{ feuilleton }

Bestia Apocalypsi (2000) by Konstantin Kalynovych. • A funding page for Better Things: The Life and Choices of Jeffrey Catherine Jones, Maria Paz Cabardo’s documentary film about the late comic artist and illustrator. • Phantasmaphile’s Pam Grossman has declared 2013 to be the Year of the Witch. • At WFMU: The Space Ghost Coast To [...]

Daughters of Maternal Impression by Arabella Proffer. A genre’s landscape should be littered with used tropes half-visible through their own smoke & surrounded by salvage artists with welding sets, otherwise it isn’t a genre at all. M. John Harrison, incisive as ever, on what he memorably labels “Pink Slime Fiction”. Elsewhere (and at much greater [...]

Coronal Mass Ejection from the surface of the Sun, August 31st, 2012. • “Most of the main parts were recorded in a single day using Vangelis’s famous technique: try to play as many synths as possible at once.” Simon Drax on the prolific musical output of Zali Krishna. The new Krishna opus is Bremsstrahlung Sommerwind, [...]

• More Nabokov: The University Poem by Vladimir Nabokov, translated by Dmitri Nabokov and read by Ralph Fiennes. And Breitensträter – Paolino, a short story from Nabokov’s Russian period that’s only just been translated into English. • More LSD: “For decades, the U.S. government banned medical studies of the effects of LSD. But for one [...]

Kraken from Ernie Cabat’s Magical World Of Monsters (1992) at Monster Brains. “I think for a lot of people who don’t read pulp growing up, there’s a real surprise that the particular kind of Pulp Modernism of a certain kind of lush purple prose isn’t necessarily a failure or a mistake, but is part of [...]

The ideas ruins evoke in me are grand. Everything comes to nothing, everything perishes, everything passes, only the world remains, only time endures. How old is this world! I walk between two eternities. Denis Diderot, 1767 Ruins, as Diderot observed, are the memento mori of civilisations, a reminder that the apparent permanence of architecture is [...]

Portrait of Jessie M. King by J. Craig Annan (autochrome). I don’t recall having seen a photo of artist Jessie M. King prior to this so it’s an additional surprise to find one in colour. All these examples are from Colour Photography: and other recent developments of the art of the camera (1908), one of [...]

Art by Tessa Farmer. • An exhibition of Tessa Farmer’s art is running at Viktor Wynd Fine Art, London, until October 30th. On Saturday, October 1st, Strange Attractor hosts Good Neighbours: Faeries, Folklore and the Art of Tessa Farmer also at Viktor Wynd. • Unearthing The Psychedelic Harp: “David Moats talks to harpist and songwriter [...]

Johnny YesNo video cover, 1983. Design by Neville Brody. Being a Cabaret Voltaire enthusiast of long standing it was good to hear last week about the imminent reappearance of Johnny YesNo, an hour-long film by Peter Care for which the Cabs provided the soundtrack. Mute Records will be releasing Care’s debut on DVD in a [...]

Peacock Apocalypse (detail) by Julie Evans in collaboration with Ajay Sharma. Here at { feuilleton }, home of the curly bracket affectation, your correspondent is still surprised to find his postings the subject of a critique by Rick Poynor in the latest edition of Eye magazine, the international review of graphic design. I haven’t seen [...]

Things I was working on late last year continue to percolate or, if you prefer, build a head of steam. My cover for KW Jeter’s Morlock Night appears in a short piece by Rick Poynor in July’s Creative Review. That feature is prompted by the British Library’s Out of the World exhibition. Nice to see [...]

Polish poster by Andrzej Bertrandt for Andrei Tarkovsky’s 1972 film of Solaris. • Stanislaw Lem’s Solaris receives its first ever direct English translation by Bill Johnston (only on Audible for the moment), all previous editions having been sourced from a poor French translation. An all-too-common state of affairs for non-English fiction where bad or bowdlerised [...]

The Kurtz compound prior to destruction. An Apocalypse Now storyboard, one of a number which will be included among the extras on the Blu-Ray release of Francis Coppola’s film when it appears in the UK next month. The film is given a new cinema release on May 27th. Radio broadcaster Harold Camping, a man denounced [...]

Film and opera posters by Franciszek Starowieyski (see below). • At first glance, Jerzy Skolimowski’s new film, Essential Killing, sounds like Joseph Losey’s Figures in a Landscape (1970) reworked for our era of renditions, torture and war without end. The trailer is here; Sight & Sound liked the film and dismissed any Losey comparisons. The Quietus [...]

James Bidgood’s luscious and erotic micro-budget masterpiece Pink Narcissus (1971) receives a screening at the IFC Center Queer/Art/Film festival, NYC, on Monday. The film is presented by Jonathan Katz, curator of the Hide/Seek gay art show whose controversial history was recounted here in December. The NYT ran a short piece about Bidgood, now 77 and [...]

Invisible Light by Margo Selski. The Glass Garage Fine Art Gallery has an online collection of paintings by Margo Selski, many of which feature her cross-dressing son, Theo. Coilhouse profiled artist and model earlier in the week. Some of these paintings mix oil with beeswax which is something I’ve not come across before. • The [...]

Nite Flights (1978) by The Walker Brothers. Cover design by Hipgnosis. something attacked the earth last nite with a kick that man habit-eye cut the sleep tight boys who dreamed and dreamed of a city like the sky Scott Walker quotes Brion Gysin (and who knows what else) in Shutout (see below), one of the [...]

The Final Programme (1973). Philip Castle’s poster art implied the androgynous finale of Moorcock’s novel which the film itself evaded. They were musty-smelling 10p messages from the futuristic past, complete with cover designs (and content) that were unlike anything I’d seen before. I’m fairly certain that this was how I first came across Michael Moorcock, [...]

That essential journal of esoteric culture, Strange Attractor, announced a fourth number this week sporting a psychedelic cover which may be the work of Julian House (no credit is given on the SA site). As to the contents: From Haiti and Hong Kong to the fourth dimension and beyond: discover the secrets of madness in [...]

Michael Powell’s Peeping Tom is fifty-years old this year, an occasion celebrated with a limited UK cinema run and a reissue on Blu-ray and regular DVD. This was the film which famously ended Powell’s career as a director in Britain for reasons which have never been quite clear. Was the film’s critical vilification the culmination [...]