A journal by artist and designer John Coulthart.
Occult
The Shaman.
Gorgeous drawings from this American artist, none of which are as innocent as they first appear. Some of my friends with Wunderkammer obsessions will be interested in the three-dimensional constructions detailed on her blog and her Flickr pages.
Via Phantasmaphile.
Arsenic.
Previously on { feuilleton }
• The art of Juliet Jacobson
Ed Jansen writes again to notify me that the latest number of his web magazine, Passage, is now online, about which he says:
In Passage nr. 12 there are articles about a 17th century garden in The Hague, about the mysterious visit to The Hague by the Comte De Saint Germain. Was he really a enlightened man or a fraud? If you’re an occultist you’ll tend to believe the first, the historian thinks otherwise. Then there are the photos of the dancer and performer Hiroake Umeda. Strange movements underlined by light-effects. Living in a Capsule is a combination of the paintings by the Dutch artist Tjebbe Beekman and the work of J.G. Ballard. Lastly there is an article about Jan Bastiaans, the doctor who experimented with LSD to ‘free’ the victims of the concentration camps of the nightmares and repressed memories.
Once again the text content is in Dutch but that doesn’t exclude all visitors here. I hadn’t come across the work of Tjebbe Beekman before. His paintings of urban desolation are indeed a good match for one aspect of Ballard’s work, and they make an interesting contrast with Dick French’s earlier views of the author’s Drowned World.
Trust by Tjebbe Beekman (2005).
Previously on { feuilleton }
• Drowned Worlds
• Passage 11
• Passage 10
Sometimes it pays to have an unusual name… Ritual is a 1967 novel by David Pinner which has been claimed on many occasions to be the original source for the story which Anthony Shaffer wrote as The Wicker Man. An illustrator named Peter Edwards was responsible for the cover graphic and possibly the hand-drawn type as well. Searching for more of his work turned up this elegant cover for an Everyman title (at this rather tasty illustration blog) but little else.
Metatron’s Cube.
There is, however, a younger Peter Edwards who also happens to be an illustrator with a website here and an example of his work above. Are the two related, perhaps? In addition to this pair there’s a third Peter Edwards who paints portraits. Pity the poor artist trying to carve a niche for his or herself among a host of similarly-named contemporaries.
Elsewhere on { feuilleton }
• The book covers archive
• The illustrators archive
Previously on { feuilleton }
• The music of The Wicker Man
Giant Squid of the Newfoundland Banks. From a painting by Herbert B Judy.
Today’s Giant Squid comes to you courtesy of the University of Washington’s Digital Collection and their Freshwater and Marine Image Bank. This book plate is from Sea-shore Life; The Invertebrates of the New York Coast and the Adjacent Coast Region (1905) by Alfred Goldsborough Mayor, and the Internet Archive happens to have copies of the entire book.
Which facts have nothing whatsoever to do with Ken Hollings’ photos of the Strange Attractor Salon which is in its final week at Viktor Wynd Fine Art, London. I was pleased to see the picture above which shows my pieces on the same wall as work by Julian House whose covers for the Ghost Box CDs I’ve enthused over in the past. Strange Attractor curator Mark Pilkington has posted further photos on his Flickr pages as has artist Ali Hutchinson whose beautiful work is also featured there.
Previously on { feuilleton }
• Strange Attractor Salon
• Readouts
• Welcome to Mars
• The Séance at Hobs Lane
• SAJ again
• Strange Attractor Journal Three
• Ghost Box
• The Major Arcana
The latest Starfire catalogue has news of the unearthing of two unfinished grimoires by Austin Osman Spare both of which are due for publication later this year. The two books—The Focus of Life & The Papyrus of Amen-AOS and The Arcana of AOS & the Consciousness of Kia-Ra—date from 1905–06 and I presume the picture from the catalogue shown above is from one of these. No details yet as to price of either volume. Via Arthur.
These two grimoires by Spare are at once enigmatic and full of haunting beauty. The paintings and drawings from each notebook are here reproduced in full colour. With analytical essays by Michael Staley, Stephen Pochin and William Wallace, and an introduction by Robert Ansell, this publication adds to our understanding of Spare’s early years as an artist, mystic and philosopher, and sheds light on the early development of his sigillisation techniques.
Previously on { feuilleton }
• Austin Spare absinthe
• Austin Spare’s Behind the Veil
• Austin Osman Spare