left: Dummy head by Dick Smith for The Picture of Dorian Gray (1961); right: Cover art by Michel Atkinson (aka Michel) for The Unquiet Grave (1963). Cinema in the 1970s would have been very different without Dick Smith‘s makeup artistry. Dustin Hoffman in Little Big Man (1970). Marlon Brando in The Godfather (1972). Linda Blair […]
The Wilde Years (2000), a poster by Jonathan Barnbrook for an exhibition at the Barbican Centre, London. Continuing an occasional series. Recent (and not-so-recent) Wildean links. • Sander Bink writes that Beardsley-esque artist Carel de Nerée tot Babberich was in Paris in the summer of 1900, the summer of the Exposition Universelle which has been […]
Illustration from The House of Pomegranates (1914) by Jessie M. King. Continuing an occasional series. Recent Wildean links. • It’s a measure of a writer’s success if the characters or stories they create resonate sufficiently with future generations to be subject to new interpretations. Among Oscar Wilde’s contemporaries this has happened to Arthur Conan Doyle […]
This poster for Massimo Dallamano’s 1970 updating of The Picture of Dorian Gray was featured here several years ago, and it’s taken me all this time to finally discover the name of the artist responsible, Ted Coconis. Better late than never. It could be argued that the illustrations below for Nabokov and Goldman tend more […]
Dorian Gray (1968) by Jim Dine; one of a series of prints for an illustrated edition. Rainbows didn’t become a gay symbol until Gilbert Baker’s flag design ten years later. Continuing an occasional series. • “…the Public is a very curious thing; it is sometimes perverse, and even obstinate, and it has evidently made up […]
Byblis (1901) by Pierre Louÿs. Henri Caruchet isn’t in George Barbier’s league, never mind that of Alphonse Mucha whose graphic style Caruchet appropriated. I’ve not been able to find details about his life either, all that turns up is examples of his book illustration on various websites. Author Pierre Louÿs is notable for his erotic […]
Roman Polanski as Alfred in Dance of the Vampires (1967). I’ve always admired the attention to detail in Roman Polanski’s films, a quality evident not only in his careful adaptations but also in areas that lesser filmmakers might ignore. Dance of the Vampires (1967) is a good example (sorry, I refuse to call it by […]
It’s taken a while but here at last are some of the pages from my series of illustrations based on The Picture of Dorian Gray, as featured in volume 2 of The Graphic Canon (“The World’s Great Literature as Comics and Visuals”) edited by Russ Kick. I agreed with Russ not to run everything so […]
La Hora del Fantasma (no date) by Joaquim Pla Janini. • Many of the art links featured here are tips from Thom Ayres, so it’s only right to point to his new album project which he’s funding through Kickstarter and embellishing with his own nature photography. • Anne Billson is another writer beguiled by Philippe […]
Illustration by H. Paul. Continuing an occasional series. • Front Free Endpaper has illustrations by one H. Paul from a “talking book” adaptation of Wilde’s The Happy Prince. This was a hardcover volume published in 1948 which came with a 78rpm vinyl disc containing a recording of the story by BBC newsreader Frank Phillips. Callum […]
Sarah and Writhing Octopus (New Wave Series, 1992) by Masami Teraoka. Strange Flowers continues to push all my buttons. For a while now I’d been intent on writing something about the strange (unbuilt) temples designed by German artist/obsessive naturist Fidus (Hugo Höppener) but I reckon James has done a better job than I would have […]
Oscar Wilde’s story in this adaptation is shortened to a very brisk eight minutes which utilises 3D animation and makes some smart use of period photos. The film was an animation project by UCA Rochester student Thomas Beg who also has a brief rendering of Hieronymus Bosch’s Garden of Earthly Delights here. The collage approach […]
Illustration by Otto Verhagen from Yolanda – Het Boek van Bloei (1931) by Nan Copijn. Would-be Decadents is perhaps a better label, the Decadent ship having set sail across an absinthe-tinted sea by the time these artists were putting pen to paper. Their drawings are another set of scarce images forwarded by Sander Bink who […]
Dorian Gray (1924) by Otto Verhagen (1885–1951). If you need an idea of the colossal impact Aubrey Beardsley’s drawing had on the art world of the 1890s consider that the entirety of his career—from his first public exposure in The Studio in 1893 to his very untimely death in 1898—lasted a mere five years. Decades […]
The Magician (1926), Rex Ingram’s curious occult horror film, receives a rare screening with live music accompaniment at the Brighton Fringe Festival on Tuesday, 22nd May. The film is notable for being based on the 1908 Somerset Maugham novel of the same name whose modern-day magus character, Oliver Haddo, was modelled on Aleister Crowley. The […]
More gorgeous work from elusive British illustrator Henry Keen (1871–1935). These are some of the ink drawings Keen provided for a 1930 edition of John Webster’s Jacobean tragedies The Duchess of Malfi and The White Devil. In addition to eleven full-page illustrations there are decorative embellishments, and as usual it’s a shame there isn’t anywhere […]
Seven Songs (1982) by 23 Skidoo. Sleeve by Neville Brody. The first volume of The Graphic Canon will be published in May by Seven Stories Press, a collection of comic strip adaptations and illustrations edited by Russ Kick. The anthology has already picked up some attention at the Guardian—Western canon to be rewritten as three-volume […]
I posted my covers for the Angry Robot editions of Mike Shevdon’s Courts of the Feyre series last month. Last week Mike asked me to answer a few questions about the design process and related matters. The answers are now posted on his blog where I discuss art, book design, favourite reading and a couple […]
“The rich making merry in their beautiful houses, while the beggars were sitting at the gates.” Above and below: illustrations by Charles Robinson from The Happy Prince and Other Tales, an edition from 1920. Continuing an occasional series. I’ve yet to see a copy of the recent annotated and unexpurgated edition of The Picture of […]
Or So It Seems (1983) by Duet Emmo. Design by The Brothers Quay. • “Make things, no rules, but be quick.” Bruce Gilbert, musician in (among others) Wire, Dome and Duet Emmo is interviewed. Related: Daniel Miller, Mute label boss and another member of Duet Emmo is interviewed (and provides a mix) at The Quietus. […]
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