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One Way Street: Fragments for Walter Benjamin

I thought I was going to intensely dislike One Way Street (1993) owing to the deployment of that bane of documentary film and television: the actor impersonating a historical figure. But these moments are sporadic, and John Hughes’ film is a reasonable introduction to Walter Benjamin’s elusive philosophies. It probably helps if you already know something of Benjamin’s life and work; there are several allusions, for example, to the famous “angel of history” thesis, and we even get to see the Paul Klee print to which the thesis refers (and which Benjamin owned); but there isn’t a reading of the thesis itself, an omission that the BBC in its documentary heyday wouldn’t have allowed. Various writers and academics do their best to convey something of Benjamin’s thought in sound-bite form, and the film as a whole can probably evade some criticism by claiming to be Benjaminesque in its disjointed and fragmented nature (although that would also be an evasion). I think if I hadn’t read any of Benjamin’s books there’d be enough to stimulate my curiosity, in which case the film would have succeeded. Watch it here. (Via Open Culture.)

Previously on { feuilleton }
• Passage des Panoramas

42 One Dream Rush

A 45-minute omnibus film from 2009 in which Abel Ferrara, Arden Wohl, Asia Argento, Brian Butler, Carlos Reygadas, Charles Burnett, Charlyn Marshall, Chris Graham, Chris Milk, David Lynch, Dee Poon, Floria Sigismondi, Florian Habicht, Gaspar Noé, Grant Morrison, Griffin Marcus, Harmony Korine, James Franco, Joe Coleman, Jonas Mekas, Jonathan Caouette, Kenneth Anger, Larry Clark, Leos Carax, Lola Schnabel, Lou Ye, Matt Pyke, Michele Civetta, Mike Figgis, Mote Sinabel, Niki Caro, Rajan Mehta, Rinko Kikuchi, Ryan McGinley, Sean Lennon, Tadanobu Asano, Taika Waititi, Terence Koh, Yung Chang, Zachary Croitoroo and Zhang Yuang each direct a 42-second film on the subject of dreams.

A couple of these have done the rounds before but this is the first time I’ve seen the complete set. The dream theme is loosely interpreted, with entries that range from real or imagined nightmares and Lynchian weirdness (Lynch’s own piece is as strange as you’d expect), to ambitions and daydreams. Given the collection of directors it’s no surprise to find sexuality and mortality as recurrent sub-themes. Not all of it works but you only have to wait 42 seconds for something new to arrive. Watch it here.

Weekend links 170

Owl portrait by Iain Macarthur.

• “Ghost Box is a glance through a window seeing something running alongside our version of reality. Like, what if Paul McCartney had made records with the Radiophonic Workshop?” Ghost Box designer and Mr Focus Group, Julian House is interviewed.

• “…that book with the girl with the hatchet in her head…” Dave Tompkins remembers Denis Gifford’s A Pictorial History of Horror Movies (1973), a formative influence of mine, and that of many other people, it seems.

• Salvador Dalí’s 1946 illustrated edition of Macbeth. Related: From Macbeth to the Wizard of Oz: New exhibition explores the erotic side of witchcraft.

I do not want to live in a world where the government and a select few conservative feminists get to decide what we may and may not masturbate to, and use the bodies of murdered women or children as emotional pawns in that debate. It is supremely difficult to achieve radical ends by conservative means. Feminists and everyone who seeks to end sexual violence should be very cautious when their immediate goals seem to line up neatly with those of social conservatives and state censors.

Laurie Penny on the recent Tory policy of attempting to limit online pornography.

• The Facebook page for The Wicker Man has details of the pursuit for a complete print of the film. A Blu-ray edition will be released in October.

• Anne Billson visited the Hotel Thermae Palace in Ostend, the columnated location of Daughters of Darkness.

• Kenneth Anger on how he made Lucifer Rising. The ICA in London is screening his films this weekend.

Roy Krenkel illustrates Tales of Three Planets by Edgar Rice Burroughs, 1964.

• The Electric Banana Blows Your Mind: The soundtrack library alter ego of The Pretty Things.

• Mix of the week: an ambient (in the 90s’ sense of the word) DJ set by Surgeon.

• Bernie Krause shares the happiest sounds he’s heard in nature.

• RIP Walter De Maria, sculptor and musician.

• Sexodrome by Asia Argento with Morgan.

• Metabolist: Identify (1980) | Curly Wall (1980) | Ymuzgo/Pigface (1981)

Weekend links 169

Cover illustration by Gray Morrow, 1967. One of the less exploitative examples from a collection of hippy book covers.

• Ten Photographs by Alain Resnais: Mise en scène of Memory, Aesthetics of Silence by Ehsan Khoshbakht. In the comments to that post someone shows an old Penguin book with cover photos by Chris Marker. This confirms that the “C. Marker” whose name I found on the back of another Penguin book was indeed Monsieur Chat.

• There’s more (there’s always more…): Cornelius Castoriadis interviewed by Chris Marker in 1989, the complete footage of an interview edited down for Marker’s TV series L’héritage de la chouette (The Owl’s Legacy). Watch the series itself at YouTube.

• “A generation of innovators want to change the way we have sex and consume porn, but Google, Apple, and Amazon won’t let them,” says Andrea Garcia-Vargas. Related: Sam Biddle on how Tumblr is pushing porn into an internet sex ghetto.

• Mix of the week: the Chop Quietus Mix, “a jagged journey all the way from Broadcast to the uneasy thrum of Suicide, kosmische flavours from Popol Vuh and Cluster, Alexander Robotnik and many more.”

• Strange Flowers looked back at The Student of Prague: “the first art film, the first horror film and the first auteur film”, and now a century old.

• Clive Hicks-Jenkins talked to animator Barry Purves about the pleasures and difficulties of creating animated films for adults.

• Mazzy Star released a song, California, from their new album which arrives in September. Can’t wait.

• Suzanne Ciani, “American Delia Derbyshire of the Atari Generation” explains synthesizers, 1980.

• Christer Strömholm‘s photos of Parisian transgender communities in the 1950s.

• What are These Giant Concrete Arrows Across the American Landscape?

• How Kiyoshi Izumi built the psych ward of the future by dropping acid.

• Alan Moore: The revolution will be crowd-funded.

• Fuck Yeah Mazzy Star

• Suzanne Ciani: Lixiviation | The First Wave—Birth Of Venus (1982) | The Eighth Wave (1986)

The Residents: Twenty Twisted Questions

The art/music/performance group known as The Residents has been pushing their work into the media landscape for over 40 years but you could be forgiven for not knowing this. The Residents were delving into their own brand of the sinister and absurd years before the world had heard of David Lynch, but unlike Lynch their work has never been gained the mass audience that feature film and network television offers. The Residents were independent record producers before punk, in part because the music on their early albums was so far from the mainstream that few record companies would have dared take the risk.

Hello Skinny (1980).

Twenty Twisted Questions (1992) is a laserdisc compilation of their early films and music videos which can now be viewed at Ubuweb. I’ve always preferred the earlier material (up to The Mole Show), in part because its analogue nature retains a strangeness that the later productions lack. You get the impression of them carving out new territory on the earlier albums; later on things seemed to become more formulaic as they gained a wider audience. The laserdisc selection covers the first 20 years so you can judge for yourself. My favourites among the films are Hello Skinny, and the four One-Minute Movies from The Commercial Album (1980). If you can’t take all of it, at least stick around to watch those.

One-Minute Movies: The Act Of Being Polite (1980).