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Group X, No. 1, Altarpiece (1915) by Hilma af Klint. “Like Kandinsky, and other pioneers of abstract art, af Klint was deeply immersed in theosophy and anthroposophy. But she seems to have taken that interest much further than her male counterparts, participating in (and later leading) séances with a group of women friends. Whatever the […]

Appearing at last on YouTube (although I think it may have been there once before) is the curious TV film that Iain Sinclair (writer & “freak wrangler”) and Chris Petit (director) made for Channel 4′s Without Walls series in 1992. This is a must for enthusiasts of Sinclair’s early novels since it features the real-life […]

My latest cover for Angry Robot Books was revealed this week at the Barnes & Noble blog (where I talk a little about the design aspects) so here it is. The Ingenious is an alchemy-themed fantasy by Darius Hinks, the brief for which required a depiction of the city of Athanor, the central character, Isten, […]

Cover art for Six Correlations, a solo album by Emptyset’s James Ginzburg which is released later this month. Photo by Clayton Welham. • “Every single leather S&M club in London was raided by the police at least once, but they couldn’t get any convictions because juries wouldn’t convict us.” Ed Siddons on the death of […]

Tokyo at night, one of a series of watercolours depicting the back streets of the city by Mateusz Urbanowicz. • “The experience of reading the book is something like watching Dr. Strangelove on one screen, Apocalypse Now on a second screen, and having both feeds interrupted by explicit gay erotica.” Bad Books For Bad People […]

The Dunwich Horror (1972). Art by Victor Valla. El horror de Dunwich y otros relatos is the last of the books I was working on earlier this year for Spanish publisher Editorial Alma. This was a more stimulating Lovecraft collection to work on than the previous two-story volume since three of the stories were ones […]

Postcard collage by Alex Eckman-Lawn. • “He deserves to be a major figure not only in the history of Japanese music, but in popular music writ large.” Geeta Dayal on Haruomi Hosono, a musician whose solo albums from the 1970s are reissued this month by Light In The Attic. • Erica X Eisen reviews Black […]

Il Mago from the IONA Tarot by Giona Fiochi. • “Russia’s answer to James Bond: did he trigger Putin’s rise to power?” Andrew Male on Max Otto von Stierlitz and Seventeen Moments of Spring. The whole series is on YouTube (with subtitles). • Geeta Dayal reviews High Static, Dead Lines: Sonic Spectres and the Object […]

I thought I’d written about this some time ago but it appears not so the present post can serve as a way to honour the talents of the late Fenella Fielding. The obituaries this week have inevitably emphasised her roles in the Carry On films, a series of alleged comedies that I’ve never liked, and […]

• Julia Holter’s next album, Aviary, will arrive next month with a cover design bearing astrological symbols (a cryptic message?) and what looks like a grimoire page in the background, although I may be reading too much into this. Whatever the esoterics signify, the album is a double, and going by the sound of new […]

Straat met standbeeld (1934) by Carel Willink. • “[Edward] Gorey, who died in 2000 at 75, was the unequaled master of—of what? Gothic whimsy? The high-camp macabre? Existential black comedy in the Firbankian mode? Essentially unclassifiable, he was, at the end of the day (and it’s always twilight, in Gorey’s stories), simply, inimitably Edwardian.” Mark […]

Inside an O’Neill Cylinder, an orbital megastructure. Painting by Don Davis, 1975. • RIP Lindsay Kemp: dancer, actor, choreographer and (if we have to drop names) mentor to David Bowie and Kate Bush. Kemp’s work has been featured here on a number of occasions, particularly his landmark productions of an all-male Salomé, and Flowers, A […]

Self Preservation (1970–77), a collage by Penny Slinger from the series An Exorcism. • RIP John Calder, one of the most important British publishers of the last century whose death was acknowledged in the Washington Post (and in the Telegraph, a paper that would have given him no support during his censorship battles) but at […]

I mentioned in the post about the Sherlock Holmes illustrations that the next book from Editorial Alma featuring my work would be another Lovecraft collection. One of the illustrations in the new volume was of the planet Yuggoth, a world known to human beings as Pluto. In Lovecraft’s mythos Yuggoth has long been an outpost […]

Art by Ichiro Tsuruta. • “Writing is so much about subverting dogmatisms of all kinds, above all the ones that insist you cannot go there! You must not say that! Writers need to go anywhere, to take anything on. And the only rule is to do it well.” Rikki Ducornet in a feature at Dennis […]

After six months of black-and-white drawing it’s been good to return to colour book covers of which this is the first of a new crop of designs. Albert W. Aiken (c.1846–1894) was a prolific American author of pulp fiction, whether writing under his own name or pseudonymously (and sometimes as a woman) for Dime Library, […]

Black Sun (1953) by Alexander Calder. • “But Berlin Alexanderplatz transcends its genre elements, largely because of Döblin’s deep lack of hope about what can be expected of human beings.” Adam Kirsch on Alfred Döblin’s Berlin. • “I occasionally dream of finding books that do not seem to exist (yet), and sometimes remember their titles,” […]

Beeton’s Christmas Annual, 1887. The latest in the series of illustrated editions I’ve been working on for Spanish publisher Editorial Alma is a single-volume collection of two short Sherlock Holmes novels, A Study in Scarlet and The Sign of Four. Work on this book began immediately after I’d finished Dracula so maintaining the Victorian theme […]

The Miracle (Genet’s Dream) (2001) by Delmas Howe. • “Zachary Lipton, an assistant professor at the machine learning department at Carnegie Mellon University, watched with frustration as this story transformed from ‘interesting-ish research’ to ‘sensationalized crap’.” Oscar Schwartz on how the media gets AI alarmingly wrong. • The Aesthetics of Science Fiction: what does SF […]

The Artists’ Studio (1906). This week’s post is another by Sander Bink about a neglected artist of the Dutch fin de siècle. There’s no need for me to add a great deal to Sander’s appraisal below other than to point out the evident debt that Antoon Van Welie seems to owe to the Pre-Raphaelites for […]