In the Mad Mountains

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Cover design by Elizabeth Story. Cover art by Mike Mignola.

The subtitle tells you everything you need to know about this new collection of Joe R. Lansdale stories from Tachyon. I designed the interior of the book, less floridly than some of my previous designs for Tachyon, and a little more abstractly than I’d usually do for a title such as this. All of the stories have been published before, and since I’d illustrated one of them (for Lovecraft’s Monsters) I had vague hopes of incorporating my earlier illustration while providing new ones for the rest of the stories. This proved impossible, however; I was working on the layout while still finishing the design for The Bumper Book of Magic so didn’t have the time to do seven more drawings. I’ll post the illustration here anyway.

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The Bleeding Shadow is a great story, a low-rent detective tale set in the 1920s in which the predicament from The Music of Erich Zann—violinist has to keep playing his instrument in order to keep something terrible at bay—is recast with shellac 78s and a blues guitarist. Among the other pieces there’s a story that manages to successfully contrive a meeting between Huckleberry Finn, Brer Rabbit and the Cthulhu Mythos; and the final story which gives the collection its name, wherein the setting of Lovecraft’s Antarctic epic becomes a Sargasso-like landscape of shipwrecks, lost planes and horrors great and small. I especially enjoyed The Crawling Sky, a story of the Old Weird West featuring a Solomon Kane-like itinerant preacher, the Reverend Jebidiah Mercer. Lansdale’s grotesque humour is to the fore in this one. I’d like to see the Reverend given a collection of his own someday.

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The Lovecraft archive

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Things Get Ugly
Lovecraft’s Monsters

Things Get Ugly

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Last month I said I had one more cover from 2022 to be made public, having forgotten that there was this one plus another which is currently at the printer, and which I’ll write about at a later date. Things Get Ugly follows last year’s Born For Trouble in being another Joe R. Lansdale cover for Tachyon that uses typography for the whole of the design. As with the earlier cover, this approach sidestepped having to try and summarise a collection of short stories with a single image or graphic. Adding imagery to a collection usually works best when the contents follow a specific theme, which isn’t the case here.

The stories may be described as crime but quite a few of them are dark enough to be included in horror collections. Things do, indeed, get ugly. The intersection between crime and horror fiction isn’t exactly new, the two genres have been entangled since The Murders in the Rue Morgue, and the boundaries remain permeable to this day. The most well-known piece in the new collection is Incident On and Off a Mountain Road, a story that was filmed for TV by Don Coscarelli for the Masters of Horror series, and which also opened the first season in 2005. Coscarelli’s adaptation is even nastier than its source but not everything in the collection is unrelentingly grim. Lansdale has a flair for black comedy which is to the fore in another story, Driving to Geromino’s Grave, in which two Depression-era children have to bring home the rotting body of their deceased uncle. This may not be everybody’s idea of an amusing read but the witty dialogue made me laugh. As well as the cover I’ve designed the interior of this one so I may post samples at a later date.

Things Get Ugly will be published in August. The book can be pre-ordered here.

Previously on { feuilleton }
Born for Trouble
Of Mice and Minestrone

Born for Trouble

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I said at the weekend that I’d recently designed an all-type cover, and here it is. This is my second design for Joe R. Lansdale’s detective duo, and like the earlier Of Mice and Minestrone this one went through more iterations than usual. It’s often the case that the more popular a book is likely to be, the more constraints will be imposed on the cover design. Hap and Leonard are very popular characters so this commission arrived with a number of prerequisites regarding the amount of text, the size of the type and so on. It also required the inclusion of the word “Stories” to emphasise that the book is a story collection rather than a novel. The latter feature is a recent trend in American publishing, one that follows the not-so-recent trend of appending the words “A Novel” to the covers of…novels. As a reader I find these labels to be superfluous and even mildly insulting but as a designer I have to follow the brief, and the brief was to present all of this information in a suitably harmonious manner. Most of the early iterations tried to do this with the addition of some illustrative graphics but the results were persistently unsatisfactory, hence the decision to let the type do the work.

Born for Trouble will be published by Tachyon in March 2022.

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Foiled at last
Of Mice and Minestrone

Foiled at last

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I’ve already written about the design for this story collection from Swan River Press but the gradient layout does nothing to convey the splendour of the foil-embossed printing. In the past when I’d suggested to publishers that foil printing might be an option the idea was always turned down for reasons of cost. My original intention for The Far Tower was for the design to be printed in a metallic ink so it might resemble the gold-on-green cover of the Yeats book which was the model for this volume. Metallic inks don’t always work too well, however, especially on a darkish background, so I said to Swan River “Or we could do it in gold foil…” To my surprise and delight they said “Why not?” So here’s the result. A great end to the year. The book is available here.

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And back in October, I posted what everyone thought at the time was the final design for Of Mice and Minestrone, a new book of Hap and Leonard stories by Joe R Lansdale. The Hap and Leonard books are popular works (there was a TV series based on them a while back) so they’re subject to the demands of the marketplace which in this case required a cover more in line with the red/white/black arrangement of some of Lansdale’s related titles. I’d already done most of this as an additional draft during the work on the first design so the reworking wasn’t too time-consuming. The rodent in the soup is more visible in this version which is another point in its favour. Of Mice and Minestrone will be published by Tachyon in May next year.

Previously on { feuilleton }
The Far Tower: Stories for WB Yeats
Of Mice and Minestrone

Of Mice and Minestrone

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I’ve done a lot of cover work this year, and there are still more designs waiting to be announced. Of Mice and Minestrone isn’t my usual line of work but it’s actually the third cover I’ve done for a Joe R. Lansdale book, although the previous titles were horror and steampunk respectively. The latest volume is a collection of crime stories, and an addition to Lansdale’s Hap and Leonard books, a series about a pair of Texan detectives whose popularity now extends to a TV show.

Crime presents many of the same challenges you find in other genres, all of which come with their own set of clichés which you can either choose to engage with or avoid. In the case of crime there’s a tendency for degraded typefaces to proliferate, along with variations on a red/black/white colour scheme. One of the early drafts of this design did use a red/black/white arrangement but I was told that Joe Lansdale was (unsurprisingly) tired of seeing this scheme applied to his own books. The title of the collection comes from the opening story which concerns the young Hap’s involvement with an older woman and her abusive husband; the marital abuse is resolved via a bowl of soup which has been poisoned with a dead rat, hence the title and the cover image. I like using pareidolia when I can, and the slightly unusual imagery pushed the appearance away from generic clichés (if you discount the bullets) towards the marvellously surreal covers that Tom Adams painted for Agatha Christie’s novels.

The background photo is a rare example of my using a stock image. The soup bowl looked fine from the outset but the background lacked a suitably ominous quality, and was at risk of looking too much like a recipe book. (As it happens there are some recipes by Kasey Lansdale following the fiction although I don’t think any require the use of dead rats.) After trying a number of different table surfaces I decided on a lateral approach so went searching for pictures of Texan storm clouds. The image we eventually used—a tornado over farmland near Patricia, Texas by John Finney at Getty Images—was the second one I tried and it worked so well we decided to keep it.

Of Mice and Minestrone will be published by Tachyon in March 2020 but is available for pre-order now.

Previously on { feuilleton }
The Gods of HP Lovecraft
Lovecraft’s Monsters
Ten titles and a cover
Steampunk overloaded!
New things for April