Weekend links 161

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My friend James Marriott died last year. He was 39. His final book, The Descent, a study of Neil Marshall’s acclaimed horror film, is launched on Friday at the Cube Microplex in Bristol. The book is published by Auteur, a UK imprint, in their Devil’s Advocates series. James was finishing the book a year ago this month, and sent me a late draft for comments. In addition to examining Marshall’s film in detail he also looks at its sequel and explores the micro-genre of cavern-oriented horror. When it came to literature James preferred Robert Aickman and Thomas Ligotti; he enjoyed their cinematic equivalents too but he also had a great appetite for horror films of any description, and would happily wade through hours of giallo trash in the hope of finding something worthwhile. I miss our long, digressive email exchanges, and the opportunity they afforded to swap new discoveries.

• “For artists not working in digital media — those who cut, build, draw, paint, glue, bend, and make things in the more traditional manner — there is something of a ‘Surrealist’ popularity at hand today,” says John Foster.

• At Open Culture: Duke Ellington’s Symphony in Black starring a 19-year-old Billie Holiday, and Nina Simone performs six songs on The Sound of Soul (1968).

• I’m not remotely interested in Baz Luhrman’s latest but I do like the Art Deco graphics and logos created by Like Minded Studio for The Great Gatsby.

Alejandro Jodorowsky: “I am not mad. I am trying to heal my soul”

• The Clang of the Yankee Reaper: Van Dyke Parks interviewed.

• A 45-minute horror soundtrack mix by Spencer Hickman.

• At But Does It Float: Album art by Robert Beatty.

Topological Marvel: The Klein Bottle in Art

Anne Billson on The Art of the Voiceover.

Soviet board-games, 1920–1938

A Brief History of Robot Birds

Le Chemin De La Descente (1970) by Cameleon | Descent Into New York (1981) by John Carpenter | The Descent (1985) by Helios Creed

Cassette culture

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Three Spirits by Xenis Emputae Travelling Band.

Looks like I was premature in 2008 when I was eagerly contemplating the demise of the cassette tape as a music format. Earlier this year I bought a music cassette for the first time since the early 1980s, albeit inadvertently since this was the compilation that came with The Twilight Language of Nigel Kneale (more about that at a later date). This week Phil Legard of Xenis Emputae Travelling Band very generously sent a copy of his latest release, Three Spirits, which is another cassette edition. And to top things off, FACT magazine this week launched a review section for new cassette releases. So much for the format being moribund.

I have to admit my anti-cassette animus has largely dissipated now there’s no reason to rely on them for anything. And I did hang on to my cassette deck… Switching that on for the first time in years and pressing “play” was a considerable novelty, as was the inevitable tape hiss that’s absent from most contemporary releases unless your name is Pye Corner Audio. The resurgence of the format is both interesting and understandable: interesting for its being another example of the way the future never unfolds in a predictable manner; understandable because cassettes are relatively cheap to produce, and there’s still a very evident market for material, analogue artefacts. And the novelty is present, of course, for people young enough to miss out on the delight of friends’ cheap tape machines chewing their lovingly-crafted compilations.

As to Three Spirits, it’s an excellent release, two sides of sublime atmospheres which at times sound like a local equivalent of Popol Vuh. I’ll be playing this one a lot. Phil writes about the music here, and there’s also a video for one of the tracks.

Previously on { feuilleton }
Xenis Emputae Travelling Band
Old music and old technology

Weekend links 159

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El Banquete Magnético (2011) by Cristina Francov.

Did Vertigo Introduce Computer Graphics to Cinema? asks Tom McCormack. He means Saul Bass’s title sequence which mostly uses still harmonographs but also features some animated moments by John Whitney.

•  Temple of the Vanities by Thomas Jorion. “Pictured here are political monuments and munitions depots, hulking concrete forms that marked the edges of empires.” Related: Paintings by Minoru Nomata.

• Musical reminiscences: Matt Domino on the Small Faces’ psychedelic magnum opus Ogden’s Nut Gone Flake, and Richard Metzger on the sombre splendours of Tuxedomoon.

