Weekend links 184

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Gevatter Tod (Godfather Death, 1905) by Heinrich Lefler. Via Beautiful Century.

An inevitable hangover from Halloween this week. At 50 Watts: A Modern Dance of Death (c. 1894) by Joseph Sattler, Harry Clarke Revisited, and more Ex Libris Mr Reaper | At Design Observer: Keith Eggener on When Buildings Kill: Sentient Houses in Fiction and Film | At Dangerous Minds: An interview with horror soundtrack composer Fabio Frizzi | Clive Hicks-Jenkins on illustrating the ghost stories of MR James.

Punk 45: The Singles Cover Art of Punk 1976–80, a book by Jon Savage & Stuart Baker with an accompanying compilation album on Soul Jazz Records. Savage & Baker selected a handful of favourite covers here.

De humani corporis fabrica by Vesalius is back in print as a beautiful two-volume hardback edition. See sample pages here.

…the business of the writer is to find something out for yourself and to stick by it. To forge a new mythology out of materials pertinent to the moment. Otherwise you’re at the mercy of their mythology, which is a destruction of language, above everything else. This non-language, this bureaucratic-speak of the global corporate entities, is a horror in the world. So that strange language we started with – that piece of Kerouac – I think is more valuable than ever.

Iain Sinclair (yes, him again) talking to James Campbell about his new book, American Smoke.

Bob Mizer & Tom of Finland, an exhibition at the Museum of Contemporary Art, Los Angeles.

• From 2010: The Bridget Riley Look, The Bridget Riley Sound, Bridget Riley’s Rolling Papers.

The Strange and Mysterious History of the Ouija Board. Related: Ouija Boards at Pinterest.

Highway 62 posted some close-ups of my adaptation of The Call of Cthulhu.

• “This is not a coincidence”: Max Dax talks to Andrey A. Tarkovsky.

Anthony Lane‘s Foreword to The Big New Yorker Book of Cats.

• At AnOther: Nicolas Roeg on Mirrors and Memory.

Toys and Techniques: a blog.

Death And The Lady (1970) by Shirley & Dolly Collins | Clang Of The Yankee Reaper (1975) Van Dyke Parks | All And Everyone (2011) by PJ Harvey

Ye Sundial Booke

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I almost posted this in place of The Book of Old Sundials but to have done so would have made the former volume redundant. This is the same idea—pen drawings of British sundials with accompanying pages of sundial mottos—but a much more comprehensive treatment. The antiquated title is an affectation by its author, T. Geoffrey W. Henslow, the book having been published in 1914. What’s most remarkable about this study is the 370 drawings by Dorothy Hartley (1893–1985), a job of illustration that must have involved considerable labour even if she was working from photographs. Looking for details of Ms Hartley’s career it’s possible she researched the sites herself. In addition to being an illustrator and art teacher she was also a noted social historian and rural archivist, and author of a celebrated book of culinary history, Food in England (1954), which is still in print today.

These page selections do little more than scratch the surface of this extraordinary book. Browse the rest of it here or download it here. For more about Dorothy Hartley and her historical research there’s an hour-long BBC documentary, Food in England: The Lost World of Dorothy Hartley.

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Continue reading “Ye Sundial Booke”

Weekend links 182

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Mirror of Water (1981) by Reika Iwami.

• The week in comics: Paul Gravett interviews Enki Bilal. | Paul Kirchner’s wordless and inventively surreal strip, The Bus, was republished in France last year but it’s been out-of-print for years everywhere else. Read it online here. | Bill Watterson has made the entire run of Calvin and Hobbes available for free.

• “…seek and learn to recognize who and what, in the midst of the inferno, are not inferno, then make them endure, give them space.” Leland de la Durantaye reviews Italo Calvino: Letters 1941–1985.

• Artist Charles Ross says “My interest in science is related to how mysterious it is.” Ross Andersen visited Ross’s Star Axis, “a masterpiece forty years in the making”.

There is a satirical intent at work here, as well as mordant humour, a potent mix that reminds one more of the absurdist fictions of the French jazz musician Boris Vian than of anything in the SF canon. Science fiction is not central in Harrison’s work – not even as a target of his sharp wit – and it is a mistake to regard him as being chiefly interested in demolishing a genre that is only one of several he has mastered.

