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Art by Joe Mugnaini (1955). • Mixes of the week: The Ivy-Strangled Path Vol. XIX by David Colohan, and The Ephemeral Man’s Teapot 2—Atmosphere insomniac by The Ephemeral Man. • Patrick Clarke talks to Morton Subotnick and Lillevan about Subotnick’s pioneering synthesizer composition, Silver Apples Of The Moon (1967). • A second volume of London’s […]

Art by Augustus Jansson for the Queen City Printing Ink Company (c.1906). • Much of my music listening for the past couple of weeks has been the compositions and soundtracks of the late Jóhann Jóhannsson, so these links are pertinent: Jóhannsson and ensemble live at KEXP in 2010, and a memorial performance of Virdulegu Forsetar from […]

Alien Technology (2014) by Monira Al Qadiri. • “William S. Burroughs wrote, in a long, zigzag ode: ‘You can hear metal think in the electromagnetic fields of Takis sculpture.’” Geeta Dayal on the sound sculptures of the late Panayiotis Vassilakis (1925–2019), better known as Takis. • “Everything about this song is mysterious, from the creation […]

Fantastic Sea Carriage (1556) by Johannes van Doetecum the Elder. • I’ve grown increasingly tired of Kubrick-related micro-fetishism (despite contributing to it myself with previous posts) but this piece at Film and Furniture about the history of David Hicks’ Hexagon carpet design is a good one. • “In hindsight, we can see how rarely one […]

Hades II (2004) by Ana Maria Pacheco. • I’ve been reading a lot of Angela Carter over the past few weeks so the news of her house in Clapham being awarded a blue plaque was coincidental but also timely. Related: Angela Carter Online, and The Holy Family Album (1991), “a sacrilegious take on the history […]

L’Hamestoque (1977) by Christine Gaussot. • Another announcement from Strange Attractor Press: Of Mud & Flame A Penda’s Fen Sourcebook edited by Matthew Harle and James Machin will be published at the end of October. Among the contents will be the screenplay of David Rudkin’s cult television play, an item that’s always been impossible to […]

Tadanori Yokoo (1974) by Tadanori Yokoo and Will van Sambeek. A poster from the Colourful Japan exhibition at the Stedelijk Museum, Amsterdam. • The first decade of space-rock pioneers Hawkwind is explored by Joe Banks in Hawkwind: Days of the Underground — Radical Escapism in the Age Of Paranoia, coming soon from Strange Attractor Press. […]

Cover art by Mike Hinge. • “[The Family] is an unforgettable fusion of journalism and poetic prose that still holds up precisely because it has no use for category, for genre, or for being anything other than its own unique, obsessive self.” Sarah Weinman on how Ed Sanders wrote the definitive account of the Manson […]

Poster by Tadanori Yokoo for The Trip (1967). • Post of the week is this long-overdue introduction by Warren Hatter to the French rock and electronic music of the 1970s and 80s, a variety of Continental culture which has never commanded the same level of interest in the Anglophone world as its German equivalent. The […]

Edge of Industry (2009) by Anne Starling. • “In her darkroom with her silver salts and gelatine plates, she experimented with the mercurial effects of light, time and temperature.” Hailey Maxwell on the photographic art of Dora Maar. • A Visionary Work Renew’d: A conversational review of Swan River Press edition of William Hope Hodgson’s […]

Man’s body dish for Sashimi under the cherry blossom (2005) by Ryoko Kimura. • Godley & Creme’s Consequences (1977) is reissued this month on CD and vinyl. Originally a three-disc concept album with a theme of climate disaster and the natural world’s revenge on humanity, Consequences was released at a time when punk and prog […]

Echoes And Reverberations, the latest themed collection of music presented by A Year In The Country, has a title that might refer to the Hauntological idiom in general. Not so much nostalgia, more the refashioning of memories, or imagined remembrances of the past, into something new. Echoes And Reverberations is a field recording-based mapping of […]

AS11-40-5877 (1969). • A minimum of Moon-related links this week because this is a subject I always return to. Previous links to NASA’s photo archives are now redundant after they changed their website but the archive of photos from the Apollo missions are currently hosted on Flickr…while Flickr lasts, anyway. The Albums section features whole […]

In the week that celebrates the 50th anniversary of the Apollo 11 mission to the Moon here’s a cosmic flashback from 1984. (I wrote about my own memories of the Apollo era in July, 2009.) Mind Of The Universe was an ambitious outdoor performance of music by Isao Tomita for the annual Ars Electronic Festival […]

“Spectra of various light sources, solar, stellar, metallic, gaseous, electric”, print by René Henri Digeon; plate IV in Les phénomènes de la physique (1868). • More polari: Thom Cuell this time with another review of Fabulosa!: The Story of Polari by Paul Baker. Good as it is to see these articles, one thing they all share […]

Poster art by Hiroo Isono. • “[Divine] didn’t want to pass as a woman; he wanted to pass as a monster. He was thought up to scare hippies. And that’s what he wanted to do. He wanted to be Godzilla. Well, he wanted to be Elizabeth Taylor and Godzilla put together.” I can’t help linking […]

Cover art by Grey Malkin. The folk horror revival wasn’t really a revival as such, it was more an identifying of trends which hadn’t been noticed or named before, the grouping together and labelling of which created a sub-genre ripe for further exploration. Over the past few years I’ve done my share to promote this […]

Pink Floyd, Lee Michaels, Clear Light (1967) by Bonnie MacLean. • Electronic musician Mort Garson has been subject to a revival of interest recently, with reissues of his works as Ataraxia (The Unexplained), and Lucifer (Black Mass). The latest reissue is Mother Earth’s Plantasia (1976), an album released under Garson’s own name, and one of […]

A rail station in ruins by Tokyo Genso. From a series of views of Tokyo showing a ruined and abandoned city. • Old music technology of the week: The EKO ComputeRhythm, a programmable drum machine from 1972 used by Chris Franke (who didn’t like the sounds so he used it to trigger other instruments), Manuel […]

“The atom shall work for peace…” Soviet poster promoting the benefits of nuclear power. • RIP Mac Rebennack aka Dr. John Creaux, The Night Tripper. Dan Auerbach remembers the man whose return to funky form, Locked Down, he produced in 2012. Elsewhere, Michael Hurtt details Mac Rebennack’s pre-Dr. John exploits; some of his music from […]