Weekend links 601

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The Innocents (1961), one of the great cinematic ghost stories.

• “Out of the many adaptations, Jack Clayton’s [The Innocents] is considered the benchmark. The film celebrated its 60th anniversary this year, having premiered in London on the 24th of November, 1961. Considering the sheer number of competitors to Clayton’s version, it is telling of the film’s qualities that it still stands far and above its many peers. In fact, it is difficult to see James’s story without those stark black-and-white images of the film coming to mind, as well as its stunning central performance by Deborah Kerr. Suffice to say, 60 years on, James’s screen ghosts still haunt.” Adam Scovell on the many adaptations of The Turn of the Screw by Henry James.

• “I wanted to turn sex into art because art makes sense of life.” Jack Fritscher talks to photographer Rick Castro about gay S&M fetishes, Drummer magazine, Robert Mapplethorpe, and his BDSM porn studio, Palm Drive Video.

• “Fela was a very good human resources manager.” Lemi Ghariokwu, creator of over 2,000 album covers, talks to Nathan Evans about his time working for Fela Kuti.

I’ve been approached several times to ‘make an NFT’. So far nothing has convinced me that there is anything worth making in that arena. ‘Worth making’ for me implies bringing something into existence that adds value to the world, not just to a bank account. If I had primarily wanted to make money I would have had a different career as a different kind of person. I probably wouldn’t have chosen to be an artist. NFTs seem to me just a way for artists to get a little piece of the action from global capitalism, our own cute little version of financialisation. How sweet—now artists can become little capitalist assholes as well.

Brian Eno on the fool’s-goldrush du jour

• At Vimeo: The Snail on the Slope, a film of generative processes by Vladimir Todorovic based on the strange science-fiction novel by Arkady and Boris Strugatsky.

• At Dangerous Minds: an exploration of Eight Songs for a Mad King by Peter Maxwell Davies, “one of the most insane pieces of music ever written”.

• “This is how one ought to see, how things really are.” Ido Hartogsohn on Aldous Huxley’s mescaline experiments.

• Always an essential guide: The Wire magazine’s releases of year.

• The end of December brings us Alan Bennett’s diary at the LRB.

• At Dennis Cooper’s: Ryoji Ikeda Day.

Innocenti (1992) by Brian Eno | Innocent Square [excerpt] (2011) by Christian Skjødt Hasselstrøm | First In An Innocent World (2016) by The Pattern Forms

Das Letzte Ritual

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Arriving in the post this week, the German edition of The Last Ritual by SA Sidor, a novel with one of the Art Deco-styled cover designs that I’ve been producing recently for Aconyte Books. This isn’t the first example of my artwork being published in Germany—the Magic: The Gathering cards I was painting in the 1990s were sold in many different countries with translated captions and credits—but I think it’s my first German book cover. If that statement sounds unnecessarily vague it’s because things can sometimes be published or reprinted in other countries without anyone telling you about them, especially if a large company is behind the production.

Anyway, my congratulations to Mr Sidor on having his book translated by Cross Cult. There’s also an audio version of this one available. Meanwhile, I’ve just finished another cover for the Arkham Horror series but I can’t show it yet until the title has been announced. More on that later.

Previously on { feuilleton }
The Devourer Below
Litany of Dreams
The Last Ritual

Weekend links 598

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The Wire, July 2004. Illustration and design by Non-Format. Christopher Cox’s interview with Lucier is available to read here.

• “I went into experimental overdrive. Lyrical motifs became literal imagery. A hammer shattering a plate of glass. A lyrical maze of geometric tunnels and formations.” Chris Mosdell talking to Aquarium Drunkard about writing lyrics for Yellow Magic Orchestra and others (you can hear his voice on YMO’s Citizens Of Science), plus the recording of his own debut album, Equasian.

• At Public Domain Review: “…this short, odd book confronts a question that has vexed naturalists for thousands of years: how do we account for the precipitation of animals?” Odd Showers; or, An Explanation of the Rain of Insects, Fishes, and Lizards (1870) by George Duncan Gibb.

• “…few writers on our list could have functioned in the culture that, today, sees literature as a profession for which you prepare like any other: going to the right school, meeting the right people.” Francine Prose on her encounters with the literary strange.

• “Where was glass first fashioned? How was it worked and coloured, and passed around the ancient world?” Carolyn Wilke presents a brief scientific history of glass.

• RIP Antony Sher and Alvin Lucier. In 1969 Lucier was sitting in a room different to the one you are in now. Elsewhere: Alvin Lucier at Ubuweb.

• New/old music: Zeitgeist: Ambient Music from 2012 to 2020 by Marco Simioni & Mattia Saviolo.

James Balmont on five unmissable films from the Japanese New Wave movement.

