{books} – Page 343 – { feuilleton }

Weekend links 94

Mateo (2011), carved wood sculpture by Bruno Walpoth.

“Dennis Potter’s [The Singing Detective] is 25 years old but still feels avant garde,” says Stephen Armstrong. No fucking kidding, I watched the DVDs again last weekend. Potter’s drama featured non-linear flashbacks, song-and-dance hallucination sequences, an intertextual sub-plot, and a central character who was vitriolic, misanthropic, misogynist and covered from head-to-toe in flaking skin. This wasn’t exiled to an arts channel ghetto but was primetime viewing, Sunday evenings on BBC 1. • Related: “Is Dennis Potter’s singalong noir miniseries the all-time pinnacle of television drama? Graham Fuller thinks it is.”

• American band Earth are using Kickstarter to fund their next project, Wonders from the House of Albion, an LP/CD/DVD/book combining their music with “field recordings from various megalithic and other sites of human/fairy encounters across the UK, also the use of ritual and folkloric magical practices”. Dylan Carlson & Adrienne Davies discuss their work here.

…sort of like Nabokov’s objection to Our Lady of the Flowers, which he saw as a masterpiece but thought, “Why isn’t this book about women?” Nabokov hated homosexuality and was very edgy around it, partly because his own brother was homosexual and his uncle. And he believed that it was hereditary, so he was always nervous about it.

Edmund White chooses five favourite gay novels. Related: a dance adaptation by Earthfall of Jamie O’Neill’s At Swim, Two Boys.

• “The Belbury Tales is the kind of record you feel should have come out on Vertigo around ’73, but never actually did.” Belbury Poly‘s Jim Jupp on ploughman’s lunches, prog rock and avoiding “Clarkson/Wakeman territory”.

• Morbid Curiosity: The Richard Harris Collection, an exhibition at the Chicago Cultural Center exploring “the iconography of death across cultures and traditions spanning nearly six thousand years”.

• Geoff Dyer’s Zona, an exegesis of Andrei Tarkovsky’s Stalker, is officially out at the end of this month. The book is reviewed here and here.

• “Through a blurry electronic prism“: MetaFilter traces a history of analogue video synthesis.

• Dylan Ricci‘s wonderful photography of the male body has moved to a new location.

• Infinite Forest by Studio a+i, a design for an AIDS memorial in New York City.

• Susan Cain discussing “the power of introverts” at Scientific American.

• Strange Flowers on that icon of Middle Eastern music, Umm Kulthum.

• Ewan Morrison on “The self-epublishing bubble”.

• Winter Sleep (2007) by Valgeir Sigurdsson feat. Dawn McCarthy | Black (2008) by Ben Frost with Valgeir Sigurdsson, Sam Amidon & Sigrídur Sunna Reynisdóttir | Unbreakable Silence (2011) by Ben Frost & Daníel Bjarnason

Book talk

I posted my covers for the Angry Robot editions of Mike Shevdon’s Courts of the Feyre series last month. Last week Mike asked me to answer a few questions about the design process and related matters. The answers are now posted on his blog where I discuss art, book design, favourite reading and a couple of the things I plan to foist on the world in the near future.

Not mentioned there but due on the shelves later this year is The Graphic Canon, a collection of adaptations in comic strip and illustration form of literary works from the Epic of Gilgamesh on. Seven Stories Press is the publisher, Russ Kick is the editor, and my contribution is a condensation of The Picture of Dorian Gray. The first of the three volumes will be out in April. More about that later.

Previously on { feuilleton }
• The Courts of the Feyre

Weekend links 93

One of a series of tremendous designs by Malika Favre for a new Penguin edition of the Kama Sutra.

• New interviews: “…Americans — mired in individualism — prefer to think in terms of identity than in terms of roles and masks. An American would never have called a novel Confessions of a Mask.” Nicholas Currie, better known via his Momus mask. | “The horror in music comes from the silence,” says John Carpenter. | “It’s dangerous to be an artist. That’s what we talk about in Naked Lunch — and it’s dangerous on many different levels. Politically it can be dangerous, but psychologically it can be quite dangerous too. You make yourself very vulnerable. You put yourself out there and of course you open yourself up to criticism and attack.” David Cronenberg at the Los Angeles Review of Books.

