{ feuilleton }

Weekend links 234

The Devil in the Green Coat by Andrea Dezsö, an illustration for a new, uncensored edition of the Grimm Brothers’ Fairy Tales.

• That { feuilleton } object of cult attention, Penda’s Fen, a 1974 television film by David Rudkin directed by Alan Clarke, continues its long journey out of the shadows. To coincide with a screening in London of a 16mm print, Sukhdev Sandhu looks back at a unique drama, and examines its connections to other British films of the period. There’s still no sign of a DVD release although rumours persist. Related: Penda’s Fen at A Year In The Country.

• “One of the reasons I’m sure I found the horror genre congenial is that it’s almost always focused on the body. The body is the center of all horror films.” David Cronenberg talking to Calum Marsh about his novel, Consumed.

• Mix of the week: Antony Hegarty’s Future Feminist Playlist, and Secret Thirteen Mix 134 by James Ginzburg & Yair Elazar Glotman. Related: Nimbes by Joaniele Mercier & James Ginzburg.

• Another week, another Kickstarter: Suzanne Ciani: A Life in Waves is a planned feature-length documentary about the American synthesist and composer.

• “[Marjorie] Cameron’s connections to Scientology and powerful men once drew headlines, but now her art is getting its due,” says Tanja M. Laden.

• Jay Babcock found a Hawkwind Tarot spread in International Times for 1971. Is this an overlooked Barney Bubbles design?

• “Tempered in the flames of hell”: Helen Grant on the precursors of Robert Louis Stevenson’s The Bottle Imp.

• Hawthonn: Phil and Layla Legard (and others) remember John Balance with a special musical project.

• Derek Jarman Super 8 by James Mackay, a book of stills from Derek Jarman’s Super 8 films.

• “Coltrane’s free jazz wasn’t just ‘a lot of noise’,” says Richard Brody.

• This might be the world’s first book on colour palettes.

• Paris 1971 (1971) by Suzanne Ciani | The Fifth Wave: Water Lullaby (1982) by Suzanne Ciani | Blue Amiga (2014) by NeoTantrik & Suzanne Ciani

Necrology, a film by Standish Lawder

O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.

TS Eliot, East Coker from Four Quartets

Necrology (1970), a 12-minute film by Standish Lawder.

Steampunk in the Tank

Plague doctor mask by Tom Banwell.

Last month I wrote a little about the Steampunk: Art of Victorian Futurism exhibition that’s been running since the beginning of October in Beijing, this being the same event that was staged in Seoul earlier in the year. Five of my book cover designs have been featured in these shows, together with some very impressive artworks, designs and constructions by international artists. This week the organisers of the show, Artcenter IDA, sent their own photos of the event.

Locomotive Square.

As mentioned before, the venue is an exhibition space in 751 D-Park outside central Beijing, an area I’ve been told was formerly an industrial complex manufacturing armaments during the Cold War. If we occasionally find that life these days imitates the fictions of JG Ballard or Philip K Dick, 751 D-Park strikes me as a very William Gibson kind of place: Cold War industrial complex transmuted into an international art space—Beijing Design Week is hosted here each year—that on this occasion is showcasing antique science fiction. The 751 website has a map of the area with links to photos and other information. I’m rather taken with “Crached Furnace Square” and “Locomotive Square“.

Continue reading “Steampunk in the Tank”

Peter Christopherson Photography & The Art of John Balance Collected

Look at it this way / In ten years’ time / Who’ll care? / Who’ll even remember?

Coil, The Dreamer Is Still Asleep

Coil’s John Balance died ten years ago today, bringing an end to two decades of a project that, in its earliest stages, was his own solo musical venture. Ten years on, Coil and Balance have hardly been forgotten: in addition to Coil’s continuing influence in the music world, Jeremy Reed & Karolina Urbaniak recently announced Altered Balance: A Tribute to Coil, a memorial volume whose publication is followed this week by two Coil-related art books from Timeless Editions:

Peter Christopherson: Photography

The legendary unpublished photographic work of Peter Christopherson. The b/w photos featured in the book run the gamut from personal fetishes to social commentary on 1970s UK, portraits of bands, friends and strangers. There are both snapshots and highly staged scenarios. Approximately 95% of this material is published here for the first time ever. Foreword by Claus Laufenburg and a short personal reminiscence by Thighpaulsandra. B/W hardbound, 27 x 33.5 cm, 284 pages.

Bright Lights And Cats With No Mouths: The Art of John Balance Collected

The first ever extensive overview of art (drawings, paintings and sketches) created by John Balance. The artworks featured in the book are both finished elaborate hallucinatory pieces as well as quick sketches with a good sprinkling of Balance’s often underestimated humour. Homages to idols and inspirations next to idiosyncratic magical dreamscapes executed in a wide variety of styles and mediums Compiled by Liam Thomas and Thighpaulsandra. With text by Val Denham and Jeremy Reed. Full colour throughout. 29 x 29 cm, 248 pages.

Both books are limited editions, and given the obsessive nature of Coil collectors they’ll probably sell out very quickly. Both volumes are significant, albeit for very different reasons. Peter Christopherson had a long career as a photographer, famously as one-third of the Hipgnosis design partnership, but outside his professional work, and publicity shots for Throbbing Gristle, Psychic TV and Coil, his personal work was always more alluded to than seen. One of the Hipgnosis books mentions his involvement with a group who staged realistic accident and trauma scenes for medical workers but little of this material has been seen until now. Elsewhere in the collection there are shots that resemble some of those that did surface occasionally, also some recurrent obsessions: thuggish youths, violent death, urban dereliction and male bodies. Still no sign of the photos of the Sex Pistols that (we’re told) Malcolm McLaren deemed too heavy.

The John Balance book fascinates simply for showing work that was even more hidden, and hardly alluded to at all. John and I did talk about his artistic endeavours once during our sporadic communications—the 3D scenes on the Musick To Play In The Dark albums were his creations using some PC program whose name I forget—but there was never a hint that he’d produced so much. The publisher sent me a link to their preview pages (here & here) so a few samples follow.

Continue reading “Peter Christopherson Photography & The Art of John Balance Collected”

Leonor Fini: comment vivre sans chat

“How to live without a cat” is the translation but this short television film is in French so the rest is a mystery unless you can understand the language. As with the Max Ernst film, language isn’t much of an issue when you have an opportunity to see La Fini and her many moggies. Leonor Fini was an obsessive cat owner and cat painter, and she could also look pretty feline herself on occasion. (A piece of typically Surrealist apocrypha has it that the pupils of her eyes were cat-like until she was 4 years old.) The Fini website lists a number of European documentaries about the artist and her work but most remain frustratingly elusive. This one is an official release to YouTube from the Ina.fr archives. At the end of the film there’s a shot of the painting below; Fini’s cats are always very self-possessed.

Sunday Afternoon (1980) by Leonor Fini.

Previously on { feuilleton }
• Angels of Anarchy: Women Artists and Surrealism
• The art of Leonor Fini, 1907–1996
• Surrealist women