Weekend links 379

horst.jpg

Male Nude, Leg Up (1952) by Horst. From a series of photo prints at Wessel + O’Connor Fine Art until 5th November.

• At Bandcamp: “Tuareg guitar mixed with traditional rural folk”: Eghass Malan by Les Filles de Illighadad; “Pan dimensional spacecraft hover over ancient pyramids on worlds undreamed of”: Lemurian Dawn by Memnon Sa.

Songs of Discomposure: Quietus writers pick their most disturbing pieces of music. Also at The Quietus: John Foxx on his collaborations with Harold Budd and Ruben Garcia.

Eros In Arabia, the first album by Richard Horowitz, has been deleted since 1981, and is consequently very difficult to find. Freedom To Spend are reissuing it next month.

JG Ballard—The Interview Concordance. A companion to the concordance of Ballard’s published works. Some of the interviews may be found here.

• At Dangerous Minds: The Male Figure: Bruce of Los Angeles and the perfection of midcentury beefcake.

• Mixes of the week: XLR8R Podcast 508 by Jennifer Cardini, and Secret Thirteen Mix 231 by Alex XIII.

Post Punk: a set of postage stamp designs by Dorothy for punk and post-punk bands.

• At Spoon & Tamago: Kanban: The exquisite art of historic Japanese store signs.

• At Greydogtales: Photography of the Folk Horror Revival.

The Spomenik Database

• The Secret Life Of Arabia (1977) by David Bowie | Arabian Knights (1981) by Siouxsie And The Banshees | Arabiant (2002) by Radar

Weekend links 376

newton.jpg

The House by the Canal (1945) by Algernon Cecil Newton.

• RIP Tobe Hooper. Black Hole Reviews recounts the troubled history of The Texas Chain Saw Massacre in Britain, a film that was given a short-lived cinema release then banned for 20 years. Elsewhere: Who sampled from Tobe Hooper’s films? Tucktonia, a model village whose London buildings were destroyed for Hooper’s Lifeforce.

• Graphic language of the wall: Rick Poynor on Brassaï’s photographs of graffiti for Le Livre de Poche. More Poynor: National Theatre Posters: A Design History is available for pre-order from Unit Editions. There’s more from the latter here.

• “A question of queer as a kind of futurism: an attitude or tendency that connects mid-20th-century performers and photographers to contemporary digital art and fashion.” Brian Dillon reviewing Queer British Art at Tate Britain.

In evolutionary terms, the intelligence of octopuses is an anomaly. The last common ancestor between octopuses on the one hand, and humans and other intelligent animals (monkeys, dolphins, dogs, crows) on the other, was probably a primitive, blind worm-like creature that existed six hundred million years ago. Other creatures that are so evolutionarily distant from humans—lobsters, snails, slugs, clams—rate pretty low on the cognitive scale. But octopuses—and to some extent their cephalopod cousins, cuttlefish and squid—frustrate the neat evolutionary division between clever vertebrates and simple-minded invertebrates. They are sophisticated problem solvers; they learn, and can use tools; and they show a capacity for mimicry, deception and, some think, humour. Just how refined their abilities are is a matter of scientific debate: their very strangeness makes octopuses hard to study. Their intelligence is like ours, and utterly unlike ours. Octopuses are the closest we can come, on earth, to knowing what it might be like to encounter intelligent aliens.

Amia Srinivasan reviewing Other Minds: The Octopus and the Evolution of Intelligent Life by Peter Godfrey-Smith, and The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness by Sy Montgomery

Royal Academy of Arts to reveal explicit side of Dalí and Duchamp.

• At Wormwoodiana: Mark Valentine on The Mystic Umbrellas.

Norton Critical Edition’s Periodic Table of Literary Villains.

• Mix of the week: FACT mix 616 by Lanark Artefax.

Virus Fonts has a new website.

Little Umbrellas (1969) by Frank Zappa | Umbrellas (1971) by Weather Report | Black Umbrellas (2003) by Broadcast

Weekend links 375

kanemaki.jpg

Memento Mori (2012) by Yoshitoshi Kanemaki.

Greydogtales, home to “weird fiction, weird art and even weirder lurchers”, is two years old this month. An essential resource for interviews, reviews and art features.

Kim Morgan on the paranoia at the heart of John Carpenter’s The Thing. The film will receive a welcome Blu-ray reissue by Arrow Films (UK) in November.

• A third and final collection of Patrick Cowley’s soundtracks for gay porn films, Afternooners, will be released in October by Dark Entries.

Photos of the exceptional eldritch art on display until the end of the month at the Ars Necronomica show in Providence, RI.

• Barney Bubbles, Optics & Semantics: an exhibition at Rob Tufnell, London, from 31st August.

Dimitra Fimi and Adam Scovell on 50 years of The Owl Service by Alan Garner.

• The Duality of Yoshitoshi Kanemaki’s Wooden Sculptures.

• Tristan Bath on The Strange World of Keiji Haino.

• Mix of the week: XLR8R Podcast 504 by Curses.

Photos of René Magritte.

• RIP Brian Aldiss

Grey Promenade (1985) by Roger Eno | Grey Stripe (1994) by Aphex Twin | Greyscale (2008) by 2562

Weekend links 373

YDKMorimoe.jpg

Untitled (2011) by YDK Morimoe. Via Jim Post at Dennis Cooper’s.

For The Climax Of The Night by Total Leatherette is almost certainly the only album you’ll see this year with autofellatio cover art. Faux Fox gives a taste of the new album, while an earlier piece, Squeeze Hunk, features a Tom of Finland-style video. And speaking of which, Dome Karukoski’s feature film, Tom of Finland, is released in the UK this week. Related: Tom of Finland coffee.

• The death of playwright Joe Orton in 1967 prompted yet more 50th anniversary articles this week. Mentioned here before, and better value than all the textual appraisal, is the BBC’s 70-minute TV documentary from 1982, A Genius Like Us: A Portrait of Joe Orton, which includes interviews with family, friends, colleagues and Orton’s biographer, John Lahr.

• Two skulls, 50,000 postcards and a book that took 50 years to finish: Stuart Jeffries visits artist Tom Phillips.

• New at the Internet Archive: 25,000 78RPM records. You can never go wrong with Duke Ellington.

Lock Your Door and The Reformation of St. Jules: Algernon Blackwood filmed in 1949.

Redemption, an exhibition of art by Fay Pomerance (1912–2001) at Ushaw College, Durham.

• At Dirge Magazine: Daniel Pietersen on the myth of the sunken city.

• Mix of the week: FACT Mix 613 by Aaron Dilloway.

Laetitia Sadier’s favourite albums.

• RIP Hywel Bennett

Sunken City (1961) by Les Baxter | Ys (1971) by Alan Stivell | Atlantis (1971) by Deuter

The Heart of the Lost Star

loststar.jpg

Presenting my cover for the third book in Megan Derr’s gay fantasy series, Tales of the High Court. Since this cover follows a pattern established with the first book in the series, The High King’s Golden Tongue, I’ve posted volumes one and two below for comparison. In my post about the series last year I said that I appeared to have exhausted the Viollet-le-Duc illustrations which I was plundering for the (collaged) architectural frames. As things turned out I was able to work up a new one but if this series continues then further ingenuity will be required.

The Heart of the Lost Star will be published by Less Than Three Press later this month. Meanwhile, I have a number of other projects—most of them horror-related—waiting to be officially revealed. As always, watch this space.

derr1.jpg

derr2.jpg

Previously on { feuilleton }
Tales of the High Court