Weekend links 178

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Pretty Pictures, a new book by designer Marian Bantjes, is out on October 1st.

• A writer admired by Angela Carter, Michael Moorcock, Harlan Ellison, Anthony Burgess, Jonathan Meades and Iain Sinclair; a “writer’s writer…[whose] best stories bear comparison with the Ficciones of Jorge Luis Borges”; a writer with an “unsettling quality to his writing, a whiff of brimstone that links him to fin-de-siècle occult figures such as HP Lovecraft—and even, at a further remove, Aleister Crowley”. David Collard explains why you may want to read something by Gerald Kersh (1911–1968), four of whose books are being republished.

• The Eccentronic Research Council and Maxine Peake pay homage to Delia Derbyshire’s The Dreams project with a new single out at the end of the month (Pye Corner Audio and Carol Morley appear on the flip). Ms Peake’s barm-cake reverie may be heard here.

• “Applying for grants, writing artist statements, showing up to openings—artists have to do far more than just make art if they want to find an audience for it.” Jen Graves on lies and deception in the art world.

The material does not make the work. The life does not make the art. Exactly the opposite. The work creates the material. The art creates the life. Did Trinidad exist before Naipaul? Did cargo ships exist before Joseph Conrad? Did Newark and the New Jersey suburbs exist before Philip Roth? Did women in playgrounds in New York City exist before Grace Paley? See how the writer invents the material? These places did not exist as literary subjects. They were invisible to literature. The magic of a great book is that it makes its own subject seem inevitable. The danger is, it makes the subject seem like the source of power in the work.

Phyllis Rose on life and literature.

• Mix of the week: Secret Thirteen Mix 087, 40 minutes of original electronic music by Geistform (Rafael Martinez Espinosa).

• “You’ve Got This“, an It Gets Better-style video support campaign for people recently diagnosed with HIV.

• At Dangerous Minds: Babalon Working: Brian Butler’s trippy occult odyssey with Paz de la Huerta.

Manfred Mohr‘s computer-created artwork, from the 1960s to the present.

Robert Macfarlane on the strange world of urban exploration.

Rick Poynor on Bohumil Stepan’s Family Album of Oddities.

• Oli Warwick talks to Martin Jenkins, aka Pye Corner Audio.

• The 384-page BUTT calendar for 2014 is now on sale.

• Pye Corner Audio: We Have Visitors (2010) | Toward Light (2011) | The Mirror Ball Cracked (2012)

Balanchine, Lynes and Orpheus

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The photo above has appeared here before—it’s one of a number of dance photos taken by the great George Platt Lynes—but its subject has (for me at least) always been the source of some confusion. Since I dislike being nagged by petty conundrums I make a cursory search every so often to see if more details might be found. Five years ago all I knew was that the picture appeared in Philip Core’s Camp: The Lie that Tells the Truth (1984) where it was credited as showing dancers from Balanchine’s Icarus. Additional confusion was sown by a photo site showing the picture below with a statement that it was a) a Lynes photo (correct), and b) from Balanchine’s Die Fledermaus (wrong). No dates were given. The presence of a lyre made Orpheus seem a more likely subject: Balanchine wrote an Orpheus ballet for a Stravinsky score in 1948 but photos of that production showed very different dancers and costumes.

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It turns out that these photos are indeed for a Balanchine ballet on the Orpheus theme, a short-lived production, Orpheus and Eurydice, from 1936 based on music from Gluck’s opera. The dancers are Lew Christensen, William Dollar and Daphne Vane. What’s most surprising now is having found a photo that’s almost but not quite the one from the Core book; photos from this session are elusive, with searches hampered by other photos taken by Lynes of Balanchine’s later ballets. There may be more in this series.

Pinterest is a good place to see more of Lynes’ photos which range from fashion shoots and celebrity portraits to moody, and occasionally surreal, homoerotica.

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Previously on { feuilleton }
The end of Orpheus
The recurrent pose 17
George Platt Lynes

Weekend links 177

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A new Wicker Man poster by Dan Mumford appears on the cover of the forthcoming DVD/BR reissues. Prints are available.

• The long-awaited release of a restored print of Robin Hardy’s The Wicker Man approaches. Dangerous Minds has a trailer while The Guardian posted a clip of the restored footage. The latter isn’t anything new if you’ve seen the earlier uncut version, but the sound and picture quality are substantially better. I’ve already ordered my copy from Moviemail.

