The art of Theodor Kittelsen, 1857–1914

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The Water Spirit (1904).

Theodor Kittelsen is, we’re told, one of Norway’s most popular artists and illustrators. This would explain why so much of his work has appeared on the covers of albums by Norwegian metal bands although it also helps that one of the books he illustrated is entitled Svartedauen (The Black Death). The picture below, one of several portraits of trolls and mythological creatures, appeared on the sleeve of Long Island, the most recent album by US band Endless Boogie. Discogs has a list of Kittelsen’s other album cover appearances which also include classical releases. This site has more of the artist’s paintings and illustrations. (Via Wood s Lot).

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Forest Troll (1906).

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Fishing Water Spirit (1912).

Continue reading “The art of Theodor Kittelsen, 1857–1914”

Weekend links 242

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Ghost in the Machine (2012) by Hope Kroll.

Nothing Here Now But The Recordings, an album of William Burroughs’ personal tapes originally released by Industrial Records is reissued on vinyl this month. Andrew Spragg reviews it here. Burroughs’ readings fill several collections but this one was the first I owned, and it’s always been a favourite. The album features recordings of early texts such as The Last Words of Hassan I Sabbah, as well as cut-up tape experiments which fuelled some of the chapters in the Nova Trilogy.

• The Melancholy of Perversion: a study of Caitlín R. Kiernan’s Metamorphosis A by Scott Dwyer. More weird fiction: “Written with real psychological depth, these enigmatic tales rise far beyond straightforward ghost stories.” Chris Power on Robert Aickman.

• At Dangerous Minds: Gay Semiotics, a taxonomy of San Francisco life in the 1970s. Related: The case of One, a gay magazine from Los Angeles prosecuted for obscenity in 1958.

Poe’s mind was by no means commonplace. In the last year of his life he wrote a prose poem, Eureka, which would have established this fact beyond doubt—if it had not been so full of intuitive insight that neither his contemporaries nor subsequent generations, at least until the late twentieth century, could make any sense of it. Its very brilliance made it an object of ridicule, an instance of affectation and delusion, and so it is regarded to this day among readers and critics who are not at all abreast of contemporary physics. Eureka describes the origins of the universe in a single particle, from which “radiated” the atoms of which all matter is made. Minute dissimilarities of size and distribution among these atoms meant that the effects of gravity caused them to accumulate as matter, forming the physical universe.

Marilynne Robinson on Edgar Allan Poe

Vanished City: London’s Lost Neighbourhoods, a book by Tom Bolton with photographs by SF Said.

• Mix of the week: Secret Thirteen Mix 143, a selection of soundtrack music by Las CasiCasiotone.

• “I am in Brussels, numbering the Bruegels.” Toby Ferris conducts a Brueg[h]el Census.

Mothmeister “taxidermy collector & curiosity cabinet”.

Ben Zurawski collects and makes flip books.

Akira Kurosawa’s 100 favourite films

The Trip (1965) by Kim Fowley | The Trip (1966) by Donovan | The Trip (1967) by Park Avenue Playground

John Bauer’s Godsaga

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Awake Gróa, Awake Mother.

The book is Our Fathers’ Godsaga (1911), tales of the Norse gods by Viktor Rydberg. The illustrations are by Swedish artist John Bauer (1882–1918), and may be seen at a larger size here. Bauer’s drawing of Gróa makes me think of the opening scene of David Rudkin’s television film Artemis 81, a drama that involves attempts to wake a more potentially destructive Earth Mother.

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Fenrir and Tyr.

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Freyja and Svipdag.

Continue reading “John Bauer’s Godsaga”

Erotic bookplates

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Art by and for the library of Aangel Mendez (1950).

Only the first example here is overtly erotic but the one below is tagged as such on this site which displays a huge variety of bookplate designs. There’s more to be found in the Ex Eroticis Libris, Erotica, and Nude sections. Pretty much everything there is heterosexual, of course; homoerotic bookplates from the earlier decades of the 20th century are scarce for obvious reasons but naked males, equivocal or not, can always be found. (Via Things Magazine.)

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Art by Heino Beddig (1966).

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Art by and for the library of Haagen Bartam-Jensen (no date).

Previously on { feuilleton }
Koloman Moser bookplates
Erotic bookplates by Franz von Bayros
German bookplates
Troutsdale Press bookplates
Bookplates from The Studio
Yuri Yakovenko bookplates
Tranquillo Marangoni bookplates
Book-plates of To-day
Louis Rhead bookplates
Pratt Libraries Ex Libris Collection
The Evil Orchid Bookplate Contest
The art of Oleg Denysenko
David Becket’s bookplates

Weekend links 241

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A drawing by Lucille Clerc.

• The usual imbalance of heat versus light this week but Kenan Malik and Teju Cole had some worthwhile things to say. Related: Atlantic illustrators respond to the events of Wednesday. And some history: covers of Charlie Hebdo‘s parent magazine, Hara-Kiri, whose legacy of bad taste and confrontation was overlooked in the rush to express disapproval.

• At The Quietus: Virginie Sélavy, Mark Pilkington and Stephen Thrower of the Miskatonic Institute talk to Mat Colegate about horror old and new. There’s more horror cinema in Mat Colegate’s interview with animator Carla MacKinnon.

• Mixes of the week: Sleepwalkers of the Montgomery Canal by The Geography Trip, and Secret Thirteen Mix 142 by Helena Hauff.

• Jazz legend Julian Priester reflects on his fusion classic Love, Love, Sun Ra, Herbie Hancock, and a lot more.

• “No gays, no blacks, no fat people”: Ryan Gilbey on how film advertising continues to betray filmmakers.

Paul Gorman on the drumheads that Barney Bubbles painted for Hawkwind’s Simon King in 1972.

Massive: Gay Erotic Manga and the Men Who Make It, edited by Anne Ishii & Graham Kolbeins.

NASA’s exoplanet travel bureau wants you to pack your bags.

• The New Humanist on imagining a world without work.

• At Strange Flowers: 15 books for 2015.

Ghosts in the TV

Prologue/Love, Love (1974) by Julian Priester | The Jewel in the Lotus (1974) by Bennie Maupin | Rima (1975) by The Headhunters