{horror} – Page 141 – { feuilleton }

Mind the doors!

Russian artist Alexey Andreev populates the Moscow Metro with eldritch weirdness in a photo-collage series he calls Metronomicon. A couple of these pieces remind me of Clive Barker’s throat-grabbing story, The Midnight Meat Train, which was filmed a couple of years ago. For an earlier cinematic example of the horror inherent in underground transport systems there’s Gary Sherman’s Death Line, or Raw Meat as it was fatuously rebranded for the US, a very effective low-budget film from 1972. Fantastic Voyages reviews it here.

Andreev tip via MetaFilter.

Previously on { feuilleton }
• Subterrania
• Tunnel 228

Gekko Hayashi: homoerotics and monsters

gekko1

Needless to say, it’s primarily the homoerotics which concern us here. Gekko Hayashi is the name under which Japanese artist Goji Ishihara (1923–1997) produced his gay erotica, and these examples are among a small handful to be found on the web. Far more common is his Ishihara work which included some spectacular grotesqueries for the Illustrated Book of Japanese Monsters (1972) and the Illustrated Book of Hell (1975). Sate your appetite for the monstrous at Pink Tentacle.

gekko2

Hayashi/Ishihara’s work may be scarce but you can read about both his personas thanks to ComiPress, who posted an overview of the artist’s career, and Comics212, who examined the gay side of his output. There is a book collection of Hayashi’s gay art but that appears to be out-of-print. This Japanese page has many samples from the Ishihara work.

The dual career of Hayashi/Ishihara brings to mind another artist equally adept at commercial illustration and gay art, Oliver Frey. As “Zack”, Frey gained an enthusiastic audience in UK gay mags while he was also popular with quite a different audience for his illustrations in computer game magazines throughout the 1980s. He was also no slouch at painting monsters as I recall. A collection of Zack comic strips, Bike Boy, is published this month by Bruno Gmünder.

Continue reading “Gekko Hayashi: homoerotics and monsters”

Weekend links: Ghosts, Spooks and Spectres edition

Cover design by Philip Gough.

Ghosts, Spooks and Spectres (1972 reprint). Editor Charles Molin collected nineteen ghost stories by writers including Oscar Wilde (The Canterville Ghost), Charles Dickens (The Signal-Man), J. Sheridan Le Fanu (Madame Crowl’s Ghost) and HG Wells (The Inexperienced Ghost). This was one of my favourite books when I was ten-years old. There’s nuffin like a Puffin. Puffin Books’ parent company, Penguin, is 75 this year.

• The good people at the Outer Alliance have posted an interview with me here in which I talk about the subversive sexualities of sf in the 1970s and also admit to writing fiction.

• There’s just time to mention It Came From Pebble Mill, an event which includes another screening of David Rudkin’s Penda’s Fen.

• “In our society, there has tended to be a very strong compartmentalization of different experiences, different cultural forms, different genres. We can talk in a very broad sense and say art is separate from science, for example, or body is separate from mind, or we can talk in a specific sense and say one certain form of dance music is separate from one form of, say, heavy metal. I don’t really buy those compartmentalizations. I understand why they exist, how they’ve come into being and why they’re convenient, but it’s not the way I think, it’s not the way I experience the world, it’s not the way I believe things should be.” From an interview by Colin Marshall with David Toop at 3QD. Toop’s latest book is Sinister Resonance: The Mediumship of the Listener.

• The Kingdom of the Pearl by Léonard Rosenthal, illustrated by Edmund Dulac.

• Ghost Stations by Dollboy, a CD package. And then there’s the Ghostly Bento.

• 7 Inch Cinema are Birmingham-based cultural historians.

• Mark Pilkington’s Mirage Men now has its own site.

• Borges on Pleasure Island: JLB and his love of RLS.

• RIP Arne Nordheim, Norwegian composer.

• Charlie Visnic’s Modular Ghost Synth.

• On the trail of Tutankhamen’s penis.

• Photos by Thom Ayres.

• Ghosts by Japan | Spooky Rhodes by Laika | Purple Dusk by Spectre.

Weekend links 20

Transfiguration (1952) by Sulamith Wülfing.

• Observatory posted photos of its Lovecraft art exhibition; see if you can spot my pics. Related: Write Club has more photos. Also, A Word From Our Sponsor.

• Taking the broooooaaaaad view of things: A Conversation with James Grauerholz on William S. Burroughs and Magick. Related: Beat Memories—The Photographs of Allen Ginsberg.

• Adam Curtis on BP and the Axis of Evil; how the the Anglo-Iranian Oil Company became British Petroleum and helped give Iran over to the Ayatollahs.

• The Quietus interviews Peter Christopherson (TG, Coil, etc) and Dr John.

• The Strange World of Adolf Hoffmeister at A Journey Round My Skull.

• An Artists’ Dialogue On CocoRosie’s Grey Oceans at Stereogum.

• Werner Herzog and David Lynch combine their talents.

• Jon Savage on The Residents versus The Beatles.

• BUTT magazine interviews James Bidgood.

• The Daily Drop Cap.

• The Gay Rub.

• Can on German TV in 1971.

New work: Two forms of darkness

Darkness: half-title page.

I’m still behind with site updates but here are two recent design jobs come to cast a shadow over the summer. Darkness is another fiction anthology from Tachyon, edited by Ellen Datlow and subtitled Two Decades of Modern Horror. Ann Monn’s cover design has a snake writhing through shadow so I carried the serpentine motif into the interior design. The book runs to 478 pages and, as the title implies, features lots of big names including Clive Barker, Joyce Carol Oates and Stephen King.

Darkness: title spread.

Dark Matter, on the other hand, is a double-CD compilation of singles from Bristol’s Multiverse label which is released this month. If you need a descriptor then many of the tracks here would be classed as dubstep, and a few are doomy enough to serve as soundtracks for urban horror. Skream is one of the featured artists, and his Trapped In A Dark Bubble on Tectonic’s Plates 2 collection (which I designed last year) has a great sinister ambience.

The design is very minimal with silver ink on a matt black digipak. The label requested graphics that mixed esoteric symbols with references to modern physics or astronomy without any of the allusions being too specific as to their origin or meaning. For the fonts I used the Fell types which take the design back to grimoires and old manuscripts.