{photography} – Page 78 – { feuilleton }

Le Panorama Exposition Universelle

One day I really will have exhausted this subject but for the moment here’s another look at the Paris Exposition Universelle of 1900. I’d downloaded this photo album months ago from the excellent resources at the University of Heidelberg then promptly forgot all about it. The book is of interest for the variety of views it gives of the exposition; despite this being a world event that attracted a host of photographers and even (as we’ve seen) early filmmakers, the views you see are often the same remote shots of the major buildings.

Ludovic Baschet’s book compensates for this with photos by the Neurdein brothers, Étienne and Antonin (assisted by Maurice Baschet) which show many close views of the pavilions, including a couple I hadn’t seen before in any detail. The oddest thing about these views is that many seem to be composites, with figures from other shots dropped into the scenes; this may be more obvious to eyes schooled in the disparities of Photoshop. Baschet’s book also has the best views I’ve seen of the Swiss exhibit, a miniature village built in the 7th arrondissement complete with livestock, authentic milkmaids and a fake mountain. And is that a joke at Britain’s expense in the view of Edwin Lutyens’ surprisingly dull British pavilion? Philippe Jullian tells us that Paris endured a heatwave in the summer of 1900—there are many parasols in evidence—yet the British pavilion is shown with a rain-soaked pavement, and set against a mass of impending storm clouds.

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London zoom

I’m generally indifferent to panoramic views of cities, especially London where the sprawl lacks the distinct contours of Manhattan or the Napoléonic severity of Hausmann’s Paris. This view is different, however, being a 320 gigapixel panorama of the capital seen from the top of the BT Tower. This view is currently the world’s largest panoramic photo, and while the wide view is of the usual grey cloudscape and undifferentiated vista of 19th-century roofs and 20th-century ducting, the ability to zoom down into the streets (and, in some cases, into windows) is unprecedented at this resolution.

These screengrabs show a zoom towards the river from the widest angle down to the painted sign of the Duke of York pub on the corner of Rathbone Street and Charlotte Place in Fitzrovia. At the end of the zoom there’s a reverse view from Google Maps showing the pub itself, and the tower, the one landmark you won’t otherwise see. MetaFilter’s members have bookmarked various points of interest. I’m surprised there are so many roof gardens in this area of London although I think Paris still has the edge in that department.

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La tête de Robert

I’m working against a deadline this week so I’ll apologise in advance if posts tend to be brief.

I’ve had this picture hanging around for a couple of months, something that good friend Thom sent me (thanks Thom!) to add to the apparently limitless catalogue of Salomé-related pictures. The subject is everyone’s favourite fin de siècle aristocrat Robert de Montesquiou—eccentric poet, waspish aesthete and chiroptophile—posing as the head of John the Baptist in a cyanotype from circa 1885 which may be embellished in the Comte’s own hand.

Meanwhile, Michelangelo writes to inform me of a feature-length Super-8 film on the Salomé theme by Mexican filmmaker Téo Hernandez (1939–1993) which will receive a screening at the Pleasure Dome, Toronto, in February. Sound very Jarmanesque so naturally I’d love to see it. Details here.

Elsewhere on { feuilleton }
• The Salomé archive

Previously on { feuilleton }
• Philippe Jullian, connoisseur of the exotic

Weekend links 144

Ruins 3 by Rachel Thomas and Dan Tobin Smith.

“Dan wanted to do something on a really large scale and was looking at a lot of Piranesi and started talking to me about ruins. I then started looking at modern interpretations of this idea, I was obsessed with the post modern architecture of SITE, Disney fantasy settings, Busby Berkeley, Sotsass ceramics, Art Deco motifs in general, Giorgio de Chirico’s paintings, Arabic temples and on and on…” Rachel Thomas talks to Daisy Woodward about Imaginary View, an exhibition currently showing at Somerset House, London.

• A brief description of The Yokel’s Preceptor (1855), a guide to Victorian London’s gay underworld by William Dugdale. When do we get to see a facsimile of this document? The slang is a treat.

• Mix of the week: Secret Thirteen Mix 054, a great selection by Biosphere of doomy ambience from the Post Punk/early Industrial era, 1979–1981.

Stella (Ernest Boulton) with Fanny (Frederick Park) (c. 1860–1870).

While Stella and Fanny might be the most terrible show-offs, not to mention industrious sex workers, even they drew the line at coupling in public places. Over the course of the subsequent trial, and despite bribing witnesses, the prosecution failed to prove that sodomy had ever occurred, either between the two young men themselves, or within their circle of genteel “sisters”, or even in a dark corner behind the Haymarket with a passing guardsman. Eventually, and only after a second trial a year later, the young men were found not guilty and allowed to slip back into their lives of pro-am theatricals, touring together and separately in such limp pieces as A Comical Countess and A Morning Call.

Kathryn Hughes reviews Fanny and Stella: The Young Men Who Shocked Victorian England by Neil McKenna. Related: photographs of the pair.

• The Twilight Language of Nigel Kneale, a book of essays and a cassette tape dedicated to the television dramatist.

• Sheltered and Safe from Sorrow: “Victorian mourning rituals, tombstones, epitaphs, and other creepy things”.

• Crate digging and the resurgence of vinyl. Related: Men & Vinyl, a Tumblr devoted to men and their discs.

• Designer Shirley Tucker talks about her cover for the first edition of The Bell Jar by Sylvia Plath.

• More Will Bradley at The Golden Age (formerly Golden Age Comic Book Stories).

• The Mirror Reflecting (Part 2), a new track by The Haxan Cloak.

• Psychedelic Press UK | Related: Catnip: Egress to Oblivion?

• Paris in colour circa 1900.

• Twilight (1983) by Pete Shelley | Twilight (2000) by Antony and the Johnsons | Twilight (2005) by Robin Guthrie & Harold Budd

Maze and labyrinth panoramas

Parc del Laberint d’Horta, Barcelona by Valentin Arfire.

Continuing the maze and labyrinth theme, a selection of panoramas at 360Cities. Panoramic photography helps when viewing these constructions at a distance, especially when the camera is centrally positioned. The selection may be small but it shows how universal the urge is to build these things, with examples from Europe, the heart of Russia (where we learn that labyrinths are called “Babylons”) and China. Some of the pages have links to additional views. There’s a plan of the Parc del Laberint d’Horta hedge maze at Wikipedia.