L’Hôtel, Paris

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The London broadsheets have been in a ferment for the past few days over a forthcoming exhibition at the V&A, The Cult of Beauty: The Aesthetic Movement 1860–1900 which opens on April 2nd. The Guardian‘s Jonathan Jones wrote a piece pointing out the French associations of the British Aesthetes in which he mentions the Hôtel d’Alsace at 13 Rue des Beaux-Arts, Paris, the place where Oscar Wilde spent his last few months in 1900 prior to expiring in room no. 16. By coincidence I’d been looking at my own photos of the hotel only the day before so here they are, little more than snapshots but they give an idea of the building at least.

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The hotel is now merely L’Hôtel, and I had a couple of surprises when I went to find the place the last time I was in Paris. The first is that the Rue des Beaux-Arts is some distance away from any main thoroughfares, although this perhaps isn’t so surprising given Wilde’s straitened circumstances. The second was seeing a plaque to Jorge Luis Borges (see below) on the wall opposite the one for Oscar Wilde with its incorrect year of birth. Borges had a lifelong fascination with Wilde, the first piece he had published was a translation into Spanish of The Happy Prince (and The Modern Word has a short essay by Borges about Wilde). I knew that Borges had stayed in the hotel (there’s a famous photo of him standing in the atrium) but didn’t expect his patronage to be commemorated in this way; once again, Paris has a respect for writers that puts many other cities to shame. Wilde is celebrated with two plaques—there’s another beside the door which can be seen here—but what these pictures don’t show is the atrium itself, a small space in the centre of the building which gives the hotel a distinction Wilde might have appreciated even if he would have preferred to spend his final hours in one of the more luxurious establishments.

There are more views of the narrow Rue des Beaux-Arts at Google Maps while the hotel has a website here.

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Continue reading “L’Hôtel, Paris”

Weekend links 49

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Star City by Tomislav Ceranic.

• Noted in the blogosphere this week: A Journey Round My Skull underwent a transmutation into 50 Watts; a blog devoted to artist, designer & illustrator Jessie M King; “The arts and musicks of the supranatural” at Secret Lexicon; From the Farm, Railroads, Sewing Machines & Beyond, lengthy reminiscences from a long life in America.

Barney Bubbles in Wonderland, in which the designer and his chums indulge in some Carrollian shenanigans somewhere in the 1960s. The resulting footage is now a promo video for Balloon Race by Bear Driver.

HP Lovecraft’s favourite words, the desert island books of Jorge Luis Borges, a profile of Christopher Isherwood, and Edward Gorey again.

[Arthur] Machen explicitly talks about the strength of London, as opposed to Paris, in that London is more chaotic. Although he doesn’t put it in these words, I think what partly draws him to London is this notion that, in the absence of a kind of unifying vision, like Haussmann’s Boulevards, and in a city that’s become much more syncretic and messy over time, you have more room to insert your own aestheticizing vision.

China Miéville in a great interview at BLDGBLOG.

Matryomin is “the unique, original erectronic [sic] musical instrument invented by Masami Takeuchi in 2000”. Yes, a theremin inside a Russian doll. The Mable ensemble playing Duke Ellington’s Caravan is, well…I’m still speechless. And there’s also this.

Conductor turns the New York subway system into an interactive string instrument.

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Discordia by Tomislav Ceranic.

Amazingly enough, prostitution was legal during the Victorian period. There were tons of brothels all over the major cities of England, and of all different kinds. There were lots of flagellation brothels; these were places where primarily men would go to be whipped by women or by men. There were also gay male brothels. You could go to a park in London at night, pick up what were called the “park whores” and give them a very small amount of money to have sex openly in the park. I also write about gay “cruising,” which was quite common. If you knew the right place to go and knew the right signals, you could pick up a man on the street and have sex in an alley.

Deborah Lutz is interviewed about her book Pleasure Bound: Victorian Sex Rebels and the New Eroticism.

Cult-ure: Ideas can be dangerous, a book by Rian Hughes.

Chernobyl: Europe’s strangest wildlife refuge.

The Eadweard Muybridge Online Archive.

Aubrey Beardsley at Tumblr.

Caravan (1959) by Martin Denny | Caravan (1961) by 80 Drums Around The World | Caravan (1962) by Sir Julian | Caravan (1965) by The Ventures | Caravan (1973) by Enoch Light & The Light Brigade | Caravan (1997) by Jimi Tenor (I could go on and on, yes I could…)

Weekend links 44

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Poster by Will Bradley for Victor Bicycles (c. 1895).

• G. Wayne Clough, chief exective of the Smithsonian Institution, finally admits that he made a hasty decision in removing David Wojnarowicz’s video from the Hide/Seek exhibition of gay art. Related: “Finland’s cultural gifts to the world include Sibelius, the Moomins and an artist that the country has been less eager to celebrate.” The belated homecoming of Tom of Finland.

The Fiend with Twenty Faces: Jonathan Clements examines the legacy of Edogawa Rampo (Hirai Taro), the Japanese master of mystery and imagination.

• RIP Susannah York. The Guardian posted a selection of clips including one from Robert Altman’s Images (1972).

• More mixtapes: Trish Keenan’s Mind Bending Motorway Mix and a selection for Quietus by Chris & Cosey.

• “Ruin photos speak to our desperate desire to have our world re-enchanted.”

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Promo poster by Hapshash and the Coloured Coat for My White Bicycle by Tomorrow (1967).

