Weekend links 364

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Stop-Motion Happening with The Focus Groop is a new album by The Focus Group (now a Groop, apparently, à la Stereolab), and the next release on the Ghost Box label. Design, as always, by Julian House.

• At Dennis Cooper’s: Sypha presents…Voyager en Soi-Même: a Tribute to JK Huysmans’ Là-Bas. Related: Henry Chapront’s illustrations for a 1912 edition of Huysmans’ novel.

• At the BFI: Graham Fuller on Penda’s Fen and the Romantic tradition in British film; Pamela Hutchinson and Alex Barrett choose 10 great German Expressionist films.

• The Provenance of Providence: Chris Mautner on the Lovecraftian comic series by Alan Moore and Jacen Burrows.

Luke Turner on Sunn O))): the ecstatic doom metallers turning rock concerts into “ritualist experiences”.

• At Dangerous Minds: The homoerotic “needleporn” art of Zachary Nutman.

Conor McGrady on the visual art of Nurse With Wound’s Steven Stapleton.

• Collage and Mechanism: Anita Siegel’s art for Doubleday Science Fiction.

• Mix of the week: My name is Legion: Chapter 1 by The Ephemeral Man.

ChrisMarker.org is asking for small donations to help keep it running.

• 1967 is the year pop came out, says Jon Savage.

Allen Ginsberg’s Howl goes online.

Groupmegroup (1981) by Liquid Liquid | If I Were A Groupie (1995) by Pizzicato Five | Group Four (1998) by Massive Attack

Weekend links 312

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The Shadow by Kenton Nelson.

• The week in Coil: An interview by Derek de Koff, plus an extract from the new edition of England’s Hidden Reverse by David Keenan. Opening later this month at Ludwig, Berlin, is Chaostrophy, a Coil-related exhibition/celebration.

Strange Flowers remembers the incomparable Marchesa Casati, a woman who happens to feature in the book I’ve been designing and illustrating for the past few weeks. (More about that later.)

• “It wasn’t about how we could meet the demands of the book, but rather how the book meets us.” Ben Wheatley (again) talking to Jamie Sherry about bringing High-Rise to the screen.

• The latest release from Hawthonn is Sea-Spiral Spirit. The album has two accompanying videos: Pan Laws and Last Chimes From A Dormant Moon.

Alan Moore celebrates Chris Petit’s The Psalm Killer—a nerve-shredding Irish noir.

• Not a mix but a reading guide: The Brit Horror Mixtape collated by Mark West.

• More Penda’s Fen: Graham Fuller on the Romantic tradition in British film.

• Previews of Tooth by Raime, “a steadfast concoction of brooding dystopia”.

• “How big an issue is the nausea problem for Virtual Reality products?”

• FACT chooses 16 of the best songs powered by Sly and Robbie.

Geeta Dayal on the pioneering computer music of Bell Labs.

• Mix of the week: Finders Keepers’ Space Rock Special.

Paul Schütze: The True Art of Fine Fragrance

The Surrealist Legacy of Claude Lalanne

Les illustrateurs de Baudelaire

• RIP publisher Peter Owen

• Perfumed Garden Of Gulliver Smith (1967) by John’s Children | Perfumed Metal (1981) by Chrome | Fragrance (Ode To Perfume) (1981) by Holger Czukay

Weekend links 94

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Mateo (2011), carved wood sculpture by Bruno Walpoth.

“Dennis Potter’s [The Singing Detective] is 25 years old but still feels avant garde,” says Stephen Armstrong. No fucking kidding, I watched the DVDs again last weekend. Potter’s drama featured non-linear flashbacks, song-and-dance hallucination sequences, an intertextual sub-plot, and a central character who was vitriolic, misanthropic, misogynist and covered from head-to-toe in flaking skin. This wasn’t exiled to an arts channel ghetto but was primetime viewing, Sunday evenings on BBC 1. • Related: “Is Dennis Potter’s singalong noir miniseries the all-time pinnacle of television drama? Graham Fuller thinks it is.”

• American band Earth are using Kickstarter to fund their next project, Wonders from the House of Albion, an LP/CD/DVD/book combining their music with “field recordings from various megalithic and other sites of human/fairy encounters across the UK, also the use of ritual and folkloric magical practices”. Dylan Carlson & Adrienne Davies discuss their work here.

…sort of like Nabokov’s objection to Our Lady of the Flowers, which he saw as a masterpiece but thought, “Why isn’t this book about women?” Nabokov hated homosexuality and was very edgy around it, partly because his own brother was homosexual and his uncle. And he believed that it was hereditary, so he was always nervous about it.

Edmund White chooses five favourite gay novels. Related: a dance adaptation by Earthfall of Jamie O’Neill’s At Swim, Two Boys.

• “The Belbury Tales is the kind of record you feel should have come out on Vertigo around ’73, but never actually did.” Belbury Poly‘s Jim Jupp on ploughman’s lunches, prog rock and avoiding “Clarkson/Wakeman territory”.

Morbid Curiosity: The Richard Harris Collection, an exhibition at the Chicago Cultural Center exploring “the iconography of death across cultures and traditions spanning nearly six thousand years”.

Geoff Dyer’s Zona, an exegesis of Andrei Tarkovsky’s Stalker, is officially out at the end of this month. The book is reviewed here and here.

• “Through a blurry electronic prism“: MetaFilter traces a history of analogue video synthesis.

Dylan Ricci‘s wonderful photography of the male body has moved to a new location.

Infinite Forest by Studio a+i, a design for an AIDS memorial in New York City.

Susan Cain discussing “the power of introverts” at Scientific American.

• Strange Flowers on that icon of Middle Eastern music, Umm Kulthum.

Ewan Morrison on “The self-epublishing bubble”.

Winter Sleep (2007) by Valgeir Sigurdsson feat. Dawn McCarthy | Black (2008) by Ben Frost with Valgeir Sigurdsson, Sam Amidon & Sigrídur Sunna Reynisdóttir | Unbreakable Silence (2011) by Ben Frost & Daníel Bjarnason