Décorations Peintes pour Devantures et Intérieurs de Magasins

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Once again, I was going to post something more substantial this week but I’m still exceptionally busy, and my plans were further thwarted by the arrival in my RSS feed of this new upload at the Internet Archive. Décorations Peintes pour Devantures et Intérieurs de Magasins is a short but beautiful collection of Art Nouveau signs and shopfronts compiled by Henry Guédy. The date—1905—places it near the end of the Art Nouveau movement but the style was evidently still popular enough at this point to warrant a guide for sign painters looking for something à la mode. The shopfront photos show the commercial application of the style in Parisian streets, although many of these façades will have since been replaced by less adventurous designs (see this post for an example). Monsieur Guédy’s book may be viewed in full and downloaded here.

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Previously on { feuilleton }
Hector Guimard’s Castel Béranger
Chemiserie Niguet
Rue St. Augustin, then and now
Hector Guimard elevations
Infernal entrances
Hector Guimard sketches
Temples for Future Religions by François Garas
Elizabetes Iela 10b, Riga
Atelier Elvira
Louis Bonnier’s exposition dreams
The Maison Lavirotte
The House with Chimaeras

Weekend links 406

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Ways Of Seeing will be the next release by The Advisory Circle on the Ghost Box label, and with metallic gold cover art by Julian House.

• “The structure came to Argento while he was tripping on some good acid, a fevered dream logic piecing everything together. […] ‘People came running out, screaming, telling people in the queue “Don’t go in! Don’t go in! It’s all witches!” It just made everyone in line want to get in even more… it was amazing.'” Ben Cobb talks to Dario Argento about the making of a horror masterpiece, Suspiria.

• Mixes of the week: The Wire Playlist by Mary Halvorson, XLR8R Podcast 535 by Sofie, and Out of the Wood Show 93 by Robin The Fog.

• Death by Balloon: Chris Mautner on the horrifying and hilarious world of comic artist Junji Ito.

Look, any honest estimation of the new translation, by Michael Hofmann, of Alfred Döblin’s Berlin Alexanderplatz from NYRB Classics is bound to begin with duteous piety, lauding it, since it is a one-and-done masterpiece that’s basically impossible to oversell, as (why not) the single biggest event in publishing in a lifetime, a crucial refurbishment of something English-language readers have been missing out on for a century, and a long-missing piece of Modernism’s ponderous jigsaw. All of which is the case of course. But when we’re talking about a dense, all-but-untranslatable Weimar-era novel, whose only point of reference for Anglophone audiences until now has been Rainer Werner Fassbinder’s meticulous fifteen-hour adaptation from 1980 (one heck of a tease) it feels important to attempt a slight rescue from its own forbidding reputation, because Alexanderplatz is less a book than a living thing, and one that joyously resists the dust heap of bourgeois literary scholarship with its every line.

JW McCormack on the new translation of Alfred Döblin’s Modernist classic

Section 28 protesters 30 years on: “We were arrested and put in a cell up by Big Ben”.

Angelique Kidjo talks reinventing Talking Heads’ Remain In Light on new LP.

• The hidden lives of gay men in the Middle East: photographs by Hoda Afshar.

Al Pacino’s journey with Wilde’s Salomé.

Tenebrous Kate

• Are You Seeing (1969) by Ora | Seeing Out The Angel (1981) by Simple Minds | Sine Seeing (2014) by The Advisory Circle

The man who wasn’t Tesla

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Searching through old emails last week reminded me that a couple of years ago I’d supplied some art for use in a steampunk-themed bar in Gran Canaria. I would have mentioned this before now but, as is often the way with freelance commissions, once the negotiations were over I dispatched the art then heard nothing more about the project.

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A search for the bar this week revealed a number of things: the place in question is the Tesla Steampunk Bar in Las Palmas de Gran Canaria; the artwork did indeed get used to prominent effect, with the main elements of my picture being positioned behind the bar itself; and it wasn’t immediately obvious whether the place was still open. Subsequent searching (and some Google translating of the bar’s Facebook page) further revealed that the bar has been closed but is in the process of relaunching itself.

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As to the artwork, this was adapted from the second version of a design I produced for Jeff VanderMeer in 2008 to illustrate a semi-serious steampunk slogan of Jeff’s devising. Ten years ago steampunk was still a very minor subgenre, and one with few visual signifiers. I quickly hacked together a piece using imagery taken from the Dover Pictorial Archive series, a collection of books which are useful but whose engraved illustrations have since been plundered endlessly for this type of work.

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When I’m collaging things today I try and avoid using too much from the Dover books so I’ve been pained that this particular design, especially the goggle-wearing head, has proved so popular. Even when people haven’t asked to use the head itself I’ve been asked to do something similar, as was the case with the Aether Cola can I designed in 2012. The Tesla people used a stripped-down version of the colour design which I scaled to very large size. They also have a picture of the flying man on their wall but I’ve not found any good photos of him.

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The original head, meanwhile, was used again last year in a new design for yet another business. Dr Pieper is a steampunk-themed chip shop (yes, really) in Amsterdam, a place with very nice antique decor by the looks of their Instagram page. My variant designs may be seen in the window and in their advertising graphics.

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The head itself was found in Men, one of several collections of engraved illustrations edited for Dover Publications by Jim Harter. Some of Harter’s other books identify the pictures but not this one, so the identity of the portrait was unknown until, in my attempts to avoid the Dover books, I found a picture of Joseph Edgar Boehm in Hill’s Album of Biography and Art (1882). Boehm was a sculptor of a rather staid and respectable kind, being commissioned for royal portraiture among other things. I can’t imagine he’d be thrilled to find his posthumous image looking down on a drinking house and a chip shop, but sculptors often seem to be more easily forgotten than painters so he’s doing better than many of his contemporaries.

