Weekend links 341

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Fountain (1917) by R. Mutt (Marcel Duchamp), and God (1917) by Elsa von Freytag-Loringhoven.

• “What is there left to know about David Bowie? What is there left to unearth?” asks Ian Penman whose lengthy review of recent Bowie books is better by far than a shelf full of cash-in doorstops.

Strázci z hlubin casu is a collection of stories by HP Lovecraft and August Derleth from Czech publisher Volvox Globator. The book reprints artwork of mine on the cover and inside.

• Mixes of the week: Through December by David Colohan, At Alien Altars: A Conjurer’s Hexmas by Seraphic Manta, and Secret Thirteen Mix 204 by James Welburn.

• “Something vindictive resides in soot.” Timothy Jarvis on the weird fiction of Stefan Grabinski. From 2003: China Miéville on Grabinski.

• Paintings by Jakub Rozalski of eastern European peasants with mechas and werewolves.

Colm Tóibín on James Joyce’s A Portrait of the Artist as a Young Man, 100 years on.

Jesse Singal on why straight rural men (in the USA) have “bud-sex” with each other.

Mark Valentine recommends books on tasseography, or divination by tea leaves.

• “Northampton Calling: A Conversation with Alan Moore,” by Rob Vollmar.

Bill Schutt at Scientific American asks what human flesh tastes like.

Gwendolyn Nix on the Tritone, aka The Devil’s Musical Interval.

• At Dennis Cooper’s: _Black_Acrylic presents…Penda’s Fen Day.

• The latest Buddha Machine from FM3 is Philip Glass-themed.

Listen to The Wire’s top 50 releases of 2016

Tritone (Musica Diablo) (1980) by Tuxedomoon | Diabolus In Musica (1987) by The Foetus All Nude Review | Tritone (Musica Diablo) (2016) by Aksak Maboul

Weekend links 331

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Ekeko (2016) by Jon Jacobsen.

Outer Space (1999), a short film by Peter Tscherkassky using reprocessed footage taken from The Entity (1982).

Pye Corner Audio playing live for 77 minutes at New Forms Festival, Vancouver 2016.

Salvador Dalí‘s rare Surrealist cookbook republished for the first time in over 40 years.

Keeping On Keeping On by Alan Bennett; extracts from the writer’s most recent diaries.

The Hagströmer Medico-Historical Library is a new source for free antique images.

• The shopfronts of independent Paris photographed by Sebastian Erras.

The Edge of the Ceiling (1980) is a short film about writer Alan Garner.

• Mix of the week: Secret Thirteen Mix 198 by Bestial Mouths.

Brenda S G Walter on eviscerating the body of Black Metal.

• “When did new age music become cool?” asks Geeta Dayal.

Barok Main, a new piece from Mica Levi & Oliver Coates.

• American gay magazine XY has been relaunched.

• Confessions of a vinyl junkie by David Bowie.

Touch Radio archive at the British Library.

Harvard’s collection of glass flowers.

Michelle Stuart‘s Magical Land Art.

Dali’s Car (1969) by Captain Beefheart & His Magic Band | Save Me From Dali (1980) by Snakefinger | Salvador Dali’s Garden Party (1989) by Television Personalities

Weekend links 326

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Anchoress by Judith Schaechter.

• The publication of Alan Moore’s Jerusalem is imminent so the NYT asked him about his favourite books and writers of the moment. For the next post I’ll be writing about my own involvement with Moore’s novel.

Chris Campion on David Bowie and the missing soundtrack: the amazing story behind The Man Who Fell to Earth. Related: cinematographer Anthony Richmond on his memories of shooting the film.

Mr Beatnick on how the B-side of Change The Beat by Beside became the most sampled song of all time.

Lisa Hix on An Un-Conventional Thirst: Collecting 7Up’s most beautiful, hallucinatory billboards.

Rub Out The Word: Steve Buscemi & Elliott Sharp present texts by William Burroughs.

• Opening next month at the Corridor Gallery, Brighton (UK): An exhibition of art by Ian Miller.

• Folk singer Shirley Collins will be releasing a new album, Lodestar, her first for over 35 years.

A trip to the mythical Isle of Tiki, Polynesian Pop and A/C Eden.

• Mix of the week: Harvest Hymns by Melmoth The Wanderer.

• Wandering In Space: composer Jherek Bischoff interviewed.

