Leather Cthulhu unleashed

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The beautiful leatherbound Complete Cthulhu Mythos Tales is officially published this Friday but the books are in Barnes & Noble stores already, and my complimentary copies arrived this week. Photos don’t do justice to the volumes in this series of classic reprints, you really need to hold one to see how well made they are. The leather is smooth and flawlessly printed—I was worried that I might have pushed the limits with some of the details in my cover design but every line and edge is where it should be. The pages of this particular volume are edged with gold, an effect applied to some of the books I’ve designed for Savoy but an uncommon thing in today’s book world.

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As I mentioned earlier, this edition also features endpapers showing details of my R’lyeh spread from The Call of Cthulhu, plus a poster of my Cthulhu Rising piece from 2004. Which leads to an important note for purchasers: the temporary glue that fixes the poster to the back endpapers, and the ad sheet (see below) to the back cover was stronger than intended so care needs to be taken when detaching these items from the book. I’ve been told that a warning about this will be added to the next batch of books, and the glue (which is that clear stuff used to fix things to magazine covers) will also be changed.

A couple more photos and a list of contents follow below. I’ve worked on a lot of books over the years but this one is up there with the very best; Lovecraft’s finest fiction in a single gorgeous volume, and all for $20.

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Continue reading “Leather Cthulhu unleashed”

Weekend links 306

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• The Midian Books Occulture catalogue launched this week sporting a cover that I pieced together for Midian’s Jonathan Davies. The design pastiches the look of the Process Church magazines of the early 1970s; inside there’s a haul of Process material on sale together with COUM/Throbbing Gristle ephemera (that’s Cosi Fanni Tutti on the right, as seen on her modelling business card), Kenneth Anger ephemera (that’s Bobby Beausoleil on the left) and much more.

• More occulture: Lost Envoy: The Tarot Deck of Austin Osman Spare launches on 11 May at Camden Arts Centre, Arkwright Road, London NW3 6DG, from 7–9pm. All are welcome.

• Out this week: Close To The Noise Floor – Formative UK Electronica 1975–1984: Excursions in Proto-Synth Pop, DIY Techno and Ambient Exploration.

• Mixes of the week: Spin Doctor’s All Vinyl Prince Tribute Mix, and the Rum Music Mix by Russell Cuzner.

David Gentleman’s illustrations for New Penguin Shakespeare books, 1967–1977.

• More electronica: Walberswick by Jon Brooks is now available in a digital edition.

• Blown up: Steve Rose on how cinema captured the dark heart of the swinging 60s.

• Six Quietus writers choose favourite Prince songs. Related: The A–Z of Prince

A Timeline of Slang Terms for Male Homosexuality by Jonathan Green.

Berenice Abbott’s views of New York streets then and now.

• Jan Švankmajer is crowd-funding his next film, Insects.

Laurie Anderson on the creation of O Superman.

• Blood Ceremony: The Great God Pan (2011) | Oliver Haddo (2011) | Ballad Of The Weird Sisters (2013) | Let It Come Down (2014)

Weekend links 305

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Threads of Fate—The Weird Sisters from Macbeth (2013) by Fiona Marchbank.

• The week in books: Claire Cameron on the difference between US & UK cover designs | Jason Diamond asks “Why do cats love bookstores?” | Alan Moore’s cover art for his forthcoming novel, Jerusalem, has been revealed | Brian Phillips on the typefaces used by New English Library for their Dune covers in the 1970s.

• On writing: Poetry and horror “share a universally human quest toward intimacy” says Evan J. Peterson | “The best work neither shows nor tells: it says by being, not by saying,” says M. John Harrison.

• At the BFI this week: Where to begin with Jerzy Skolimowski, and 10 overlooked British horror films of the 1970s. Both lists include Skolimowski’s excellent The Shout (1978).

Cultures do not, and cannot, work through notions of ‘ownership’. The history of culture is the history of cultural appropriation—of cultures borrowing, stealing, changing, transforming.

Nor does preventing whites from wearing locks or practicing yoga challenge racism in any meaningful way. What the campaigns against cultural appropriation reveal is the disintegration of the meaning of ‘anti-racism’. Once it meant to struggle for equal treatment for all. Now it means defining the correct etiquette for a plural society. The campaign against cultural appropriation is about policing manners rather than transforming society.

