Franciszek Starowieyski – { feuilleton }

Karel Zeman film posters

A festival poster from 2022. Zeman’s films are popular in Japan.

Last week’s post about Czech film-maker Karel Zeman prompted me to see whether any more of his feature films have become available on disc. The international success of Zeman’s semi-animated adventures led to the production of more films along similar lines, although not all of these are as fantastic (or as popular) as Invention for Destruction or Baron Munchausen. A Jester’s Tale, for example, is a historical drama, albeit one which still makes use of Zeman’s skill with animation and special effects. The Karel Zeman Museum in Prague has been slowly restoring and reissuing the director’s features on DVD and blu-ray discs, the most recent title being The Stolen Airship, another film based on Jules Verne’s novels which I’m looking forward to seeing. The museum has also been increasing its production of spin-off products, including poster prints which include a couple of designs I hadn’t seen before. Browsing the poster sites revealed a few more attractive designs for international releases.

The Treasure of Bird Island (1953)

Czech, 1953. Art by Jindřich Cech.

I still haven’t seen Zeman’s first two features. The Treasure of Bird Island is wholly animated story based on a Persian fairy tale.

Journey to Prehistory (1955)

Poland, 1955. Art by Jan Młodożeniec.

Zeman’s second feature is his first film to mix live action and animation, with a story about a group of boys whose journey down a river leads to an encounter with prehistoric creatures. I like the way this poster reduces the narrative to its basic elements while also looking like a design for a Godzilla-themed postage stamp.

Invention for Destruction (1958)

Czech, 1958. Art by Karel Knechtl.

A film I’ve enthused about before, and an ideal place to start with Zeman’s fantasies.

Poland, 1958. Art by Jan Lenica.

“That looks like a Jan Lenica design,” I thought, and so it is. The human-headed fish vehicle has little to do with Zeman’s film but a character like this wouldn’t be out of place in one of Lenica’s own animations, especially Labirynt.

Continue reading “Karel Zeman film posters”

Weekend links 525

Polish poster by Franciszek Starowieyski, 1970.

• Tony Richardson’s Mademoiselle (1966) is one of those cult films that’s more written about than seen, despite having Jeanne Moreau in the lead role as a sociopathic schoolteacher, together with a screenplay by Marguerite Duras and Jean Genet, plus uncredited script-doctoring by David Rudkin. John Waters listed the film as a “guilty pleasure” in Crackpot but it’s been unavailable on disc for over a decade. The BFI will be releasing a restored print on blu-ray in September.

“While the hurdy-gurdy’s capacity to fill space with its unrelenting multi-tonal dirge is for some the absolute sonic dream, for others it is the stuff of nightmares.” Jennifer Lucy Allan on the pleasures and pains of a medieval musical instrument.

• “I truly believed”: Vicki Pollack of the San Francisco Diggers talking to Jay Babcock for the fifth installment of Jay’s verbal history of the hippie anarchists.

• “If you want to call yourself a composer, you follow every step of the instrumentation.” Ennio Morricone talking to Guido Bonsaver in 2006.

• Dutchsteammachine converts jerky 12fps film from the NASA archive to 24fps. Here’s the Apollo 14 lunar mission: landing, EVA and liftoff.

• New music: Suddenly the World Had Dropped Away by David Toop; Skeleton and Unclean Spirit by John Carpenter; An Ascent by Scanner.

• Peter Hujar’s illicit photographs of New York’s cruising utopia. Not to be confused with Alvin Batrop‘s photos of gay New York.

• Mixes of the week: XLR8R Podcast 651 by Dave Harrington, and Mr.K’s Side 1, Track 1’s #1 by radioShirley & Mr.K.

• Simon Reynolds on the many electronic surprises to be found in the Smithsonian Folkways music archive.

• The Gone Away by Belbury Poly will be the next release on the Ghost Box label.

• At Dennis Cooper’s: Ed Emshwiller Day.

• Shirley Collins’ favourite music.

• Mademoiselle Mabry (1969) by Miles Davis | Hurdy Gurdy Man (1970) by Eartha Kitt | Danger Cruising (1979) by Pyrolator

Starowieyski in Switzerland

Nike (1971) by Franciszek Starowieyski.