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And while on the subject of steampunk, I ought to note that there’s a steampunk convention taking place in Morecambe at the beginning of June. I won’t be in attendance (they did ask) but I said I’d mention the event here.

Previously on { feuilleton }
The George Dower Trilogy by KW Jeter
Steampunk in the Tank
More vapour trails
Steampunk catalogued
Steampunk: The Art of Victorian Futurism
Steampunk Calendar
Words and pictures
Nathanial Krill at the Time Node
Fiendish Schemes
Ghosts in Gaslight, Monsters in Steam
Steampunk Revolution
The Bookman Histories
Aether Cola
Crafting steampunk illustrations
SteamPunk Magazine
Morlocks, airships and curious cabinets
The Steampunk Bible
Steampunk Reloaded
Steampunk overloaded!
More Steampunk and the Crawling Chaos
Steampunk Redux
Steampunk framed
Steampunk Horror Shortcuts

Weekend links 405

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Taro Okamoto’s Tower of the Sun on the cover of an Expo ’70 guide.

• Last week I was watching the restored print of Howard Brookner’s excellent William Burroughs documentary, Burroughs. Among the later scenes are shots of the writer visiting Britain in the autumn of 1982 for the Final Academy events, a visit also recorded on Super-8 by Derek Jarman, and by the video cameras of the Haçienda nightclub at a reading I was fortunate to attend. Included in the Brookner film are brief snatches of an interview with Burroughs for BBC Radio 1 by John Peel’s producer, John Walters, something I missed when it was first broadcast.

• Taro Okamoto’s Tower of the Sun was built in Osaka for Expo ’70, and unlike many one-off expo buildings has managed to survive years of neglect and threats of demolition. Visitors to the Tower may now explore the restored “Tree of Life” interior, although places are limited so it’s necessary to book in advance. Related: Expo ’70 at ExpoMuseum, and Tower Of The Sun (1997) by Shonen Knife.

• Also at Dangerous Minds this week: a 1969 TV recording of Krzysztof Penderecki’s notorious The Devils of Loudon, an opera based on the same Aldous Huxley book as Ken Russell’s The Devils, and which includes (among other things) a singing nun enduring a forced enema.

• The new Cavern Of Anti-Matter album, Hormone Lemonade, is released this week. XLR8R has a preview. Related: an old/undated mix by Tim Gane for The Brain radio show here.

Milton Glaser on some of his favourite posters. Milton Glaser Posters, a book collecting 427 poster designs, is published this week by Abrams.

• The Ghosts of Empty Moments: Christopher Burke reviews M. John Harrison’s You Should Come with Me Now.

• Mixes of the week: FACT mix 644 by Susanna, and XLR8R Podcast 534 by Pär Grindvik.

Emily Temple found 25 of the most expensive books you can buy on the internet.

Towers Of Dub (1992) The Orb | Tower Of Our Tuning (2001) by Broadcast | Television Tower (2001) by Monolake

Weekend links 403

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Cover art by Bruce Pennington, 1974. Via Clark Ashton Smith vs Bruce Pennington.

Garçons de Joie. Prostitution masculine à Paris 1860-1960 is an exhibition running at Galerie Au Bonheur du Jour, Paris, until May. The catalogue is expensive (and seems to be in French throughout) but features a substantial amount of rare homoerotic art.

• In the latest Expanding Mind podcast Erik Davis talks to Burt Shonberg biographer Spencer Kansa about LA bohemia, psychedelic art, Marjorie Cameron, gumshoe biography, and his new book Out There: The Transcendent Life and Art of Burt Schonberg.

Gregg Anderson on 20 years of Southern Lord’s dark and heavy art. Related: Earth’s Dylan Carlson announced a new solo album, Conquistador, and single, Scorpions In Their Mouths.

Without any formal training, Smith began to paint and draw his strange visions of sentient plants, grotesque creatures from other dimensions, and throbbing alien landscapes. Eventually commissioned to provide illustrations for Weird Tales, he became one of Lovecraft’s most voluminous correspondents (though never as voluminous as Lovecraft himself). Over the next 10 years, they filled one another’s mailboxes with effusive admiration for each other’s stories and poems. With Lovecraft’s adulatory wind at his back, Smith never strayed far from the Long Valley, and sat home to produce more than a hundred bizarre, linguistically challenging, often unforgettable stories and novelettes for the pulp magazines between 1925 and 1936. Unsurprisingly, Smith’s spurt of fictional creativity didn’t survive the death of Lovecraft in 1937, and while that rich burst of stories may not have earned Smith much money or fame, it caused an almost episteme-shifting earthquake in the brains of the young, aspiring writers lucky enough to read him.

Scott Bradfield on Clark Ashton Smith

Psychomagic, An Art That Heals will be Alejandro Jodorowsky’s next feature film if the crowdfunding is successful. Many rewards are available, large and small.

• At The Quietus this week: Val Wilmer on Sun Ra, and The Strange World of…Cocteau Twins.

• Spectacular images from Chicago’s turn-of-the-century design bible (The Inland Printer).

The shop that buys your dead uncle’s porn collection.

• Mix of the week: FACT mix 642 by Mokira.

Cafe Bohemian (1959) by The Enchanters | Genius Of Love (1981) by Tom Tom Club | A Scandal In Bohemia (1986) by United States Of Existence