Weekend links 11

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Panneaux decoratifs (1900) by Manuel Orazi at NYPL.

Ghostsigns: “a collaborative national effort to photograph, research and archive the remaining examples of hand painted wall advertising in the UK and Ireland.”

• Golden Age Comic Book Stories posts some Alphonse Mucha.

Voyage Fantastique – An illustrated guide to the body and mind at A Journey Round My Skull.

The gallery of the International Exhibition of Calligraphy.

Trevor Wayne Pin-Up Show, a new photo collection of the tattooed Mr Wayne which includes photos and a foreword by Clive Barker.

Phallophonies, a gallery exploring the penis in religious art. Related: “Churchgoers are outraged over a crucifix in a Catholic church that they say shows an image of genitalia on Jesus.”

Hollingsville: “Expect live and unscripted wanderings around voodoo science parks, examinations of cities as battle suits and thoughts on pods, capsules and world expos.”

Phantom Circuit #33 is a Ghost Box special featuring an interview with Jim Jupp (Belbury Poly) and Julian House (The Focus Group). Related: Ghost Box films at YouTube.

Eldritchtronica and Wyrd Bliss, a mixtape by Simon Reynolds.

• Avant garde music and cinema meet at The Sound of Eye.

• Make your own newspaper with Newspaper Club.

Drawdio: A pencil that lets you draw music.

Yoko Ono collects rare books.

KittehRoulette.

• Song of the week: The Four Horsemen (1972) by Aphrodite’s Child.

Weekend links 3

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It’s a curious feeling when a drawing which is nearly 26 years old makes it out into the world. The image above is the cover of a new 7″ single release, Dominion of Avyaktam by metal band Orator, the picture being something I drew in 1984 entitled Mahakala after the Tibetan deity which it depicts. The inspiration was the cover of another recording, a Nonesuch Explorer album, Tibetan Buddhism – Tantras Of Gyütö: Mahakala, and also the track Mahakala by 23 Skidoo from their 1983 album The Culling is Coming. The skull is drawn from a real one I was given. Looking at this today none of the elements seem to work together—and the landscape stuff looks like a lazy way of filling in space—but it’s nice to see it find a home. Dominion of Avyaktam is out now on the Legion of Death label.

• Surprise of the week: two books I’ve worked on were nominated for Nebula Awards, Jeff VanderMeer’s Finch, and Kage Baker’s The Hotel Under the Sand whose interior I designed.

• More music: a recording of Paul Schütze’s Third Site played live in 1999 (with Clive Bell, Raoul Björkenheim, Simon Hopkins & Thomas Köner’s voice) is now available as a free download on his website. More Schütze: Paul Schütze & Simon Hopkins playing a set at the Horbar in Hamburg on December 28, 2009.

• The incredible pinscreen animations of Alexander Alexeieff and Claire Parker are finally available on DVD. Also new to DVD, Alan Bennett at the BBC, a four-disc set of some of his TV plays including a particular favourite of mine, his Kafkaesque drama The Insurance Man.

• More Ghost Box business: Jon Brooks aka The Advisory Circle has a blog. And Ghost Box’s Jim Jupp was interviewed recently by Peter Bebergal at Mystery Theater. Related (forgot to mention this last week): The ASDA Mix, a great mixtape of spooky retro weirdness by Moon Wiring Club available for free at The Wire.

The trailer for Mellodrama, a documentary about the Mellotron by Dianna Dillworth.

• The Parajanov Festival will be screening some of the director’s films in London and Bristol.

• Lots of weird and wonderful exhibits at the ~Wunderkammer~.

Ghost Box

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Q: What do you get when you cross analogue synthesizers, samples from obscure public information films, the graphic design of Pelican Books, Arthur Machen, HP Lovecraft, Algernon Blackwood, CS Lewis, Hammer horror, the Wicker Man and the music from Oliver Postgate’s animated films for children?

A: the CD releases by artists on the Ghost Box label. Ghost Box describe themselves as “an independent music label for artists that find inspiration in library music albums, folklore, vintage electronics, and the school music room” which, if you’re familiar with the reference points, is exactly what you get. A rather wonderful blend it is too, some of the tracks on Belbury Poly’s The Willows (named after Algernon Blackwood’s stunning horror tale) are how I expected Stereolab to sound until I heard them and was rather disappointed.

Favourite of the Ghost Box releases I’ve heard to date is (perhaps inevitably) Ourobourindra by Eric Zann (the “artist” here is named after Lovecraft’s haunted musician from The Music of Erich Zann). The website description—”Eric Zann’s radios, oscillators and recordings conjure eldritch, echoing spaces and invoke the voices of the dead that whisper within them”—again is a pretty accurate summation of this atmospheric and sinister audio collage. “Sinister” is a term that can be applied to much of this music and the Ghost Box founders, Julian House and Jim Jupp, declare in a Wire feature this month that matters spectral are of particular concern, hence the label name. Ourobourindra works especially well in this regard, sounding like the product of someone working through a trauma caused by viewing the seance scene from Dracula AD 1972 at too young an age. This is one I’ll be playing on Halloween.

Ghost Box music can be purchased online here.

Elsewhere on { feuilleton }
The album covers archive

Previously on { feuilleton }
Penguin book covers
The music of Igor Wakhévitch
The music of the Wicker Man
The Absolute Elsewhere