Weekend links 347

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Dream Animal (1903) by Alfred Kubin.

• The week in Finland: A set of Finnish emojis includes icons for notable cultural exports such as Tom of Finland and Moominmamma. Tove Jansson’s creations have received fresh attention this month with the debut release of the electronic soundtrack music for The Moomins, an animated TV series made in Poland in 1977, and first broadcast in the UK in 1983. Andrew Male talked to Graeme Miller and Steve Shill about creating Moomins music with rudimentary instrumentation.

• Russian company Mosfilm has made a new copy of Andrei Tarkovsky’s science-fiction masterpiece, Stalker (1979), available on their YouTube channel. Tarkovsky’s films have been blighted by inexplicable flaws in their home releases, as Stalker was when reissued on a Region B Blu-ray last year. The new Mosfilm upload looks better than my old DVD so for the moment this is the one I’ll be watching.

• Before straight and gay: the discreet, disorienting passions of the Victorian era. Deborah Cohen reviews A Very Queer Family Indeed by Simon Goldhill. Related: Kevin Killian reviews Murder in the Closet: Essays in Queer Clues in Crime Fiction Before Stonewall, edited by Curtis Evans.

• “How many graphic designers owe their introduction to typography to a teenage encounter with the typefaces and lettering found on album covers?” asks Adrian Shaughnessy.

• Mixes of the week: Secret Thirteen Mix 210 by Ascion, FACT Mix 587 by Seekersinternational, and The Séance, 4th February 2017.

Pankaj Mishra on Václav Havel’s lessons on how to create a “parallel polis”. Related: The Power of the Powerless by Václav Havel.

Hans Corneel de Roos on Dracula‘s lost Icelandic sister text: How a supposed translation proved to be much more.

• “I live outside the world in a universe I myself have created, like a madman or a holy visionary.” — Michel de Ghelderode.

• The Metropolitan Museum of Art makes 375,000 images of public art freely available under Creative Commons Zero.

Richard H. Kirk on Thatcherite pop and why Cabaret Voltaire were like The Velvet Underground.

Emily Gosling on what David Lynch’s use of typography reveals (or doesn’t).

White Noise Sounds of Frozen Arctic Ocean with Polar Icebreaker Idling.

John Gray on what cats can teach us about how to live.

• At Dennis Cooper’s: Day of the Mellotron (Restored).

The Warburg Institute Iconographic Database.

Sastanàqqàm by Tinariwen.

Tanz Der Vampire (1969) by The Vampires of Dartmoore | Dracula (1983) by Dilemma | Vampires At Large (2012) by John Zorn

Science Fiction Monthly

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Art by Chris Foss.

Recent uploads at the Internet Archive include an incomplete run of British magazine Science Fiction Monthly, a large-format collection of SF art and original fiction that ran for 28 issues from 1974 to 1976. Science Fiction Monthly was significant for my generation since it was the only regular British SF magazine available in the mid-70s. (Michael Moorcock and co. were still producing issues of New Worlds but the only ones I saw were the quarterly paperbacks). Science Fiction Monthly was published by New English Library which made it seem at first glance like a promotional tool for the publisher, even more so when most of the cover art and almost all the ads were for NEL titles. The early issues lean heavily on NEL content but later issues had a broader reach and contained all the features you’d expect from an SF magazine of the period: news columns, film reviews, interviews, a bad comic strip, and so on. The thing I liked most at the time was the reproduction of book cover art at a large size, with full-colour paintings filling the broadsheet pages or spreads, all printed with the intention of being removed and fixed to bedroom walls. The early issues were also unique in giving regular attention to the artists, running interviews and even showing photographs of the people responsible for all of that familiar paperback art. I didn’t see all of the early issues but the interviews were later collected in book form by NEL in Visions of the Future (Janet Sacks ed., 1976), a volume that made a considerable impression since it showed me that SF and fantasy illustration was a viable career rather than the product of remote and mysterious talents.

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Artist Bruce Pennington (see this post).

A few page samples follow. It’s a shame the collection at the Internet Archive is incomplete since the magazine’s contents were interesting to the end. The only copy I own today is the one for October 1975 (not currently available online) which is almost a JG Ballard special, with a feature on the writer, an interview about his new novel, High-Rise, and an original piece of fiction.

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Art by Bruce Pennington.

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Art by David Pelham.

Continue reading “Science Fiction Monthly”

Weekend links 346

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Red Queen (no date) by Jo Brocklehurst.