Harrison is best known as one of the restless fathers of modern SF, but to my mind he is among the most brilliant novelists writing today, with regard to whom the question of genre is an irrelevance. To read his work is to encounter fiction doing what fiction must: carrying out the kinds of thinking and expression that would be possible in no other form. I pass through his novels feeling a mixture of wonder, calmness and disturbance; I end them brain-jarred and unsettled. Metaphysical echoes persist for days afterwards. It feels as if I have had a strabismus induced, causing illusions that slowly resolve into insights.

Robert Macfarlane on M. John Harrison and the reissue of Climbers.

• Divine Machinery: An Interview with Paul Jebanasam. Arvo Pärt, Cormac McCarthy and Algernon Blackwood are folded into his new album, Rites.

Autostraddle shows the evolution of twelve queer book cover designs. As is often the case in cover design, latest isn’t always best.

• “My Definition Of Hell? It’s Other People, At The Cinema!” Anne Billson on the very thing that finished me as a cinema-goer.

• “London in the 1830s was a truly weird and terrifying place.” Spring-Heeled Jack, The Terror of London.

• At Scientific American: The Reading Brain in the Digital Age: The Science of Paper versus Screens.

Van Dyke Parks: “I was victimised by Brian Wilson’s buffoonery.”

Colour film of London in 1927.

Abandonedography

Social Dead Zone

• Tuxedomoon: Tritone (Musica Diablo) (1980) | Desire (1981) | Incubus (Blue Suit) (1981)

Weekend links 157

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Elektrik Karousel, a new release on the Ghost Box label by The Focus Group. “For a clue to its moods, think Czech animation, Italian Giallo, early Radiophonics, HP Lovecraft stories, 1960s underground cinema, Lewis Carroll and baroque psych.” Julian House’s package design is “heavily inspired by 1960s underground press and conceived as a kind of mind altering DIY board game”.

Joseph Stannard of The Outer Church compiles a mix for Kit Records, and talks about rural psychedelia and malevolent lighthouses, among other things.

• At Sci-Fi-O-Rama: a sampling of Dan Nadel & Norman Hathaway’s Electrical Banana – Masters of Psychedelic Art (2012).

Stranger than Paradise: Tilda Swinton photographed by Tim Walker in the Surrealist Wonderland of Las Pozas, Mexico.

Whistler in Limehouse & Wapping: stunning etchings by the 25-year-old artist when he was newly arrived in London.

• The complete catalogue of Sunn O))) recordings is now on Bandcamp for preview and purchase.

La Danza de la Realidad: Alejandro Jodorowsky returns to his childhood in Tocopilla, Chile.

• Enjoy The Silence: Jude Rogers talks to Michael Rother about joy of quiet.

Dressing the Air, “the Bureau of Sensory Intelligence”, had a relaunch.

Fast forward – and press play again: Cassettes are back

The Lovecraft Expert: An Interview with S.T. Joshi

Book Graphics: an illustration blog.

Paint Box (1967) by Pink Floyd | Beat Box (1984) by Art of Noise | Glory Box (1994) by Portishead

Weekend links 154

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Collage by Chloé Poizat.

Xenis Emputae Travelling Band plays the Music of John Dee, and free at Bandcamp: Victorian Machine Music by Plinth, the “creaking, winding, piping, chiming and wood-knocking of Victorian parlour music machines”.

Jeremy Willard on Mikhail Kuzmin, “the Oscar Wilde of Russia”. Related: Conner Habib on the Disinfo podcast discussing pornography, sexuality, and whether sex be a revolutionary act.

Ed Vulliamy paid a visit to Hawkwind’s Hawkeaster festival. The Hawks’ Warrior On The Edge Of Time album is released in a remastered edition next month.

• Blasts from the past: Mahavishnu Orchestra, live in France, August 23rd, 1972, and Ashra (Manuel Göttsching & Lutz Ulbrich) in Barcelona, 1981.

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An illustration by Alberto Martini for Raw Edges (1908) by Perceval Landon.

NASA’s cover designs for Space Program manuals, guidebooks, press kits, reports and brochures.

PingMag—”Art, Design, Life – from Japan”—makes a welcome return as an active blog.

Suzanne Treister‘s Hexen 2.0 Tarot designs.

Listening to records that no longer exist

The architectural origins of the chess set

The Bohemian Realm of Absinthiana

Les sources d’une île: a Tumblr

Hammer Without A Master (1998) by Broadcast | Test Area (1999) by Broadcast | Make My Sleep His Song (2009) by Broadcast & The Focus Group