The Raging Peloton: Iain Sinclair on two wheels good, four wheels bad.

The unknown Jorge Luis Borges: five new anthologies reviewed.

The French house untouched for 100 years (and also here).

Electrotypes on Drugs: old chemists’ labels.

South China Sea Pishkun by Dinh Q. Lê.

Bike (1967) by Pink Floyd | My White Bicycle (1967) by Tomorrow | Trip On An Orange Bicycle (1968) by Orange Bicycle.

Weekend links 35

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Marian Bantjes designs the cover of the latest Creative Review and there’s a feature about her work inside.

• “…the question: ‘was Shakespeare gay?’ strikes me as so daft as to be barely worth answering. Of course he was. Arguably he was bisexual, of sorts, but his heart was never on his straight side.” Don Paterson throws the cat among the pigeons in an examination of the Shakespeare’s sonnets. Related (sort of): Shakespeare and Company: The bookshop that thinks it’s a hotel. Also related: Jeanette Winterson revisits Shakespeare and Company.

100 orbs of light float in the Schuylkill River. Also in Philadelphia: Animators Amok in a Curiosity Cabinet: the Brothers Quay are making a film in the Mütter Museum. Can’t wait to see it.

• More Alan Moore: Fossil Angels, a lengthy essay about magic and the occult, was written in 2002 but hasn’t been given a public airing until now.

Alberto Manguel is always worth reading:

As Borges was well aware even then, the history of literature is the history of this paradox. On the one hand, the deeply rooted intuition writers have that the world exists, in Mallarmé’s much-abused phrase, to result in a beautiful book (or, as Borges would have it, even a mediocre book), and, on the other hand, to know that the muse governing the enterprise is, as Mallarmé called her, the Muse of Impotence (or, to use a freer translation, the Muse of Impossibility). Mallarmé added later that all who have ever written anything, even those we call geniuses, have attempted this ultimate Book, the Book with a capital B. And all have failed.

• Here Comes Everybody: Wake In Progress is a self-described “foolhardy attempt to illustrate Finnegans Wake”. Easier to illustrate than make a film of the book, I’d have thought, and Mary Ellen Bute already attempted the latter.

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Psychic Explosion: Adolf Hoffmeister’s illustrations for a 1967 edition of Lautréamont’s Poesies at A Journey Round My Skull.

Craig Colorusso’s Sun Boxes can be seen at Turner Falls, Massachusetts, during November.

Clive Hicks-Jenkins has a book and retrospective exhibition of his art due next year.

• A sneak peek into The Steampunk Bible to which I’m a contributor. And also here.

• “Human or other; depends who comes”: the Ballardian films of Paul Williams.

Transmission (1979) by Joy Division; Transmission (1995) by Low; Monkey (2010) by Robert Plant.

Weekend links 25

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A commemorative Borges coin.

He says, “Two aesthetics exist: the passive aesthetic of mirrors and the active aesthetic of prisms. Guided by the former, art turns into a copy of the environment’s objectivity or the individual’s psychic history.” There, of course, he sums up all of realism, no? “Guided by the latter, art is redeemed, makes the world into its instrument and forges, beyond spatial and temporal prisons, a personal vision.” That’s Borges.

The Borges Behind the Fiction: Colin Marshall talks to translator Suzanne Jill Levine. Related: The Garden of Forking Paths.

• From The Quietus: Blondie in Conversation with William S. Burroughs by Victor Bockris, 1979; An Interview with Laurie Anderson by Robert Barry, 2010.

In 962 Abd-er Rahman III was succeeded by his son Al-Hakim. Owing to the peace which the Christians of Cordova then enjoyed […] the citizens of Cordova, Arabs, Christians, and Jews, enjoyed so high a degree of literary culture that the city was known as the New Athens. From all quarters came students eager to drink at its founts of knowledge. Among the men afterwards famous who studied at Cordova were the scholarly monk Gerbert, destined to sit on the Chair of Peter as Sylvester II (999–1003), the Jewish rabbis Moses and Maimonides, and the famous Spanish-Arabian commentator on Aristotle, Averroes.

Entry for The Diocese of Cordova from The Catholic Encyclopedia (1917).

Professor Newt’s Distorted History Lesson. A riposte to the ignorance of the wretched Gingrich. Related: the Mezquita de Córdoba.

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Jorge Luis Borges and a cat. Via.

Joseph and His Friend—A Story of Pennsylvania (1870) by Bayard Taylor, America’s first (?) gay novel. Related: 20 classic works of gay literature.

Elegies For Angels, Punks and Raging Queens at the Shaw Theatre, London, from 10–28 August 2010.

• Tristan Perich’s 1-Bit Symphony is released later this month. Café Kaput’s first release, Electronic Music in the Classroom by DD Denham, appears in September.

• “Just relax and enjoy it.” k-punk on the ambition and vision of David Rudkin’s Artemis 81.

• Chris Watson explores Alan Lamb’s The Wires: three audio recordings to download.

• Jonathan Barnbrook: Tuxedomoon fan, 1988, and Tuxedomoon designer, 2007.

• Rob Young’s Electric Eden reviewed by Michel Faber.

Brian Eno gets the Warp factor.

No Tears (1978) by Tuxedomoon; Atomic (1979) by Blondie; Everything You Want (1980) by Tuxedomoon; Next One Is Real (1984) by Minimal Compact; Hologram (2010) by These New Puritans.