• Happy birthday to Kenneth Anger, 90 years old this week. In 2008 Anger was interviewed by Nicolas Winding Refn at the National Gallery of Denmark, Copenhagen.

• “Fabeness be to the Auntie, and to the Homie Chavvie, and to the Fantabulosa Fairy”. “Church ‘regret’ as trainees hold service in gay slang.”

Andrew Male on Michael Chapman, an exceptional guitarist, and “the man who connects Elton, Bowie, Nick Drake and Sonic Youth”.

• A trailer for A Life In Waves a documentary about synth composer Suzanne Ciani by Brett Whitcomb and Bradford Thomason.

• The website for design company Barnbrook has been relaunched, as has the site for Jonathan Barnbrook‘s personal work.

• Mixes of the week: Secret Thirteen Mix 209 by Umwelt, and XLR8R Podcast 475 by Melina Serser.

Ryan Gilbey: “From Sean Connery to Harrison Ford: actors who secretly played roles gay.”

• Writer and editor Russ Kick is selling his huge book collection.

Lucifer Sam (1967) by Pink Floyd | Lucifer (1968) by The Salt | Lucifer Rising (2002) by John Zorn

Alice’s Adventures in the Horse Hospital

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A few snapshots of the exhibits from Wednesday’s sold-out event at the Horse Hospital, Bloomsbury, London. As noted here before, the impetus for the event was Paul Guest’s printing of my series of psychedelic Alice pictures (above) as blotter prints, sheets of blotting paper having been a common medium for the delivery of LSD doses in the late 60s and 1970s. Since my pictures are relatively small and only filled out one of the walls the rest of the exhibition space was filled with Alice art of a similar tone. The opposite wall also featured a variety of fascinating period artefacts from The Psychedelic Museum, including a few original (and rare) blotter sheets. My time was taken up preparing for the discussion so I wasn’t as diligent as I usually try to be in documenting all the artists involved.

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The discussion itself went really well. The audience was receptive and small enough to be easily communicable, while the talk never strayed too far from the subject at hand. My thanks to my fellow participants—Nikki Wyrd, Jake Fior, Sophia Satchell-Baeza and Andy Roberts—and huge thanks to Vyvy and John and the rest of the Horse Hospital staff for making the event run so smoothly.

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The exhibition continues through to Saturday (Feb. 4th), noon to 6pm; entry is free. My blotter prints will remain on sale at the exhibition, and they can also be ordered from Paul at Blotterart.biz, either as single prints or a collected set of 12. For serious collectors the set of 12 will be available as a boxed edition of signed and numbered prints (limited to 100 sets) with a lid design adapted from my 2010 Alice calendar. I should note that the print quality is excellent, and web reproduction doesn’t do justice to the colour or the detail.

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Continue reading “Alice’s Adventures in the Horse Hospital”

Weekend links 345

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Wasted Alice (2017) by Sonia Lazo.

Brian Eno: “We’ve been in decline for 40 years—Trump is a chance to rethink.” An equivocal headline, and the usual misinterpretation from the hard-of-thinking, prompted Eno to issue a clarification. More Trumpery: Jonathan Meades wonders what kind of wall “The Lout” might want to build. Related: almost all of Meades’ smart and witty television essays may be viewed at MeadesShrine (click through to Vimeo for download links).

• “Once you’ve turned entire buildings into instruments as on Medium, and then you’ve made the ionosphere itself an instrument as on Signal, where do you go next?” Emptyset discuss their forthcoming album, Borders, and a change in their working methods.

Christopher Burke & David Davis at Weird Fiction Review talk to Valancourt Books about reprinting neglected works of horror and gay fiction.

• At the BFI this week: All about Jim Jarmusch’s leading men, from Tom Waits to Bill Murray, and John Hurt (RIP): 10 essential films.

• “Claude Arnaud’s biography of Jean Cocteau shows how the artist lived a life nourished by infinity,” says Ricky D’Ambrose

Sukhdev Sandhu on John Berger: “a pathfinder who was alive to the present”.

Theodore Carter on Doll Part Art: Visual Feasts Made of Plastic Bodies.

• Count Backwards from Ten: Peter Bebergal‘s Top 10 Occult in Media.

• Books from Strange Attractor will now be distributed by MIT Press.

Eero Saarinen, the architect who saw the future.

• Mix of the week: FACT Mix 585 by Niagara.

• RIP Maggie Roche.

Hammond Song (1979) by The Roches | Losing True (1982) by The Roches | Keep On Doing What You Do / Jerks On The Loose (live, 1990) by The Roches