• “It’s a fairly bleak place, and it has this eerie atmosphere. East Anglia is always the frontline when there’s an invasion threatening, so there are lumps of concrete dissolving into sand, bits of barbed wire and tank tracks that act as a constant reminder. I really love it.” Thomas Dolby talking to Joseph Stannard about environment and memory.

Dome Karukoski is planning a biopic of artist Tom of Finland. Related: Big Joy, a documentary about the life and work of James Broughton, poet, filmmaker and Radical Faerie.

The desire to be liked is acceptable in real life but very problematic in fiction. Pleasantness is the enemy of good fiction. I try to write on the premise that no one is going to read my work. Because there’s this terrible impulse to grovel before the reader, to make them like you, to write with the reader in mind in that way. It’s a terrible, damaging impulse. I feel it in myself. It prevents you doing work that is ugly or upsetting or difficult. The temptation is to not be true to what you want to write and to be considerate or amusing instead.

Novelist Katie Kitamura talks to Jonathan Lee.

Leonora Carrington: The Celtic Surrealist opens on Wednesday at the Irish Museum of Modern Art, Dublin.

Julia Holter turns spy in the video for This Is A True Heart.

Alexis Petridis talks to graphic designer Peter Saville.

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Al-Naafiysh (The Soul) by Hashim. From the Program Your 808 poster series by Rob Rickets.

Rob Goodman on The Comforts of the Apocalypse.

Post-Medieval Illustrations of Dante’s Sodomites.

• Annoy Jonathan Franzen by playing Cat Bounce!

Paolozzi at Pinterest

The Surrealist Waltz (1967) by Pearls Before Swine | The Jungle Line (1981) by Low Noise (Thomas Dolby) | Al-Naafiysh (The Soul) (1983) by Hashim

Weekend links 176

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This week PingMag was looking at Czech film posters. This one by Bedrich Dlouhy is for the belated 1970 release of Kurosawa’s Rashomon.

• In October Alison Goldfrapp curates an exhibition for The Lowry, Salford, featuring her favourite art. Examples will include work by Leonora Carrington, Lotte Reiniger and Henry Darger so I’ll definitely be seeing this one. The new Goldfrapp album, Tales of Us, is released this week. Alison Goldfrapp & Lisa Gunning’s film for Annabel is here.

Michael Glover profiles artist Tom Phillips who has a new show of his paintings at the Flowers Gallery, London. The indefatigable Phillips also talked to Tracy McVeigh about his design for the new 50 pence coin which celebrates the centenary of Benjamin Britten.

Get Carter director Mike Hodges remembers re-teaming with Michael Caine for the island-set crime thriller Pulp, and shares a letter that JG Ballard wrote to him in admiration of the film.

Dismantling the surveillance state won’t be easy. Has any country that engaged in mass surveillance of its own citizens voluntarily given up that capability? Has any mass surveillance country avoided becoming totalitarian? Whatever happens, we’re going to be breaking new ground.

Bruce Schneier on how to deal with the total surveillance state.

• Babel/Salvage presents The Midnight Channel, the newest montage of poetry by Evan J. Peterson, inspired by cinema of the horrific, fantastic and bizarre.

• Mixes of the week are from composer Amanda Feery at The Outer Church, and Pinkcourtesyphone (Richard Chartier) at Secret Thirteen.

• At Dangerous Minds: Kimberly J. Bright on the psychedelic poster art of Hapshash and the Coloured Coat. Related: LSD may not be bad for you, says study.

Queer Zines: a 400-page study edited by AA Bronson & Philip Aarons.

• Justin Abraham Linds on The Walt Whitman of gay porn.

• Designs for theatre and print by Oskar Schlemmer.

Beautiful Mars: a Tumblr.

Catleidoscope!

• Goldfrapp: Lovely Head (2000) | Strict Machine (2003) | Caravan Girl (2008)

Skivvies

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Not had anything for a while deserving of the eye candy tag so here’s some gratuitous shots from a short promo video for some underwear company or other (he said disingenuously). The ad is directed by Steven Klein, and the piece as a whole doesn’t appear to have had a straight viewer in mind given the amount of shots that look like AMG beefcake or extra auditions for Fassbinder’s Querelle. And speaking of Rainer’s matelots, they’ve been in mind recently following news that the director’s Genet fantasia will be making a welcome appearance on Blu-ray later this month. The DVD format didn’t do much for those saturated colours so this is good to hear. (Underwear tip via Homotography.)

Previously on { feuilleton }
Hello, sailor
Querelle again
Sailors
Mikel Marton
Exterface