• New books: Dotter of Her Father’s Eyes, a Joycean memoir by Mary M Talbot and Bryan Talbot. | A stack of new works from Strange Attractor including a collection of Savage Pencil‘s Trip or Squeek comic strips. | Robert Irwin’s Visions of the Jinn: Illustrators of the Arabian Nights. A shame about the high price on the latter but I’m sure it looks wonderful.

• The Blu-ray release of Wings (1927), William A. Wellman’s silent drama about air aces during the First World War, has prompted renewed attention for the passionate relationship between its two male leads, especially this deathbed scene which is tagged as the first same-sex kiss in cinema. That’s arguable, of course, but it’s certainly a touching moment.

• From 2009: Searching the Library of Babel, a list of all the stories in all 33 volumes of The Library of Babel, a 1979 Spanish language anthology of fantastic literature edited by Jorge Luis Borges.

• Lots of newpaper attention in the past week for the not-so-fresh news that magic mushrooms could help fight depression. Nature went into the detail of the latest studies.

• French group Air have written the score for a rare colour print of Le voyage dans la lune (1902) by Georges Méliès. Air’s YouTube channel has extracts.

• From 1989: The Merchant of Shadows by Angela Carter.

• Will Hunt on the Ghost River of Manhattan.

• Selected Letters of William S. Burroughs

• Sexy Boy (1998) by Air | Surfing On A Rocket (2003) by Air | Mer Du Japon (2007) by Air.

Fechtbuch von 1467

The men with swords theme exhausts itself pretty quickly unless you want to draw continual attention to martial statuary, or those softcore beefcake photos where—as we’ve seen on several occasions—the sword is a subterfuge for other concerns. Hans Thalhofer (or Talhoffer: c. 1420–c. 1490) was a German fencing master whose Fechtbuch von 1467 is worth looking at today not least for its variety of what to our eyes, used to orderly fencing matches, look like very unorthodox moves. Needless to say, when you’re fighting for your life matters of orthodoxy are the last thing on your mind, so why not kick or trip your opponent? One of the great things about books such as this is the window they give on life as it was actually lived, not the mediated (and often erroneous) impressions we receive via film and television.

Wikimedia Commons has many more examples such as these while the Münchener Bibliothek has a scan of the entire book.

Elsewhere on { feuilleton }
• The men with swords archive

Kafkaesque

Another book design of mine (interiors only) which I completed last September for Tachyon and about which I had this to say at the time:

Kafkaesque [is] edited by John Kessel and James Patrick Kelly. It’s a collection of short stories either inspired by Franz Kafka, or with a Kafka-like atmosphere, and features a high calibre of contributions from writers including JG Ballard, Jorge Luis Borges, Carol Emshwiller, Jeffrey Ford, Jonathan Lethem and Philip Roth, and also the comic strip adaptation of The Hunger Artist by Robert Crumb.

The book gained a positive review at SF Site recently, reminding me that I hadn’t written anything about the design. As with some of my other Tachyon work the interiors take their cue from a pre-determined cover by another designer, in this case Josh Beatman. I followed Josh’s type choices (Senator for the titles and headings) and also extended his use of an insect as a recurrent motif. Before I saw the contents I was fairly determined to avoid any further insect imagery but it became apparent that Kafka’s Metamorphosis is a repeated reference in many of the stories.

As for the recurrent “K”, that seemed inevitable given Kafka’s own use of the letter as well as its presence not only in Kafka’s own name but in the names of the editors. The frames were an idea borrowed from (and referring to) Steven Berkoff’s stage adaptation of The Trial in which portable frames serve on the stage as doorways, windows, corridors, picture frames and so on. I was hoping to do more with this idea but (as is often the case) ran out of time to develop it further.

And while we’re on the subject of Tachyon designs, I don’t seem to have mentioned my interiors for a Joe R Lansdale collection, Crucified Dreams, which also appeared last year. This is a hard-boiled anthology of Lansdale’s favourite stories for which I supplied suitably rough-and-tough graphics comprising scanned scalpel blades and lettering assembled from torn newspaper pages. I’m due to start on some new work for Tachyon this week. More about that at a later date.

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