My thanks to Marco Witzig for sending some promotional materials for a new exhibition of work by the great Polish artist Franciszek Starowieyski (1930–2009). The exhibition is running at the gallery of the HR Giger Museum in Gruyères, Switzerland from now until Spring 2013. There’s a selection of photos of the works on show here. I’m always curious to know what size artists work at so it’s interesting to get an idea of this from views of the originals. I’ve linked to Starowieyski’s incredible poster art on several occasions but it’s always worth another look: go here and here and here.

Elsewhere on { feuilleton }
• The fantastic art archive

Previously on { feuilleton }
• Surrealism, graphic design and Barney Bubbles
• Polish posters: Freedom on the Fence
• Franciszek Starowieyski, 1930–2009
• The Hourglass Sanatorium by Wojciech Has

Polish Book Cover Contest Winners

50 Watts (formerly A Journey Around My Skull) followed its 2009 Evil Orchid Bookplate Contest with a contest to design a Polish book cover. The results were announced a few hours ago, the winner being the above design by Ben Jones who happens to be from Manchester. The rest of the entries can be seen in this Flickr set. I’m astonished at the variety on display, and also the success of the majority of these pieces as both cover designs and pastiches of an idiosyncratic style. Nice to see so many people using non-digital techniques, Ben Jones included, and there’s an additional pleasure with this challenge in seeing the titles people have chosen to illustrate. Congrats to Will on an inspiring contest.

Elsewhere on { feuilleton }
• The book covers archive

Previously on { feuilleton }
• The Evil Orchid Bookplate Contest
• Polish posters: Freedom on the Fence
• The Robing of The Birds
• Franciszek Starowieyski, 1930–2009
• Czech film posters
• Czech book covers

Weekend links 54

Film and opera posters by Franciszek Starowieyski (see below).

• At first glance, Jerzy Skolimowski’s new film, Essential Killing, sounds like Joseph Losey’s Figures in a Landscape (1970) reworked for our era of renditions, torture and war without end. The trailer is here; Sight & Sound liked the film and dismissed any Losey comparisons. The Quietus interviewed the director this week, and there’s also a video interview here.

“He was trying to tell the truth about war. In the 1950s the US was telling itself a mythic, grandiose, heroic story about the second world war and GI Joe saving the world. [James] Jones was saying, ‘That wasn’t the war I saw, I want to write something more honest and realistic. Whatever the mid-America myth, one of the things men were doing was giving blow jobs for money.'”

From Here to Eternity is published in an uncensored edition.

• Edogawa Rampo‘s sinister short story The Human Chair concerns a man who conceals himself inside a chair. Taiwanese artist Lan Hungh may have had Rampo’s story in mind for his Demolished Chair art piece about which we’re told “Hungh’s flaccid penis is the only body part that’s visible, and becomes hard as soon as anyone starts discussing the chair or sitting on it.” BUTT magazine spoke to the artist.

…unaware of their double standards, the police objected to the portrayal of men in Harrison’s work as demeaning. There was Hugh Hefner squeezed into a bunny girl costume, a beefy but emasculated Captain America wearing false breasts and a stars ‘n’ stripes-patterned basque, and Valerie Solanas, the radical feminist who tried to murder Andy Warhol, stamping on his Brillo box artwork.

A piece about artist Margaret Harrison whose work is on show at Payne Shurvell, London.

• Connecting Science and Art: “Novelist Cormac McCarthy (!), filmmaker Werner Herzog, and physicist Lawrence Krauss discuss science as inspiration for art and Herzog’s new film on the earliest known cave paintings.”

• At Tumblr: Gurafiku, “a collection of visual research that encompasses the history of Japanese graphic design”, and Archidose.

• “Michael Moorcock’s Modem Times 2.0 is a good introduction to the literary legend.”

• The Spring 2011 edition of Periwinkle Journal (Queer Art + Creativity) is now live.

• Rick Poynor (again) on [Franciszek] Starowieyski’s Graphic Universe of Excess.

• Coudal now have a page of links for the great Terrence Malick.

• Wake in Progress is Finnegans Wake illustrated.

• Brown Study, a blog by Jay Babcock.

• RIP Sidney Lumet.

• Ry Cooder & The Moula Banda Rhythm Aces: Let’s Have a Ball is a film by Les Blank of a fantastic performance by Cooder’s band in Santa Cruz, California, in 1987. It’s not available on DVD but most of it can be seen on YouTube.