• At Spoon & Tamago: Illuminated paintings of Tokyo after dark by Keita Morimoto.

• Mixes of the week: XLR8R Podcast 724 by Laura BCR, and Isolatedmix 115 by HVL.

• At Strange Flowers: part two of James Conway’s Secret Satan end-of-year list.

• “Jony Ive’s first major design since leaving Apple isn’t what you’d expect.

• At Dennis Cooper’s: Yasuzo Masumura Day.

Glass (1968) by Sagittarius | Glass (1979) by Joy Division | Glass (2009) by Bat For Lashes

Prints update

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The Major Arcana (2006): a C-type print on Fuji gloss paper. A1 or A2 sizes.

I’m continuing to add artwork to Etsy which will be available as prints in a variety of sizes and papers. I would have done more of this by now but I’m still very busy working through the commissions of the past few months so progress has been slow. The system does actually work as intended, however, with orders being routed automatically to the printer then printed and shipped within 24 hours. The initial setup may take longer than places like CafePress but the benefits are multiple, not only a faster turnaround (and cheaper worldwide postage) but now I can create prints of any size I want, and with a variety of papers and finishes. Most of the items there at the moment are the things I consider “greatest hits” so the latest additions include new poster versions of my psychedelic Alice in Wonderland artwork, together with the International Symbols Tarot poster and yet more Lovecraftiana. Requests are, of course, still welcome.

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Psychedelic Wonderland (2009): a C-type print on Fuji gloss paper. A1 or A2 sizes.

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Psychedelic Looking-Glass (2010): a C-type print on Fuji gloss paper. A1 or A2 sizes.

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Cthulhu (1998): a giclée print on Canson Aquarelle rag paper. A3 size.

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Dagon (1999): a giclée print on Canson Aquarelle rag paper. A3 size.

Previously on { feuilleton }
Prints at Etsy

The Dreaming City by Michael Moorcock

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Cover art by James Cawthorn. Chaos pin not included.

More sword and sorcery. Last month I was asked to design a reprinting of the very first Elric story by Michael Moorcock, a standalone publication from Jayde Design intended to commemorate the 60th anniversary of Moorcock’s most popular character. The Dreaming City was published in issue 47 of Science Fantasy magazine in June 1961, following a request from the editor, John Carnell, for Moorcock to write a new series of fantasy stories. Over the next three years Science Fantasy published all ten of the novellas that established Elric’s character and his world, ending with Doomed Lord’s Passing in April 1964, the entry which saw Moorcock destroy his creation in a Boschian apocalyptic finale.

The Dreaming City: A Sixtieth Anniversary Edition is a compound facsimile of these publications. The interior design follows the template of the magazine interiors while the front cover is based on one of the later numbers which ran the fifth Elric story, The Flame Bringers, with a cover illustration by James Cawthorn. That illustration may have been attached to a different story but it actually depicts a scene from the end of The Dreaming City when Elric is leaving Imrryr in burning ruins after the place has been sacked by the raiding party he led there. It’s also a much better illustration than the one by Brian Lewis that appeared on the cover of the June 1961 issue. In addition to recreating the cover we’ve also restored the drawing, which in its printed form was slightly cropped at one side, with the complete version taken from Cawthorn’s original. Jim Cawthorn was closely involved with the creation of Elric, and even co-wrote Kings in Darkness, another of the stories in the Science Fantasy sequence. Inside the new edition there are four further illustrations which Cawthorn produced for a German collection of Elric stories published by Heyne in 1979.

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One of James Cawthorn’s interior illustrations.

This small publication will only be of interest to collectors but it was a good thing to be involved with. In the past I’ve designed an Elric-themed album cover for Hawkwind, and last year designed The Stormbringer Sessions, a very limited publication of Jim Cawthorn’s sketched outline for his unfinished Elric graphic novel. The Dreaming City is the first Elric design of mine that features Moorcock’s own text. For an opening shot in what would become a saga spanning several decades and a variety of media The Dreaming City is a remarkably confident piece of work, even more so when you consider that the author was only 21 at the time. Elric begins and ends the story as an outsider, exiled and alone, and with his existence bound to his cursed sword, Stormbringer. Subsequent novels and stories would fill in the history before pitching Elric into the multiverse along with many of Moorcock’s other characters. But this is where it all begins, with six Sea Lords waiting in a tavern wondering whether the albino prince will turn up at all.

The Dreaming City: A Sixtieth Anniversary Edition is available here.

Previously on { feuilleton }
The Stormbringer Sessions by James Cawthorn
James Cawthorn: The Man and His Art
The Chronicle of the Cursed Sleeve
Moorcock: Faith, Hope and Anxiety
Elric 1: Le trône de rubis
The Sonic Assassins
Jim Cawthorn, 1929–2008