Weekend links 241

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A drawing by Lucille Clerc.

• The usual imbalance of heat versus light this week but Kenan Malik and Teju Cole had some worthwhile things to say. Related: Atlantic illustrators respond to the events of Wednesday. And some history: covers of Charlie Hebdo‘s parent magazine, Hara-Kiri, whose legacy of bad taste and confrontation was overlooked in the rush to express disapproval.

• At The Quietus: Virginie Sélavy, Mark Pilkington and Stephen Thrower of the Miskatonic Institute talk to Mat Colegate about horror old and new. There’s more horror cinema in Mat Colegate’s interview with animator Carla MacKinnon.

• Mixes of the week: Sleepwalkers of the Montgomery Canal by The Geography Trip, and Secret Thirteen Mix 142 by Helena Hauff.

• Jazz legend Julian Priester reflects on his fusion classic Love, Love, Sun Ra, Herbie Hancock, and a lot more.

• “No gays, no blacks, no fat people”: Ryan Gilbey on how film advertising continues to betray filmmakers.

Paul Gorman on the drumheads that Barney Bubbles painted for Hawkwind’s Simon King in 1972.

Massive: Gay Erotic Manga and the Men Who Make It, edited by Anne Ishii & Graham Kolbeins.

NASA’s exoplanet travel bureau wants you to pack your bags.

• The New Humanist on imagining a world without work.

• At Strange Flowers: 15 books for 2015.

Ghosts in the TV

Prologue/Love, Love (1974) by Julian Priester | The Jewel in the Lotus (1974) by Bennie Maupin | Rima (1975) by The Headhunters

Maximiliana oder die widerrechtliche Ausübung der Astronomie

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The title of this 10-minute film translates as Maximiliana or the Illegal Practice of Astronomy which is also the name of an art book created by Max Ernst in 1964. The film was a collaboration between Ernst and filmmaker Peter Schamoni, the subject being German astronomer and lithographer Ernst Wilhelm Leberecht Tempel (1821–1889). Tempel’s astronomy was “illegal” because he was regarded as an amateur by other astronomers which meant he was denied permission to name his discoveries. Maximiliana was the name Tempel and physicist Carl August von Steinheil decided on for an asteroid that Tempel discovered in 1861. This was deemed unacceptable so the asteriod was given the name Cybele instead (now 65 Cybele).

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Some of this is related in Schamoni’s film but you’ll need an understanding of German to appreciate the detail. The film is worth a look for other reasons, notably some shots of Ernst filling sheets of paper with the curious hieroglyphs that cover the surfaces of some of his later paintings. These hieroglyphs also feature in the Tempel book, and one of them appears in the film as an animated figure. Peter Schamoni made a number of art films including an excellent feature-length documentary about Max Ernst in 1991. That’s also on YouTube but untranslated so you’ll need some good German (and French) to appreciate it.

Previously on { feuilleton }
Max and Dorothea
Dreams That Money Can Buy
La femme 100 têtes by Eric Duvivier

Weekend links 231

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Design by Julian House.

Always good to hear of a new release on the Ghost Box label, and a new album by The Advisory Circle (due on 5th December) is especially welcome. From Out Here is described thus: “Exploring darker territory than 2012’s more pastoral As The Crow Flies, The Advisory Circle hint at a Wyndham-esque science fiction story, where bucolic English scenery is being manipulated and maybe even artificially generated by bizarre multi-dimensional computer technology.” The Belbury Parish Magazine has extracts.

• Jon Hassell’s Fourth World Music Vol. I: Possible Musics receives a long-overdue reissue next month. Possible Musics was a collaboration with Brian Eno, and Eno has some of his own albums reissued again in expanded editions. Most notable is the first official release of My Squelchy Life, an album that was withdrawn in 1991 to be replaced by Nerve Net.

• Some Halloween theatre on Friday (the 31st) at the Museum of Bath at Work with a dramatisation of Ringing the Changes by Robert Aickman. There’s a repeat performance the following week (8th November) with added spectral atmospherics from the Electric Pentangle. Free admission.

The value of these books wasn’t anything wholesome they contained, or any moral instruction they offered. Rather, it was the process of finding them, the thrill of reading them, the way the books themselves, like the men they depicted, detached you from the familiar moral landscape. They gave a name to the palpable, physical loneliness of sexual solitude, but they also greatly increased your intellectual and emotional solitude. Until very recently, the canon of literature for a gay kid was discovered entirely alone, by threads of connection that linked authors from intertwined demimondes. It was smuggling, but also scavenging. There was no internet, no “customers who bought this item also bought,” no helpful librarians steeped in the discourse of tolerance and diversity, and certainly no one in the adult world who could be trusted to give advice and advance the project of limning this still mostly forbidden body of work.

Smuggler: A Memoir of Gay Male Literature by Philip Kennicott

• Getting in before the Mixcloud Halloween rush, mix of the week is Samhain Seance 3: Better Dead Than Never by The Ephemeral Man. My Halloween mix for this year is almost finished; watch the skies.

• For those who can’t wait until December for From Out Here, there’s a new Howlround album, Torridon Gate, out this week from A Year In The Country.

• Last week, Yello’s Boris Blank was choosing favourite electronic albums, this week he runs through a list of thirteen favourite albums.

