{gay} – Page 144 – { feuilleton }

Weekend links 5

A poster design by Yusaku Kamekura. More here, via A Journey Round My Skull.

First of all this week, there’s a new interview posted which I gave last year to Crows ’n’ Bones magazine. The replies skate around the usual subjects (Cthulhu et al) and you also find out why I don’t think design and illustration for music is going to vanish as soon as some people think.

• A Journey Round My Skull has announced The Raymond Roussel Illustration Contest which is open to all.

• Cover designs: David Pearson on redesigning Cormac McCarthy’s UK covers, a huge improvement on the previous Picador series. Also, The Robert Lesser Pulp Art Collection.

• Last year I discussed Teleny, Or the Reverse of the Medal, the novel of gay erotica attributed to Oscar Wilde, giving a mention in passing to Jon Macy’s comic strip adaptation of the book. That adaptation has now been published and is available via his website.

The Kiss (1896) by Will Bradley.

• More Art Nouveau (because too much is never enough): Will Bradley’s work at Golden Age Comic Book Stories. Can’t understand how I missed this one.

• A discussion: The Magic Mystery and Melancholy of Five Leaves Left by Nick Drake.

• Sandi Vincent’s Flickr pages overflow with Graphis Annual goodness.

• A new edition of the Arthur Radio Voyage is available to download. And Trunk Records’ Jonny Trunk has a mix of obscure vinyl for you.

• Song of the week: We Want War by These New Puritans. Slow motion shots in the video are a plus.

Le livre blanc by Jean Cocteau

Two illustrations by Jean Cocteau for his homoerotic novel Le livre blanc. Cocteau never publicly acknowledged his authorship of the book but his illustrations (coloured by MB Armington) decorated the second edition published by Éditions du Signe in 1930. He also provided an introduction. The Koopman Collection has further illustrations and page scans.

Cocteau wrote Le livre blanc in 1927 in Chablis, where he was staying with Jean Desbordes, the successor to Cocteau’s great love. Cocteau’s drawings have been described as obscenely pious. They are established by quick, flowing lines, partially erotic and often sultry, featuring classical elements such as busts and centaurs. Erotic images were popular articles in France, where they were sold under the counter; people were extra careful about homosexual erotica. Cocteau described his first sexual experiences in Le livre blanc: his excitement upon seeing a naked peasant boy on horseback and two naked young gypsies on his father’s estate. (More.)

Elsewhere on { feuilleton }
• The gay artists archive

Previously on { feuilleton }
• Cocteau’s sword
• Cristalophonics: searching for the Cocteau sound
• Cocteau at the Louvre des Antiquaires
• La Villa Santo Sospir by Jean Cocteau

Entomologia

A Royal Family (Goliath Beetle) (2003) by Joianne Bittle.

More insect art. Entomologia is a group exhibition of art incorporating and inspired by insects, on view at Observatory, Brooklyn, NY, from February 26th to April 4th, 2010. There are fourteen artists involved but not all of them have websites showing the work one might expect to see there, unfortunately. The gallery will also host a series of events tied to the exhibition; more details here. Among the contributors is photographer Brian Riley whose chiaroscuro studies of male nudes have featured here previously.

Previously on { feuilleton }
• Jewel beetle
• How many leaf beetles can dance on the head of a pin?
• The art of Jo Whaley
• Endangered insects postage stamps
• Brian Riley

Ode to the Classics

In which photographer Mikel Marton works variations on Wilhelm von Gloeden’s nude studies of the boys of Taormina, Sicily. “Classic” has a double meaning here since Von Gloeden’s photographs are now considered classic works of early homoerotica (Oscar Wilde was an enthusiast) as well as borrowing their props and poses from Classical antiquity. The very attractive model in the new shots is one Barry K and Mikel also posts some pictures by Sascha Schneider whose deeply strange and mystical illustrations have featured here in the past.

Previously on { feuilleton }
• Uranian inspirations
• Forbidden Colours
• Mikel Marton
• The art of Sascha Schneider, 1870–1927
• Toxicboy
• Evolution of an icon

The recurrent pose 31

Two more variations on the Flandrin pose. The photo above is by Chris Knight who has a selection of luscious homoerotica if you look in his “Human Form” gallery. Thanks again to Thom!

The picture below of French rugby player Maxime Médard is from a recent feature in Vanity Fair Italia with photography by Claudio Carpi. Although this deviates slightly from the customary posture, I try and thrown in some beef now and then for those who feel deprived by the surfeit of lithe and twinky creatures. Via VGL.

Elsewhere on { feuilleton }
• The recurrent pose archive