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The Million Volt Light & Sound Rave (1967).
More psychedelia as Paul Gorman at The Look alerts me to an exhibition of work by Pop artist Dudley Edwards running this month at 3345 Parr St, Liverpool. Edwards was a part of the Binder, Edwards & Vaughan design collective in the 1960s, renowned for their light shows [...]

One nation under a Moog | Synth Britannia.

In which the Buddha Machine returns as a bespoke instrument/greatest hits package from Industrial music outfit Throbbing Gristle. Having been a TG aficionado for many years, and being the proud owner of a Buddha Machine, this item looks like an essential purchase.
Thirteen original TG loops: a mix of experimental noise, industrial drone, and classic melodies [...]

La Roux: ‘Of course Lady Gaga’s not my thing’ | Elly Jackson on pop life, androgyny and related matters.

A=P=P=A=R=I=T=I=O=N is a collaboration between artist Cerith Wyn Evans and Throbbing Gristle, the once notorious Industrial music act now enjoying a resurgence of activity and attention. Evans and TG have an earlier connection via Derek Jarman, for whom Evans worked as an assistant. Given how much I enjoy seeing mirrors used in art, I’m very [...]

Moldover’s CD case: a working theremin.
In May this year, Brian Eno was writing in Prospect magazine about the current state of the music business as it continues to be assailed by digital technology. Among the things Eno discussed was the packaging of music:
The duplicability of recordings has had another unexpected effect. The pressure is on [...]

In Spaces Between from The Great Old Ones (1999).
Some noteworthy pieces of news as the month draws to a rain-sodden and dismal conclusion.
• Frank Woodward was in touch this week to let me know that his excellent HP Lovecraft documentary, Lovecraft: Fear of the Unknown, will at last be appearing on DVD in October. This [...]

Elly Jackson of La Roux in the recent video for Bulletproof. I’ve been enjoying La Roux’s debut album a great deal in the past week. The jacket she’s wearing is designed by Jean-Charles de Castelbajac and features the black stripes and primary colours used by Piet Mondrian (1874–1942) in his Neo-plasticist paintings of the 1920s.

Out again to Trinity Church in Salford for an evening of musical performance from the Miasmah label. “Miasma” was a fitting word for this event since all three artists proved very adept at filling the humid air with great clouds of treated guitar chords, loops and electronic noise.
The aural miasms created by The Sight Below, [...]

Extending the recent pagan theme, Ubuweb posts Derek Jarman’s determinedly occult and oneiric film, In the Shadow of the Sun (1980), notable for its soundtrack by Throbbing Gristle. This was the longest of Jarman’s films derived from Super-8 which he made throughout the 1970s between work as a production designer and his feature films. He [...]

Ralf Hütter: I got a new head, and I’m fine | Rare interview with Kraftwerk’s last original Man Machine.

A visit to Baked Goods distribution this week brought me a haul of new releases, all items I’ve either designed or overseen the production of. Among the new CD designs I’ve already mentioned the Tectonic Plates compilation, a really excellent collection of dubstep singles with a bonus disc of mixes by Pinch. Related to Tectonic’s [...]

One of the drawbacks with recommending Paul Schütze’s music lately has been a lack of availability, with most of his CDs being out of print. That changes this month with his back catalogue returning via iTunes sporting a range of impressive new artwork (above) created by Mr Schütze himself.
Schütze’s electronic music stood out for me [...]

My third CD design for the Tectonic label is another piece of relative minimalism which once again features photos by Liz Eve. All the backgrounds on this occasion are microscope close-ups of vinyl records, very fitting for a double-CD collection of recent 12″ releases.
The Tectonic logo (which predates my involvement with the label) is based [...]

I mentioned Wilfried Sätty’s collage work last week and this album sports one of his few cover designs. A cult object for several reasons, not least Sätty’s involvement. The title lettering was by fellow psychedelic artist David Singer who I had the good fortune to meet in California in 2005 whilst researching Sätty’s career. That [...]

From HP Lovecraft to another writer of weird fiction, Gustav Meyrink. Das Haus zur letzten Latern is a tribute to Meyrink by Silence & Strength and the package I designed late last year for Horus CyclicDaemon has just been released. I’ve mentioned before that Horus make a particular effort with all their CD productions, choosing [...]

Regular readers will know I’ve enthused before over the electronica of Robert Henke, aka Monolake. The Monolake site recently resumed its monthly free downloads and the offering for this month is a 9-minute piece of abstract video by Dutch artist Tarik Barri. Fascinatingly immersive, this is like a 360º view of the Star Gate from [...]

Another authorless design: Vertigo #6360 616 (1973).
Things we did (or didn’t) learn about album cover design this week.
• The jury is still out as to whether Barney Bubbles designed the covers for the UK releases of Kraftwerk’s third and fourth albums, Ralf and Florian and Autobahn. BB experts Rebecca & Mike did clarify a few [...]

Autobahn by Kraftwerk; Vertigo #6360 620.
Colin Buttimer was in touch last week to let me know he’d copied my Barney Bubbles post (with my permission) to his excellent new site, Hard Format, which is devoted to the art of music design. In the intro to that piece he repeats something he’d mentioned to me earlier, [...]

A design for life | Jon Savage on the history of the Smiley symbol: Watchmen, Acid House and beyond.