Heavy Water is a new short film by Adam Scovell.

• “When will New York sink?” asks Andrew Rice.

The World’s Largest Synthesizer

The Thai Occult by Jenx

• RIP Richard Neville

The Other Without

We Are Cult

Heavy Rock (1976) by Sound Dimension | Heavy Charm (1995) by The Ear | Heavy Water (2008) by Crackle

Weekend links 323

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Mescaline Woods (1969) by Gage Taylor.

• The soundtrack to The Man Who Fell to Earth will be released for the first time next month in a double-disc set (CD & vinyl). This isn’t, as some people have hoped, David Bowie’s unheard music for the film, but a collection of the pre-existing songs and other pieces, plus the original compositions by John Phillips. Consequence of Sound has a track list.

• At Scream Addicts: Joe R. Lansdale talks about the only film adaptation of Shirley Jackson’s The Haunting of Hill House that you need to see: the 1963 version directed by Robert Wise.

• The new wave of new age: How music’s most maligned genre finally became cool by Adam Bychawski.

• Transmissions From The Abyss: Dark ambient music for the perfect headspace by S. Elizabeth.

Jason Farrago reviews Art Aids America, an exhibition at the Bronx Museum, New York.

Curse Go Back: a limited reissue of tape experiments by William Burroughs.

Samuel Wigley on Notorious at 70: toasting Hitchcock’s dark masterpiece.

Toyah Willcox remembers working with Derek Jarman on The Tempest.

• “Why are musicians so obsessed with David Lynch?” asks Selim Bulut.

• Read the original 32-page programme for Fritz Lang’s Metropolis.

David Parkinson chooses 10 essential films starring Oliver Reed.

• Mixes of the week: The Sounds of the Dawn NTS radio shows.

Keith Haring envisions Manhattan as a kingdom of penises.

Frank Guan on Massive Attack’s Blue Lines, 25 years on.

Honky Tonk Pts 1 & 2 (1956) by Bill Doggett | I’ve Told Every Little Star (1961) by Linda Scott | I’m Deranged (1995) by David Bowie

Weekend links 317

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Alphonse Mucha’s Le Pater, a book of mystical Symbolism written, designed and illustrated by the artist, was published in a limited edition in 1899. The book has been out of print ever since but Thomas Negovan at Century Guild will be reprinting it later this year.

• “Five axioms to define Europe: the coffee house; the landscape on a traversable and human scale; these streets and squares named after the statesmen, scientists, artists, writers of the past; our twofold descent from Athens and Jerusalem; and, lastly, that apprehension of a closing chapter, of that famous Hegelian sunset, which shadowed the idea and substance of Europe even in their noon hours.” George Steiner explores his idea of Europe.

Journey To The Edge Of The Universe by Upper Astral, 43 minutes of cosmic ambience, is a cassette-only release from 1983. The album has never been reissued so secondhand copies command excessive prices but it may be downloaded here.

• Mixes of the week: Three hours of ambience by Gregg Hermetech, XLR8R Podcast 446 by [Adrian] Sherwood x Nisennenmondai, and Secret Thirteen Mix 190 by Shxcxchcxsh.

Today [Angela] Carter is well known, widely taught in schools and universities, and much of what she presaged—in terms of recycling and updating (“old wine in new bottles”, she called it), or gender role play and reversal—has become commonplace in the culture. Despite this, many critics find it difficult to situate her work properly. This is partly because Carter is so sui generis (she has literary offspring but few antecedents), and partly because many struggle with the relationship of politics and aesthetics in her writing.

Kate Webb reviews two new books about Angela Carter

• Words that will forever pursue us: Tim Page on the late Michael Herr, “rock’n’roll voice of the Vietnam War”.

• From 2015: Luigi Serafini on how and why he created an encyclopedia of an imaginary world.

James Campbell on Ginsberg, Kerouac and Burroughs: celebrating the Beats in Paris.

Fragile Beasts, an exhibition of grotesque print ornaments at Cooper Hewitt, NYC.

• Not before time, Guy Gavriel Kay wants to see an end to the plague of writing tips.

• David Bowie and Buster Keaton by Steve Schapiro.

Tom Charity on the films of Michael Cimino.

Alison Goldfrapp: photographer.

Golem Mecanique

European Man (1981) by Landscape | Europe After The Rain (1981) by John Foxx | Trans Europe Express (1994) by The One You Love