Kenan Malik on ill-considered complaints against “cultural appropriation”. Malik isn’t the first to note the intersection of such complaints with those of white supremacists who also want cultural purity and segregation

OUT, DEMONS, OUT!: The 1967 Exorcism of the Pentagon and the Birth of Yippie! An oral history by Larry “Ratso” Sloman, Michael Simmons and Jay Babcock.

• The long-overdue republication of Moebius’s work in English will begin with a new edition of The World of Edena (1985).

• More from radioactive Russia: Nadav Kander’s photographs of Soviet nuclear test sites.

• Comic artist and illustrator Kris Guidio in conversation with Jonathan Barlow.

• Francesca Gavin meets Tadanori Yokoo, “the Grandmaster of Pop-Psych Art”.

• “LSD’s impact on the brain revealed in groundbreaking images”

• Mix of the week: Secret Thirteen Mix 182 by Paul Jebanasam.

• A trailer for Nicolas Winding Refn’s The Neon Demon.

• Tony Conrad: 1940–2016 by Geeta Dayal.

Brian Eno’s favourite records

Neonlicht (1994) by Mitja VS (with Enzo Fabiani Quartet) | On Demon Wings (2000) by Bohren & Der Club of Gore | Shout At The Devil (2002) by Jah Wobble & Temple Of Sound

Things to Come

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Things to Come is a science fiction-themed art exhibition opening this week at the Petach Tikva Museum of Art, Israel. Among the works on display there will be a large print of the fish-shaped dirigible that I created for Jeff VanderMeer and SJ Chambers, editors of The Steampunk Bible, back in 2010. After publication I reworked the picture slightly, adding a frame and trying out various tints, the idea being to produce a large version for print sales. I still haven’t got round to making prints available but I did let the museum have a copy of the framed version so its appearance at Petach Tikva is a first.

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My thanks to Doreet LeVitte Harten for selecting this piece, and to Avshalom Suliman for dealing with the printing and other details. The exhibition runs to 20th August, 2016.

Previously on { feuilleton }
Steampunk in the Tank

Weekend links 304

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One of ten new stamps designed by The Chase for the Royal Mail’s Shakespeare celebrations.

• “I basically had this problem with bombast and intensity. And I started to feel like it was a nuclear arms race.” Tim Hecker talking to Rick Moody about loud sounds, Icelandic elves and Minimalism. Hecker’s new album, Love Streams, features contributions from Ben Frost and Jóhann Jóhannsson.

• “He joked in a letter to Edmund Wilson that he had ‘managed to get into Harvard with a butterfly as my sole backer.'” Laura Marsh on Nabokov the lepidopterist.

• The brutal musical legacy of JG Ballard by Tim Noakes. Ballard’s own musical taste, as revealed in his choice for Desert Island Discs, was mostly nostalgic.

One outcome of this sense that homosexual people existed in large numbers while still remaining more or less invisible to the naked eye was the suspicion that when they got together they were likely to engage in something more, something even worse than the indulging of a perversion. Notoriously, the networks of homosexuality seemed to transcend many more formal social and political boundaries, reifying crossovers not only between national and ethnic cultures, but between high society and the demi-mondes of bohemian artists, and so forth. The Homintern certainly helped cross-fertilise the arts.

Gregory Woods on the gay artists and writers who changed the world

• Mixes of the week: FACT Mix 544 by Tim Gane, Abs’s Cornerhouse Classics by Abigail Ward, and Secret Thirteen Mix 181 by Broken Bone.

I Can’t Give Everything Away: Jonathan Barnbrook’s text-and graphics video for the song by David Bowie.

• “Chernobyl is spooky, in the manner of all disowned places.” Simon Parkin enters the Zone.

Osman Ahmed on why Doreen Valiente is “the mother of modern witchcraft”.

• The camera obscura art of Abelardo Morell.

An oral history of Taxi Driver.

Swiss graphic design in CSS

• RIP Tony Conrad

Lady Macbeth (1972) by Third Ear Band | In The Back Of A Taxi (1984) by Penguin Cafe Orchestra | Butterfly Mornings (2001) by Hope Sandoval & The Warm Vibrations