Hector Guimard elevations

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Design for the Facade of Societé Immobilière de la Rue Modern, No. 6 (1909).

Drawings by French architect and designer Hector Guimard (1867–1942), the man who gave Paris those plant-like entrances to the Metro stations. The examples here can be seen in greater detail at the Google Art Project where there’s a few more of his works including his typically organic smoking bench. One thing I like about the architectural drawings is seeing the way he stylised his lettering. Frank Lloyd Wright used to do the same on his plans but I doubt there are any architects today who do the same.

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Elevation of an Apartment Building, Société Immobilière, rue Moderne (now rue Agar) (1909–11).

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Rear Facade, Castel d’Orgeval, Parc Beauséjour, near Paris: Elevation (1904).

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Previously on { feuilleton }
Hector Guimard sketches
Temples for Future Religions by François Garas
Elizabetes Iela 10b, Riga
Atelier Elvira
Louis Bonnier’s exposition dreams
The Maison Lavirotte
The House with Chimaeras

Weekend links 121

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Title spread for The Thackery T. Lambshead Cabinet of Curiosities (2011) edited by Ann & Jeff VanderMeer.

I was surprised this week to find myself nominated as Best Artist in the World Fantasy Awards. The results will be announced at the World Fantasy Convention in November. Among the books nominated for Best Anthology is the Thackery T. Lambshead Cabinet of Curiosities for which I provided title page designs and some illustrations. Editors Ann & Jeff are well-represented (and ought to win for their landmark The Weird anthology), and I’m pleased to see Mark Valentine receive a nod for his excellent Wormwood magazine. Mark and Roger Dobson published my first Lovecraft adaptation, The Haunter of the Dark, in a large-format edition under their Caermaen imprint in 1988.

I remember having a conversation with my father about it. I told him what I’d really have liked to find, in my exhaustive search of the canon, was a gay superhero. You know: fucking dudes, saving the world. Never mind the fact that superheroes, with their notoriously contour-hugging apparel, are usually assumed gay by default. I wanted something that had existed, something from history. My father considered my criteria.

“I think what you want is Gore Vidal.”

Henry Giardina on Gore Vidal’s Bully Republic at the Paris Review.

• Appreciations and memorials for the late Gore Vidal continue to surface: “He was punk rock with a traditional, smooth exterior. But there was nothing traditional about him, not really. He defied singular category,” says Aaron Tilford at Lambda Literary. “Jokes course through Vidal’s entropy-heavy commentaries like a warm, reviving current. They, more than the barbs to which they form a counterpoint, are what make his essays a continuing pleasure to read,” says “J.C.” at the TLS.

• “Winterson’s opposition to strict realism is less an artistic critique than a cultural one. She uses the term ‘realism’ to describe an entrenched way of viewing the world, which it is the writer’s duty to challenge.” Hannah Tennant-Moore on Jeanette Winterson at n+1.

The Ghosts of Bush by Robin The Fog: “A final hauntological perambulation around the hidden corners of Bush House, Aldwych, London, June 2012”.

• “For everything that is not shown, the filmmaker counts on the power of imagination of his viewers.” Lebbeus Woods on Chris Marker and La Jetée.

Joseph Burnett on “Rainbow Ambiguity: Defying conservatism in mainstream LGBT culture”.

• Leigh Brackett book and magazine covers at Golden Age Comic Book Stories.

BLDGBLOG visited the Whitechapel Bell Foundry in London.

Stilled Life: A collection of photography by Thom Ayres.

• Underground subversion: Stickers on the Central Line.

Andrei Codrescu on five favourite Fantastical Tales.

Vangelis performs an analogue synth freakout for Spanish TV in 1982 | Oro Opus Alter, a track from the forthcoming album by Ufomammut | New World, a track from the forthcoming album by The Irrepressibles. Can’t wait.

Robert Hughes, 1938–2012

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Read this book. Revised edition, 1991, no designer credited.

“Robert Hughes”: those were the first words I wrote in the first post for this blog, six years ago, referencing a piece Hughes had written about Rembrandt for the Guardian that week. Re-reading his polemic Culture of Complaint: The Fraying of America earlier this year I was feeling guilty about not having read more of his books; in slight mitigation I did watch every appearance of his on British television following The Shock of the New, and still have his American Visions series imprisoned on VHS in a box somewhere, along with The Fatal Shore, The New Shock of the New, some one-off things he did about Barcelona and Goya, and Visions of Space, a series of three films about European architects: Albert Speer, Mies van der Rohe, and Antonio Gaudi. Thanks to YouTube many of these exceptional documentaries can be given a fresh viewing; follow the links. Hughes used to write for the Guardian regularly so it’s no surprise they’ve filled several pages with memorials:

Obituary by Michael McNay
“Robert Hughes was Australia’s Dante,” says his friend Peter Carey
Robert Hughes on art
Robert Hughes quotes: 20 of the best

Elsewhere:
NYT obituary by Randy Kennedy
“Robert Hughes: The art critic with a dash of the streetfighter”: Judith Flanders at the Telegraph
At Open Culture: Remembering Robert Hughes, the Art Critic Who Took No Prisoners

A Trip to Mars

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A floating Martian city from Letters from the Planets (1890) by WS Lach-Szyrma. Illustration by Paul Handy.

In honour of the remarkable landing on Mars of the Curiosity Rover, a handful of random illustrations from the vast stock of imagery generated by the Red Planet over the past century-and-a-half. When it comes to Mars I’m afraid you can keep your terraforming and geodesic domes, I prefer the more fanciful scenarios involving air-boats, cloaks and actual canals. Paul Handy’s illustration above shows what I believe is a Venusian vehicle sailing past a Martian city, Lach-Szyrma’s book concerning a journey through the solar system. I only have small copies of these pictures in a book, so far they don’t seem to have turned up online.

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A Trip to Mars (1909) by Fenton Ash. Illustrations by WHC Groome.

Fenton Ash was the nom de plume of British author Francis Henry Atkins. A Trip to Mars concerns another exploratory journey taken this time by a pair of Edwardian schoolboys.

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Continue reading “A Trip to Mars”

Weekend links 120

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• More Nabokov: The University Poem by Vladimir Nabokov, translated by Dmitri Nabokov and read by Ralph Fiennes. And Breitensträter – Paolino, a short story from Nabokov’s Russian period that’s only just been translated into English.

• More LSD: “For decades, the U.S. government banned medical studies of the effects of LSD. But for one longtime, elite researcher, the promise of mind-blowing revelations was just too tempting,” says Tim Doody.

• More Marker: The Guarded Intimacy of Sans soleil by Jonathan Rosenbaum, The Revolutionary Cinema of Chris Marker by Patrick Higgins, and Chris Marker’s Faces by Brian Dillon.

• “A private realm, not easily penetrated, from which emerged music that would give rise to so much of the music we know today.” Guy Horton on Kraftwerk’s Kling Klang studio.

• A narrative from the swamps of Borneo: BLDGBLOG on the mephitic enigma of London’s sewers.

• At Coilhouse: The Incredibly True Adventures of Gerda Wegener and Lili Elbe.

• “What some people call idleness is often the best investment,” says Ed Smith.

• Book cover design: Rick Poynor on Pierre Faucheux and Le Livre de Poche.

• Metaphysical psychedelia: Erik Davis on Rick Griffin: Superstar.

Diamanda Galás discusses her 13 favourite albums.

• Rudy Rucker’s Memories of Kurt Gödel.

• The Men of the Folies Bergère

Olympics or gay porn?

Smoketography

The songs of bowhead whales | Another Moon Song (2009) by Espers | One Thousand Birds (2012) by Six Organs of Admittance.