Group I (Convertible Series, 2010) by Monir Farmanfarmaian.
The four albums recorded by Bruce Gilbert and Graham Lewis under the name Dome are being reissued by Editions Mego together with Gilbert & Lewis’s Yclept album. I always preferred Gilbert & Lewis in their Dome incarnation (and Colin Newman solo) to the punk and post-punk stylings of their former band, Wire. Dome were (among other things) eccentric, awkward, noisy, hypnotic and experimental. Their recordings seemed to go largely unnoticed in the early 1980s so it’s good to see them being reissued.
• A Children’s Treasury of American Cops Brutally Attacking Citizens: “…it takes quite a lot of tax money to keep a bunch of vicious thugs overfed and dressed like junior Darth Vaders with their portable hard-ons, on the off-chance some college kids might one day peacefully sit outside to protest this nation’s revolting descent.”
• “Stevenson, as has been said, was disarmingly candid about the material he borrowed for Treasure Island. One name, however, is missing from the extensive catalogue of self-confessed ‘plagiarisms’.” John Sutherland at the TLS.
• “Messiaen’s advice was revelatory. ‘You have the good fortune of being an architect and having studied special mathematics’, he told Xenakis. ‘Take advantage of these things. Do them in your music.'”
• “They always said punk was an influence. Tracey Emin, Damien Hirst, what a load of old shit that was. It’s Thatcherite art care of Saatchi & Saatchi.” And don’t ask Jamie Reid about the Sex Pistols.
• Paleolithic phallic art suggests that many early European men scarred, pierced and tattooed their penises.
• FACT mix 301 is a selection of dub tracks, dubstep pieces and Middle Eastern songs compiled by Kahn.
• The Little Journal of Rejections (1896).
• Keep Drawing.