Altered Balance: A Tribute to Coil by Jeremy Reed & Karolina Urbaniak. Richard Fontenoy reviewed the book for The Quietus.

Cut-Ups: William S. Burroughs 1914–2014, an exhibition of Burroughs’ typescripts at Boo-Hooray, NYC, from 7th November.

Brando, a film by Gisèle Vienne for the song by Scott Walker & Sunn O))).

NASA has a Soundcloud page

The art of leaves

Cobra Moon (1979) by Jon Hassell | Moon On Ice (1987) by Yello feat. Billy MacKenzie | Moon’s Milk Or Under An Unquiet Skull Pt. I (1998) by Coil

Weekend links 223

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Step Up (2014) by Angelica Paez.

• Lots of attention this week for Kevin Martin whose latest album as The Bug, Angels And Devils, is out now on Ninja Tune. The previous Bug release, London Zoo (2008), was a fierce collection that stood apart from the Grime pack not only for its guest vocalists but also for being informed by Martin’s broad range of influences: industrial and extreme electronics, heavyweight dub, metal and avant-garde jazz. Martin was interviewed by The Quietus and FACT who also asked other musicians to choose their favourite Martin recordings. Elsewhere, The Wire has Swarm, a track not included on the album.

Related: Martin’s four superb compilation albums for Virgin Records have been deleted for years but are worth seeking out: Ambient 4: Isolationism, Macro Dub Infection Volume One & Volume Two, and Jazz Satellites Volume 1: Electrification (Virgin cancelled volume 2). From the NME, 1995: Kevin Martin’s Ten Commandments For All Time.

• “…it never becomes quite clear why two grown men would want to write to each other in the guise of a horse and a cat.” Henry Giardina reviews The Animals: Love Letters Between Christopher Isherwood and Don Bachardy, edited by Katherine Bucknell.

Shufflepoems: A Deck of Poetry by Lydia Swartz. “100 cards, four suits, one stanza per card. Shuffle for a new adventure every time.” The project needs a last-minute push to gain Kickstarter funding so if this sounds interesting go, go, go!

The Haxan Cloak’s favourite heavy metal albums. Metallica’s Master Of Puppets still gets my vote. More from The Quietus: David Stubbs on the Werner Herzog soundtracks of Popol Vuh.

• At Strange Flowers: Waking the witch, a remembrance of occult artist Rosaleen Norton and other characters from Sydney’s Kings Cross area, with news of a planned Norton documentary.

• A nine-note motif has for decades signalled “Asian” in popular music. Kat Chow looks at the history of a musical stereotype.

Joseph Conrad’s Heart of Darkness is the subject for entrants in the Folio Society’s latest illustration competition.

• Irradiating the Object: Rhys Williams talks to writer M. John Harrison.

Does the Sea Serpent Really Look Like an Art Nouveau Oar-fish?

Schrödinger’s cat caught on quantum film.

70s sci-fi art: a Tumblr.

Demodex Invasion (1995) by Techno Animal | Piranha feat. Toastie Taylor (2001) by Techno Animal | Poison Dart feat. Warrior Queen (2008) by The Bug

Weekend links 220

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Untitled painting by Aleksandra Waliszewska.

• Ben Wheatley’s forthcoming film of High-Rise by JG Ballard now has its own Tumblr. This will no doubt be spoilerific so I won’t keep on visiting but it’s there if you require it. More Ballardianism: “Worshipping the Crash” at BLDGBLOG.

• “Aickman wandered through the sixties fantasy landscape like some curmudgeonly fetch, returning from the fin de siècle heyday of the ghost story.” Boyd Tonkin profiles Robert Aickman, writer of peerless “strange stories”.

• At Dangerous Minds: “Raise a glass to Cthulhu at the Lovecraft Bar”. Looks more like a Captain Nemo bar to me (not that there’s anything wrong with that) but I appreciate the gesture.

But to demand that a work be “relatable” expresses a different expectation: that the work itself be somehow accommodating to, or reflective of, the experience of the reader or viewer. The reader or viewer remains passive in the face of the book or movie or play: she expects the work to be done for her.

Rebecca Mead on The Scourge of Relatability

• “Space as a paranoid, static rumble featuring: 20jfg, Ben Frost & Daníel Bjarnason, Coil & Eduard Artemiev”. 20 Jazz Funk Greats on the pleasures of the Solaris soundtrack.

• What do Hawkwind, Harry Nilsson, Stereolab and The Supremes have in common? David Stubbs examines the legacy of Neu! and Klaus Dinger’s “Dingerbeat”.

• A reminder that A Year in the Country features a host of worthwhile links and associations for the Hauntologically persuaded.

Rouge Louboutin, an ad by David Lynch. Related: An improptu biscuit ad by the Eccentronic Research Council.

• Mix of the week (a year old but no matter): JG Ballard Zoom Lens Mix by Bernholz.

• At 50 Watts: More illustrated sheet music covers by Einar Nerman.

Five book cover designers and the books that inspire them.

Tove Jansson would have been 100 this week.

Pangaea with modern borders

Solaris: Dream (1990) by Edward Artemyev [sic] | Solaris (2000) by Photek | Simulacra I (2011) by Ben Frost & Daníel Bjarnason