Weekend links 459

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• “Their graves were covered with cement tiles to block the radiation emanating from their corpses.” Sophie Pinkham reviews three books about the Chernobyl nuclear disaster.

• At Dangerous Minds: Julius Eastman: The resurrection of the visionary minimalist composer continues; at The Quietus: The Strange World of Julius Eastman.

• Mixes of the week: a Dune-inspired Secret Thirteen Mix 286 by Coeden, and ’94–95 Mirrorverse by The Ephemeral Man.

Nabokov had meanwhile acquired a literary agent in New York. She made no headway placing translations of his Russian novels. His latest, she informed him, was “dazzlingly brilliant” and hence wholly without promise for the American market. She suggested something more topical, an idea that left her client hyperventilating. “Nothing,” he would roar later, “bores me more than political novels and the literature of social unrest.” He was, he enlightened his representative, neither Sinclair Lewis nor Upton Sinclair. (Ultimately he tossed the two over the cliff together, as “Upton Lewis.”) Weeks later, in the bathroom of a Paris studio apartment, he began — “a champion figure skater switching to roller skates,” as he complained, speaking for whole cadres of displaced professionals — to write in English.

Stacy Schiff on Vladimir Nabokov, literary refugee

Iain Sinclair on Ghosts of a Ghost: William Burroughs, time surgery and the death of the image.

ST Joshi remembers Lovecraftian writer Wilum Pugmire (RIP).

The Conspirators: A Borgean Tribute to Jorge Luis Borges.

Jasper Sharp on where to begin with Japanese cyberpunk.

Greg Anderson on the new Sunn O))) album, Life Metal.

Drew Daniel of Matmos picks his Bandcamp favourites.

• The Kraken surfaces for Clive Hicks-Jenkins.

• An interview with Brian Eno by Suite (212).

Apocalypse Now: Final Cut

The Book of Weirdo

Conspiracy Of Silence (1994) by Cypher 7 | The Vodun Conspiracy (1996) by The Sidewinder | Machine Conspiracy (2010) by Conforce

Weekend links 456

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A Mrs Radcliffe Called Today (1944) by Dorothea Tanning.

Darran Anderson on how the Bauhaus kept things weird. “Many imitators of the famous art school’s output have missed the surreal, sensual, irrational, and instinctual spirit that drove its creativity.”

• Notes on the Fourth Dimension: Hyperspace, ghosts, and colourful cubes—Jon Crabb on the work of Charles Howard Hinton and the cultural history of higher dimensions.

• “[Edward] Gorey is slowly emerging as one of the more unclubbable American greats, like Lovecraft or Joseph Cornell,” says Phil Baker.

The label “homosexual writer” stuck for the rest of his career, with Purdy confined to what Gore Vidal called “the large cemetery of gay literature…where unalike writers are thrown together in a lot, well off the beaten track of family values”. In later years, Purdy moved further off the beaten track, as much by intention as circumstance. “I’m not a gay writer,” he would tell interviewers. “I’m a monster. Gay writers are too conservative.”

Speaking to Penthouse magazine in 1978, Purdy said being published was like “throwing a party for friends and all these coarse wicked people come instead, and break the furniture and vomit all over the house”. He added that, in order to protect oneself, “a writer needs to be completely unavailable”.

Andrew Male on writer James Purdy

• The Necessity of Being Judgmental: Roger Luckhurst on k-punk: The Collected and Unpublished Writings of Mark Fisher.

Faunus: The Decorative Imagination of Arthur Machen, edited by James Machin with an introduction by Stewart Lee.

• More James Purdy: “His poetry displays a softness that readers of his fiction might not expect,” says Daniel Green.

Drag Star! is a 150,000-word interactive novel/text adventure by Evan J. Peterson.

• At Dangerous Minds: Dave Ball discusses his years as the other half of Soft Cell.

Daisy Woodward on the story of radical female Surrealist Dorothea Tanning.

• Inside the bascule chamber: photos of Tower Bridge, inside and out.

Tim Smith-Laing on the meaning of Miró’s doodles.

• Galerie Dennis Cooper presents…Emma Kunz.

rarecinema: a shop at Redbubble.

Apollo Press Kits

The Fourth Dimension (1964) by The Ventures | Dimension Soleils (1983) by Gilles Tremblay | Into The Fourth Dimension (1991) by The Orb

Weekend links 453

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The Moon photographed by Andrew McCarthy.