John Gray on M. John Harrison’s Kefahuchi Tract trilogy. This week Harrison posted a new piece of fiction on his blog.

• Mixes of the week: Secret Thirteen Mix 091 by Sugai Ken, and Bride of the Abominable Marshman, an early Halloween mix by Hackneymarshman.

• Clive Hicks-Jenkins on Schandmasken (masks of shame), and the clay visage of Paul Wegener’s Golem.

• A version of Kraftwerk’s Trans Europe Express by Chicago band Disappears.

Postcards to the Curious: MR James-themed artwork by Alisdair Wood.

Clive Barker: Why I Once Gave Up Horror Movies Entirely.

• Artist Melinda Gebbie at Phantasmaphile.

Fragment, a new video from Emptyset.

38 photos of airships through the ages.

• This Much I Know: Kenneth Anger.

• Trans Europe Express (2000) by Señor Coconut Y Su Conjunto | Trans Europe Express (2007) by Receptors | Trans Europe Express (2012) by Daniel Mantey

The Book of Old Sundials

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The Book of Old Sundials & Their Mottoes (1922) is uncredited although it contains an introductory essay which may be the work of the Viscount Knutsford. The mottos section runs throughout the rest of the book, a collection of philosophical rhymes, moralising admonitions and the inevitable sombre memento mori. The illustrations by one Warrington Hogg are an equal attraction, showing the variety of sundial construction with examples from buildings in England that date back to the Roman occupation. Hogg’s drawings themselves date from the 1890s so its possible this is a reprint of an older volume. See the rest of the book here or download it here.

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Continue reading “The Book of Old Sundials”

Weekend links 180

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One of Jonathan Andrew‘s photos of coastal bunkers and concrete defences from the Second World War. In 2006 JG Ballard looked at the way these structures embody the functional nature of Modernist architecture.

• “Utamaro, whose prints of famous courtesans were regarded as the very models of sober beauty by 19th-century Western collectors, in fact produced more Shunga books and albums than non-erotic works.” Adrian Hamilton on the Shunga: Sex and Pleasure in Japanese Art exhibition.

• “…in Samoa, as in many traditional cultures around the world, androphilic males occupy a special transgendered category.” Alice Dreger on gay male couples and evolution.

• Robert Fuest’s film of Michael Moorcock’s first Jerry Cornelius novel, The Final Programme (1973), is out on (Region 2) DVD this month.

Masked by reticence and cloaked in tweeds, [Herbert] Read was the unexpectedly ardent and frighteningly prolific champion of nearly everything that was radical in the first half of the twentieth century: Imagism, Surrealism, abstraction, the Bauhaus, Marxism, anarchism, Freud and Jung, progressive education, Gandhian nonviolent resistance. Though now somewhat dimly remembered, he was, for decades, the Victoria Station of the arts, England’s primary explainer of the modern.

Eliot Weinberger introduces Herbert Read’s strange fantasy novel, The Green Child (1935).

• KW Jeter’s steampunk novel Fiendish Schemes is published (with my cover art) by Tor on the 15th. There’s an extract here.

• Mix of the week: An early Halloween mix (and interview) from Joseph Stannard of The Outer Church.

• At Dangerous Minds: Codex Seraphinianus: A New Edition of the Strangest Book in the World.

A trailer for the forthcoming Blu-ray release of Murnau’s Nosferatu: A Symphony of Horror.

• Kenneth Halliwell: lover, killer… artist? Philip Hoare on the collages of Joe Orton’s partner.

• Clive Hicks-Jenkins looks back at Cocteau’s La Belle et la Bête here, here and here.

Anastasia Ivanova‘s photo portraits of lesbian couples in Russia.

Christopher Fox on electronic music’s sound of futures past.

• At Strange Flowers: Melchior Lechter’s book designs.

Vaughan Oliver‘s favourite 4AD album covers.

Swinging Sixties Japanese film posters.

John Foxx’s favourite albums

Beauty And The Beast (1977) by David Bowie | Slow Motion (1978) by Ultravox | I Am The Green Child (2000) by Coil