paisley Era, San Francisco. Director Anthony Stern avoids the usual longueurs of silent documentary by chopping his footage to bits to create a tour [...]