• Top twenties of the week: Anne Billson on 20 of the best (recent) Japanese horror films, and Britt Brown‘s suggestions for 20 of the best New Age albums. (I’d recommend Journey To The Edge Of The Universe as the best from Upper Astral.) Related to the latter: Jack Needham on lullabies for air conditioners: the corporate bliss of Japanese ambient.

• At Expanding Mind: Erik Davis talks with writer and ultraculture wizard Jason Louv about occult history, reality tunnels, his John Dee and the Empire of Angels book, Aleister Crowley’s secret Christianity, and the apocalyptic RPG the West can’t seem to escape.

• “It’s like someone looked at the vinyl revival and said: what this needs is lower sound quality and even less convenience.” Cassette tapes are back…again. But is anyone playing them?

• Mixes of the week: Secret Thirteen Mix 280 by O Yuki Conjugate, Bleep Mix #53 by Pye Corner Audio, and 1980 by The Ephemeral Man.

• The fifth edition of Wyrd Daze—”The multimedia zine of speculative fiction + extra-ordinary music, art & writing”—is out now.

Midian Books has a new website for its stock of occult publications and related esoterica.

Mark Sinker on three decades of cross-cultural Utopianism in British music writing.

• At Dennis Cooper’s: Nastassja Kinski Day.

Utopia No. 1 (1973) by Utopia | Utopia (2000) by Goldfrapp | Utopian Facade (2016) by John Carpenter

Weekend links 449

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UK poster, 1950. Cocteau’s film receives a UK blu-ray release this week.

• Into the Zone: 4 days inside Chernobyl’s secretive “stalker” subculture by Aram Balakjian. (Again. There’s an implication in Balakjian’s piece that illicit Chernobyl tourism is a new thing even though people have been doing this for a while now.) Related: Jonathan’s visit to the Chernobyl reactor control room, and photos of Soviet-era control rooms (plus a couple of stray American examples).

• “He’s a very interesting author: a disabled, gay writer during the Third Reich…who somehow survived only to be shot by a Red Army patrol days before the end of the war.” At the Edge of the Night (1933) by Friedo Lampe will receive its first English-language publication via Hesperus Press next month.

• “The tradition of the painted still life has been reinvented by contemporary photographers with pictures that pose a puzzle and slow the viewer down,” says Rick Poynor.

• Comic artist Matt Howarth has been writing short reviews of electronic music for many years. Sonic Curiosity is his archive site.

Bauhaus at 100: what it means to me by Norman Foster, Margaret Howell and others.

• RIP Jonas Mekas. Related: a conversation between Jonas Mekas and Jim Jarmusch.

• Beyond the Buzzcocks: Geeta Dayal remembers Pete Shelley‘s electronic side.

• Where to begin with Jean Cocteau: Alex Barrett goes through the mirror.

• Mix of the week: Secret Thirteen Mix 278 by Sarah Louise.

• At Dennis Cooper’s: Jud Yalkut Day.

• Undulating Terrain (1995) by Robert Rich & B. Lustmord | Darkstalker (2000) by Bohren & Der Club Of Gore | Stalker Dub (2012) by John Zorn

Weekend links 448

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Gas Tanks 1965–2009 by Bernd Becher and Hilla Becher.

• At Dangerous Minds: the drawings produced by Moebius for Maxwell House in 1989 are better than the coffee whose sales they were intended to assist.

Jarman Volume 2: 1987–1994, the BFI’s second collection of Derek Jarman films, is now available for pre-order.

• More Gorey: Cara Giaimo on Edward Gorey’s hoards and collections.

That movie [Susan Slade]—and I even have the paperback novelization of it—is a moment. That’s a perfect example. They would never release that image as a still of the movie. Come see a baby catch on fire! To me, I’m kind of rewriting the films as these scenes. That was a real shock to me as a teenager when I saw that. And I thought, Did that just happen? Her baby caught on fire? I remember in Serial Mom I had a big fight with a film executive who said that you can’t have her set her kid’s friend on fire. You can’t do that. And I said, “Why, it’s been in movies forever.” And I’m thinking of Susan Slade, but I’m thinking there’s no point using that in the argument.

John Waters talking to Gina Telaroli about his films but mostly about his works for the art gallery

Georgina Guthrie on how green became cinema’s loneliest colour.

• Tom Crewe reviews Edward Burne-Jones at Tate Britain.

• Mix of the week: FACT Mix 688 by Steve Hauschildt.

• At Strange Flowers: 19 books for 2019.

Jenzeits Cosmic Worlds by Jenzeits.

• Green Onions (1962) by Booker T. & The MGs | Green (1966) by Ken Nordine | Green Fuz (1969) by Randy Alvey And The Green Fuz