Burgonets by Filippo Negroli

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Parade burgonet of Emperor Charles V (1545).

burgonet a. A very light casque, or steel cap, for the use of the infantry, especially pikemen. b. A helmet with a visor, so fitted to the gorget or neck-piece, that the head could be turned without exposing the neck.

Filippo Negroli (c. 1510–1579) was a Renaissance master of ceremonial armour as is evident from these few examples. Fascinating seeing the kind of elaborate grotesquerie more commonly found in engraved prints rendered into wearable three-dimensional form. Burgonet number four can be viewed in detail at the Google Art Project. There’s more of Negroli’s work at Flickr.

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Burgonet (c. 1532–35).

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Burgonet Alla Romana Antica (no date).

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Burgonet (1543).

Previously on { feuilleton }
Leonardo’s warrior

Be prepared

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Sodomites (no date) by Robert Sherer.

The Boy Scouts of America yet again proved itself a retrograde organisation by deciding this week after a two-year review to maintain its policy of exclusion for gay scouts and gay scout leaders. The Girl Scouts of America don’t have this kind of policy, nor do UK Scouting organisations. In honour, then, of the Boy Scouts of America’s decision here’s some work by a trio of North American artists all of whom have used scouting iconography for subversive or satirical purposes. Robert Sherer and Jason Driskill are both American while Daryl Vocat is Canadian. Vocat’s portfolio of prints is particularly funny, showing scouts tattooing each other and making bombs; William Burroughs would love it. Poor old Chuck Norris, meanwhile, would no doubt collapse with a fit of the vapours at the sight of Sherer’s scouts holding hands.

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Prints from A Boy’s Will (no date) by Daryl Vocat.

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Judging (2004) by Jason Driskill.

Elsewhere on { feuilleton }
The gay artists archive

Weekend links 117

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Illustration and design by Karlheinz Dobsky.

Above and below: samples from Die Lux-Lesebogen-Sammlung, an exhibition of booklets for young people published by Sebastian Lux from 1946–1964. All were designed and illustrated by Karlheinz Dobsky.

• At The American Scholar: “Vladimir Nabokov’s understanding of human nature anticipated the advances in psychology since his day,” says Nabokov biographer Brian Boyd, and An Unquenchable Gaiety of Mind: “On visits to Cambridge University late in life, Jorge Luis Borges offered revealing last thoughts about his reading and writing,” says George Watson.

• The British Library releases The Spoken Word: “A rare collection of recordings featuring the American writer William S Burroughs and the British-born artist Brion Gysin.” Related: Interzone – A William Burroughs Mix by Timewriter.

• Charting the Outlaws: Christopher Bram (again) talking to Frank Pizzoli about his recent study Eminent Outlaws: The Gay Writers Who Changed America.

• The BBC asks “Where are you on the global fat scale?” I’ve always been thin but was still surprised to find my BMI at the very bottom of the scale.

The “otherness” of Ballard, his mesmeric glazedness, is always attributed to the two years he spent in a Japanese internment camp in Shanghai (1943–45). That experience, I think, should be seen in combination, or in synergy, with the two years he spent dissecting cadavers as a medical student in Cambridge (1949–51). Again the dichotomy: as a man he was ebulliently social (and humorous), but as an artist he is fiercely solitary (and humourless). The outcome, in any event, is a genius for the perverse and the obsessional, realised in a prose style of hypnotically varied vowel sounds (its diction enriched by a wide range of technical vocabularies). In the end, the tensile strength of The Drowned World derives not from its action but from its poetry.

Martin Amis on The Drowned World by JG Ballard.

The Chickens and the Bulls: “The rise and incredible fall of a vicious extortion ring that preyed on prominent gay men in the 1960s.”

• It’s that Zone again: Jacob Mikanowski on Andrei Tarkovsky’s Stalker and Geoff Dyer’s Zona.

• Scans of the rare film programme for London screenings of Fritz Lang’s Metropolis.

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Illustration and design by Karlheinz Dobsky.

• “The web is a Library of Babel that could go the way of the Library of Alexandria.

Fila Arcana: alchemy- and occult-themed embroidery by Mina Sewell Mancuso.

A Very Edgy Alice In A Very Weird Wonderland: illustrations by Pat Andrea.

Malka Spigel reveals a new track from her third solo album.

John Martin and the Theatre of Subversion.

Olafur Eliasson: Little Sun at Tate Modern.

• Meanwhile, back in 1972: Mahavishnu Orchestra live at the BBC (30 mins), and the complete performance of the MC5 on Beat Club (29 mins).

L’art dans la décoration extérieure des livres

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Back at the fin de siècle with this study by Octave Uzanne of book cover design in the 1890s. L’art dans la décoration extérieure des livres is over four hundred pages of very varied designs, from covers for popular novels to the state of the art by usual suspects Aubrey Beardsley, Charles Ricketts et al. Léon Rudnicki provides the cover and some interior illustrations. The examples below include pieces by Symbolist artists Félicien Rops and Franz Stuck, as well as one of Alphonse Mucha’s designs for Judith Gautier’s Mémoires d’un Éléphant blanc. The complete book may be browsed here or downloaded here.

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Continue reading “L’art dans la décoration extérieure des livres”

Silent Engine

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Artist/composer Paul Schütze unveiled some new photo prints this weekend, a series he calls Silent Engine. At first glance I thought the view on the left above was indeed an engine interior, with that radial construction being some kind of extractor fan. But these are actually nocturnal views of one of my favourite places in London, Sir John Soane’s Museum in Lincoln’s Inn Fields. The photos use only the available light which makes Soane’s collection of ancient sculpture and architectural fragments seem like the components of some antiquarian generator. Anyone familiar with Schütze’s 1997 album Second Site will know that this isn’t the first time he’s applied the word “engine” to architecture.

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Previously on { feuilleton }
Paul Schütze online