Weekend links 39

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The Divine Punishment (1986) by Diamanda Galás. Design by Paul White/Me Company.

What the Catholic League and certain members of the House presumably wish to remove from their consciousness is thirty years of death sentences handed down to their parishioners and citizenry, who were told not to wear condoms, and the mistreatment of those stigmatized as miscreants and sinners by their viral status and/or homosexuality and/or status as drug addicts.

• Diamanda Galás responds in her usual forthright manner to the censoring of David Wojnarowicz’s film (and her music which accompanied it) by the Catholic League and members of the House of Representatives earlier this week. Related: Demonstrators gather to protest removal of Wojnarowicz art from NPG | Is the censored David Wojnarowicz video really ‘anti-Christian’? | Vengeance is hers: a conversation with Diamanda Galás.

Update: Hide/Seek: Too shocking for America. One of the exhibition curators speaks out against the censorship.

“Their attitude is: ‘Next time you think of writing about sex, don’t,'” said Susie Bright, who was the editor of the Best American Erotica anthology series for 15 years. “I can’t think of any other fundamental human experience that writers would be encouraged to keep to themselves.” Melissa Katsoulis, a literary reviewer for the Times of London, certainly seemed to conform to Bright’s impression when asked to comment on the award by the BBC: “Sex is a subject best avoided altogether,” she said. “If I was writing a novel, I wouldn’t attempt to write it except in the most Victorian and prim way, because it’s awful. It’s a cliché, but the moments of genuine frisson in books are when hardly anything happens.” Speak for yourself, missy.

Laura Miller dissing the Literary Review‘s annual Bad Sex Award. Good to find more voices being raised against this drivel and the admission of failure which it implies.

The latest offbeat experiment from filmmaker David Lynch: pop singles. He gets crazy with the vocoder here. Related: David Lynch talks new music projects.

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Scena Illustrata (1914). Cover by Ezio Anichini (?). Via this set of magazine covers from 1880–1920.

• Tumblrs of the week: Heart Killer and Pretty Pictures from the Paleo-Future Blog.

The Big Picture’s 2010 Hubble Space Telescope Advent Calendar.

National Geographic‘s Best Underwater Views of 2010.

A seasonal gift from a famous Northampton resident.

Paris versus New York: A Tally of Two Cities.

This is your browser on drugs.

Double-Barrel Prayer (1988) by Diamanda Galás, with a video directed by the late Peter Christopherson.

Gilded volumes

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The cover of an 1894 edition of Jane Austen’s novel designed by Hugh Thomson (1860–1920). The so-called “Peacock Edition” is illustrated throughout and a copy can be yours for £845 should you be so inclined. Or you can go to the Internet Archive and download the same edition for free. Thomson’s lavish cover design is absolutely right for the 1890s and as such would have suited Oscar Wilde far more than Jane Austen. AbeBooks drew my attention to this with a feature on rare books with gilded covers where, needless to say, all the titles are very expensive. A lot more reasonable but just as lavish is I Wonder by Marian Bantjes, the perfect gift for anyone who enjoys the art of book design.

Elsewhere on { feuilleton }
The book covers archive

Previously on { feuilleton }
I Wonder by Marian Bantjes

Ten titles and a cover

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The Very Best of Charles de Lint. Art by Charles Vess.

Over the weekend I found the time to finally update the book design section of the site, adding new pages for most of the titles I’ve been working on recently. There’s still a couple of things missing but I’ll add those in due course. Many of these design jobs have been for the interiors only so what follows is a comparison of title spreads from books I’ve worked on that have been published this year. Lest it seem that I have an army of clones at my service it should be emphasised that I was working on several of these last year (and Engelbrecht was completed in 2008) but the nature of release schedules means they all carry 2010 publication dates.

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Steampunk II: Steampunk Reloaded, edited by Ann & Jeff VanderMeer.

I invariably make a feature of title pages, usually creating them as a spread in order to heighten their impact. The title page is a kind of gateway to the rest of the book which gives you an opportunity to establish a mood for what follows. It’s also the area where you can be most lavish with your graphic treatment and, where necessary, add illustrative material without worrying too much about intruding on the content. With a number of these designs I was following typographic choices from pre-designed covers so the challenge was to find something that would match the cover and connect to the rest of the interior. The Charles de Lint book was a variation on this process in that the author had chosen a Charles Vess drawing for the cover art. I designed a cover to accommodate the drawing then carried the design inside. The colours were chosen to match Vess’s artwork while the general Art Nouveau style came from an Alphonse Mucha poster he’d placed on the wall. With a different cover picture the entire book would have had a very different design.

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The Search for Philip K Dick by Anne R Dick.

Continue reading “Ten titles and a cover”

Charles Méryon revisited

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Le Petit Pont (fifth state) (1850).

A short piece about the Paris etchings of Charles Méryon (1821–1868) was one of the first posts I made here. I’ve little to add to what I said four years ago other than to point out that the Internet Archive has The Etchings of Charles Méryon available for download, a rather fine collection of the artist’s Piranesi-like renderings of the city. The view below of Pont-Neuf through one of the Seine bridges is very Piranesian indeed and makes me wish Méryon had been as productive as his predecessor was with his Vedute di Roma.

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La Galerie Notre-Dame (third state) (1853).

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Le Pont-Neuf et La Samaritaine (third state) (1855).

Elsewhere on { feuilleton }
The etching and engraving archive

Previously on { feuilleton }
Vedute di Roma
Charles Méryon’s Paris

Weekend links 38

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Arriving in the post this week was Lovecraft Black & White, an Italian book whose contents are spelled out in the title, black-and-white illustrations based on the work of the Providence master. Among the featured works is my 1999 rendering of Azathoth. There’s more about the book here and here.

Also on the work front, one of the books I designed interiors for a couple of months back was The Search for Philip K. Dick, a sombre biography and memoir by Anne R. Dick, the author’s third wife. Ms Dick discussed the book with the NYT a few days ago. The design was mostly straightforward layout but I did make a quick ASCII portrait of PKD from one of Anne Dick’s photos.

Farewell, the documentary film about Lady Grace Drummond-Hay’s flight around the world in the Graf Zeppelin, can be viewed here.

• “I personally think that the pages look better on the iPad than they do in real life.” Artist Tom Phillips again on the Humument iPad app.

The Birds Are Flying Elsewhere: singer/songwriter Linda Perhacs. Related: Parallelograms – A Short Film About Linda Perhacs.

St Eia, guitar improvisations by Zali Krishna, “Keywords: jazzgazing; entropy circus; st ives; cornwall; psychogeography”.

Moon Wiring Club and DD Denham: music for children, by children. Related: Moon Wiring Club’s Jayston Mix.

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The 1970s was another country, they did things differently there. One of a number of illustrations for science textbooks by Phil Kirkland at A Journey Round My Skull.

• “Fellatio has become a recurrent theme in your work hasn’t it, I say.” Alan Bennett sheds some inhibitions.

Talking To The Sci-Fi Lord: Regenerations & Ruminations With Michael Moorcock.

Time and the Gods (1906) by Lord Dunsany, illustrated by Sidney Sime.

City of Silence, a calendar for 2011 by Thom Ayres.

Scientists glimpse universe before the Big Bang.

• Photography by Josef Sudek (1896–1976).

Aurora photo gallery, November 2010.

The Last Tuesday Society.

Parallelograms (1970) by Linda Perhacs | Six AM (1979) by Thomas Leer & Robert Rental | Rockin’ Back Inside My Heart (1989) by Julee Cruise.