Weekend links 92

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Untitled etching by Briony Morrow-Cribbs.

• An interview with author Paul Russell whose new novel, The Unreal Life of Sergey Nabokov, concerns the gay brother of the celebrated Vladimir.

• Joseph Cornell turns up again in a report at Strange Flowers about Locus Solus, an exhibition in Madrid devoted to the work of Raymond Roussel.

Night of Pan: 42 seconds of occult freakery by Bill Butler featuring Vincent Gallo, Twiggy Ramirez plus (blink and you miss him) Kenneth Anger.

Jan Švankmajer talks (briefly) about his new film Surviving Life. A subtitled trailer is here; the very different Japanese trailer is here.

Cormac McCarthy turns in his first original screenplay. I’d rather he turned in a new novel but any new Cormac is better than none at all.

Barnbrook show off another design for the latest CD from John Foxx & The Maths.

Melanie McDonagh asks “Where have all the book illustrators gone?”

• Congrats to Evan for getting his poetry in the New York Times.

Margaret Atwood on writing The Handmaid’s Tale.

Subliminal Frequencies: An Interview With Pinch.

The (Lucas) Cranach Digital Archive

The M.O.P. Radionic Workshop

• Music promos of the week from the Weird Seventies: All The Years Round (1972) by Amon Düül II, and Supernature (1977) by Cerrone.

Joseph Cornell, 1967

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More Surrealism (sort of) from 1967. Joseph Cornell is a catalogue for an exhibition selected and presented by Diane Waldman at the Solomon R. Guggenheim Museum in 1967. The book is one of a number of new and very welcome additions from the Guggenheim Museum to the stock of scanned books at the Internet Archive. Old art books and catalogues often feature black-and-white reproductions but that drawback doesn’t invalidate the usefulness of their textual content. The Museum’s own pages for the archived books may be browsed here.

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Cockatoo: Keepsake Parakeet (1949–1953).

For more on the Magus of Utopia Parkway I’d suggest the BBC’s documentary film Joseph Cornell: Worlds in a Box (1991) but only if you can find a copy since I’ve not seen it online anywhere. That’s a shame because it’s an excellent introduction to Cornell’s life and work, with the added bonus of commentary from Susan Sontag and Cornell’s film collaborators Stan Brakhage and Rudolph Burckhardt. There’s also a surprise appearance from Tony Curtis who was friends with the artist and who reads from his diaries.

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Medici Slot Machine (1942).

Elsewhere, Ubuweb has Cornell’s short films which proceed from the radical re-editing of Rose Hobart (1936) to more lyrical works such as Nymphlight (1957). And I’ve mentioned this before but it’s always worth another look: Americana Fantastica, the edition of Charles Henry Ford’s View magazine edited and illustrated by Cornell in 1943.

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Medici Princess (1952).

Previously on { feuilleton }
Rose Hobart by Joseph Cornell
View: The Modern Magazine

Magritte’s Maldoror

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Seen briefly in yesterday’s film about René Magritte were some of the artist’s 77 illustrations created for a 1948 edition of Lautréamont’s Les Chants de Maldoror published by Éditions “La Boetie”, Brussels. The examples here are from various auction sites, and they can’t be counted among Magritte’s best work which probably explains why they’re not reproduced very often. Salvador Dalí’s set of engravings for a 1934 edition were appended last year to a new English translation by RJ Dent for Solar Books. And from French publisher La Baconniere there’s this recent edition with a set of fresh illustrations by TagliaMani (also here).

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Continue reading “Magritte’s Maldoror”

Weekend links 91

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Untitled (1978) by GR Santosh at 50 Watts.

Evertype Publishing produces a range of Lewis Carroll special editions including Ailice’s Àventurs in Wunnerland (a translation in Scots), Alicia in Terra Mirabili (a Latin version), and an edition printed in the Nyctographic Square Alphabet devised by Carroll.

• This week’s bookshop animations: Type Books, Toronto presents The Joy of Books while at Shakespeare and Company, Paris, Spike Jonze and Simon Cahn explore the erotic life of book covers in Mourir Auprès de Toi.

• Invisible Girls and Phantom Ladies, a 1982 article on sexism in (US superhero) comics by Alan Moore. Thirty years on, things haven’t improved much at all.

I reread it now, 35 years later, and I am struck by its capacity to change like a magic mirror. Where I had originally seen it as a book about writing, about becoming a writer, I now see it as a book about reading, about taking one’s place in the chain. Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live.

Tilda Swinton on Virginia Woolf’s Orlando

Dark Water, Lovecraftian carpet designs (yes, carpets) by Kirill Rozhkov. Danish carpet manufacturer Ege has a catalogue showing the finished products.

Neil Gaiman ventures into the treacherous labyrinth of M. John Harrison’s Viriconium.

Nicholas Lezard reviews The White People and Other Weird Stories by Arthur Machen.

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The Dream (1910) by Henri Rousseau at the Google Art Project.

• Reassessing the Saul Bass and Alfred Hitchcock Collaboration by Pat Kirkham.

• Getting There Too Quickly: Peter Bebergal on Aldous Huxley and Mescaline.

Hidden in the Open: A Photographic Essay of Afro-American Male Couples.

Filles En Aiguilles, a new musical work by Schütze+Hopkins.

RubiCANE’s Erotic Illustrations.

Laurie Anderson has a Godplex.

Alan Bennett on Smut.

The Jungle Line (1975) by Joni Mitchell | The Jungle Line (1981) by Low Noise (Kevin Armstrong, Thomas Dolby, JJ Johnson & Matthew Seligman) | The Jungle Line (2007) by Herbie Hancock with Leonard Cohen.

Cthulhoid and Artflakes

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Cthulhoid (2012).

Hot on the scaly heels of my recent Cthulhu God comes a new collage work I was messing with over Christmas. This was done in part as a reaction to the earlier picture which I’m very happy with but which looks cleaner and flatter than I prefer for Lovecraft-related things. I’d also found some new books of copyright-free cephalopoda that I wanted to try playing with. There are trace elements here of Haeckel’s Kunstformen der Natur but I’ve plundered Haeckel so much in the past it’s better to search elsewhere for source material.

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I’ve been selling reproductions of works such as this at CafePress but now have an additional outlet with a new print venture, Artflakes, who asked me late last year to contribute to their site. Artflakes is a German company operating as CafePress does: artists upload their pictures which can then be sold on a variety of products. The product range is smaller than their rivals but they do canvas prints which CafePress don’t. These are costly items but canvas prints tend to be expensive anyway, even at a high street copy shop. On the plus side, being based in Germany means the shipping costs will be slightly cheaper inside Europe. I’ve not uploaded much at the moment but this new piece is there together with six other works. More will be added in the next couple of months.

Elsewhere on { feuilleton }
The Lovecraft archive