The Remains of Minotaur in a Harlequin Costume (1936) by Pablo Picasso. Via.
• At Rarefilmm: Long Live the New Flesh: The Films of David Cronenberg, a TV documentary from 1987 which includes contributions from Martin Scorsese and Stephen King. I wrote about this one years ago but at the time the only available copy was chopped into 10-minute segments.
• Coming soon from Strange Attractor: Delinquent Elementals: A Pagan News Anthology, edited by Phil Hine & Rodney Orpheus.
• At Wormwoodiana: Mark Valentine explores the possible influence of the Sherlock Holmes stories on Arthur Machen’s early fiction.
Perhaps there was a Super-Sargasso Sea in the upper atmosphere into which were carried objects from earth—frogs, fish, leaves—and from which they later rained. Perhaps the universe was a living thing, rains of blood its bleeding. Perhaps in 1903 the earth, in its orbit about the sun, passed through the remains of a world destroyed in an interplanetary dispute, the particles falling as rains of dust and redness. Perhaps humanity was controlled. “I think we’re property”, Fort wrote. Or, perhaps not; so skeptical he could not accept even his own authority, he had given up theorizing. “We have expressions: we don’t call them explanations: we’ve discarded explanations with beliefs.”
Joshua Blu Buhs on how Charles Fort came to write The Book of the Damned
• More Alan Moore: “Magic is not this big, spooky, dark thing that’s full of nightmares,” he tells Séamas O’Reilly at the Irish Times.
• High-resolution images of 14,000 woodblock illustrations and letterforms free to use at the Plantin-Moretus Museum, Antwerp.
• New music: Music For Bus Stations by Rod Modell; and Between Soil And Sky by Tarotplane.
• At Dennis Cooper’s: Spotlight on…Denton Welch In Youth is Pleasure (1945).
• At the Quietus: The Strange World of…Irena and Vojtech Havlovi.
• Pagan Love Song (1959) by Martin Denny | Pagan Lovesong (Vibeakimbo) (1982) by Virgin Prunes | Pagan Sun Temple (2022) by Hawksmoor
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