Weekend links 204

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RIP Steve Moore. We never met, unfortunately, but I was very pleased he asked me to create a cover for his unique occult novel, Somnium, in 2011. Prior to this we’d been connected by shared acquaintances, colleagues, and membership in the informal cabal that was (and maybe still is) The Moon & Serpent Grand Egyptian Theatre of Marvels. Steve’s long friendship with Alan Moore (no relation) is well-documented, not least by Alan himself who made Steve the subject of his Unearthing project. One surprising connection for me was that Steve also had a link to Savoy Books. In the late 1960s he was working for comics publisher Odhams where he was able to copy for David Britton some Ken Reid comic art which Odhams had refused to print. Dave published the forbidden pages in his first magazine, Weird Fantasy, in 1969. In 2011 Steve talked to Pádraig Ó Méalóid about Somnium, and also to Aug Stone at The Quietus. Aug Stone penned a few memorial words here.

• “People love using the word ‘porn’ as long as there’s a partner for it. Pair ‘porn’ with something else and it’s usually a good thing. A celebration of style and culture. But that word on its own? Well.” Porn star Conner Habib asks why people have such a problem with porn actors.

Dave Maier‘s Russian cinema recommendations. Several favourites there including the magical and remarkable Shadows of Our Forgotten Ancestors (1964) which, as Maier notes, isn’t really Russian but should be seen in any case.

Shakespeare uses verbal magic, cantrips and ditties, nonsense songs and verses throughout the plays, but in Othello he gives a glimpse of how powerful a spell becomes when it’s no longer oral, but fixed in material form. The fatal handkerchief is no ordinary hanky; it’s a love spell, and it was made with gruesome and potent ingredients (mummified “maiden’s hearts”) by a two-hundred-year-old sibyl in Egypt—Egypt being the birthplace and pinnacle of magic knowledge.

Marina Warner on magic.

• Mixes of the week: an hour of electro-acoustics and contemporary classical recordings sequenced by Laurel Halo, and (from 2010) 36-minutes of “umbral electronic hypnagogia” by The Wyrding Module.

• “This is the book that, 10 years later, inspired Richard Hollis’s landmark design for John Berger’s Ways of Seeing.” Rick Poynor on Chris Marker’s Commentaires.

• Is the Linweave Tarot the grooviest deck ever made? Dangerous Minds thinks so.

• Bobby Barry talks to Holger Czukay about his 1969 audio collage, Canaxis 5.

• “What Happened to Experimental Writing?” asks Susan Steinberg.

Aldous Huxley‘s lectures on visionary experience at MIT, 1962.

Laura Palmer will see Agent Cooper again in just a few hours.

Callum found a copy of The Gay Coloring Book (1964).

Metal Cats

Moonshake (1973) by Can | Lunar Musick Suite (1976) by Steve Hillage | Dark Moon (1993) by Holger Czukay | Boy In The Moon (2012) by Julia Holter

The Triangular Lodge again

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Artwork & photography by Abbie Stephens, Zoë Maxwell. Design by Thomas Caslin.

Passing through a record shop the day after looking at photos of the Winchester Mystery House I couldn’t help but notice this sleeve for the debut album by British band Temples. Yesterday I described Sarah Winchester’s house as a folly, which it is, but it was also her home. The ideal folly is an ostensibly purposeless structure, although many of the ones scattered around the UK do serve some kind of decorative function, often as fake ruins intended to be seen from a distance.

Thomas Tresham’s mysterious Triangular Lodge near Rushton, Northants, has always been a favourite, a small triangular building constructed in the 16th century, and encoded all over with references to the number 3. Tresham was a Catholic at a time when the faith was persecuted in England so the lodge is an expression of his devotion to the Holy Trinity. Given the unusual appearance of the building you’d think it might have appeared on an album cover before now. Temples are from Kettering in Northants so they can claim some local attachment to the place. The cover picture has something of a Hipgnosis look to it, which is no bad thing, and there’s also some Hipgnosis-style collaging at work; those trees in the background have been copied then flipped over. One benefit of the current vinyl resurgence is that sleeve designs like this aren’t spoiled by being only seen at CD size. Some of Temples’ songs can be heard on their SoundCloud page, while Pinterest has more views of the Triangular Lodge.

Elsewhere on { feuilleton }
The album covers archive

Previously on { feuilleton }
The Triangular Lodge

Title pages

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Ghost Stories and Phantom Fancies (1858) by James Hain Friswell.

The vast repository of copyright-free images from the British Library is still being sifted into Flickr sets. These are a few examples from a set of 786 title pages which range from elegant book plates to Dime Westerns and Penny Dreadfuls. A Plunge into Space is a science-fiction novel about a journey to the planet Mars in a spaceship called The Steel Globe. Robert Cromie was also the author of A New Messiah (1901), and The Crack of Doom (1895). The latter—which has some great chapter titles: The Universe A Mistake!, The Murder Club, A Telepathic Telegram—may be read here.

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Vom Amazonas und Madeira (1874) by Franz Keller-Leuzinger.

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Yorkshire Rivers. Reproduced from The Yorkshire Weekly Post (1890) by Tom Bradley.

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A Plunge into Space (1890) by Robert Cromie.

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Idylls of the King (1898) by Alfred Tennyson. Illustrated by George and Louis Rhead.

Previously on { feuilleton }
A Trip to Mars

Steampunk: The Art of Victorian Futurism

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Those who were wishing a few years ago that steampunk would crawl into a hole and quietly die must be gnashing their teeth at the way the sub-genre continues to flourish. (See Pinterest for examples from the increasingly wild world of steampunk fashion.) If anyone reading this is visiting Seoul in the next couple of months—or even living there—then they’ll find some of my book covers on display at Artcenter IDA. Steampunk: The Art of Victorian Futurism is a look at the wide range of steampunk aesthetics, from graphic works to three-dimensional constructions, clothing, and so on. I’d like to credit the promotional design above but I’m not sure who’s responsible. Good type design whoever it was.

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Five of my covers are on display, including the three I’ve done for KW Jeter’s novels. Mr Jeter, as mentioned before, is the man who first coined the term “steampunk” in the 1980s. This isn’t the first time my artwork has appeared in South Korea—when I was painting cards for Magic: The Gathering in the 1990s there were Korean editions printed—but it is the first time anything of mine has been exhibited there. The exhibition runs to mid-May.

Previously on { feuilleton }
Steampunk Calendar
Words and pictures
Nathanial Krill at the Time Node
Fiendish Schemes
Ghosts in Gaslight, Monsters in Steam
Steampunk Revolution
The Bookman Histories
Aether Cola
Crafting steampunk illustrations
SteamPunk Magazine
Morlocks, airships and curious cabinets
The Steampunk Bible
Steampunk Reloaded
Steampunk overloaded!
More Steampunk and the Crawling Chaos
Steampunk Redux
Steampunk framed
Steampunk Horror Shortcuts

Weekend links 202

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Figuras Miticas: Bailarin II (1954) by Leonora Carrington.

• The 26th Annual Lambda Literary Award Finalists have been announced. Ghosts in Gaslight, Monsters in Steam; Gay City: Volume 5 made the LGBT Anthology list, so congratulations to editors Evan J. Peterson & Vincent Kovar, and everyone else involved. I illustrated and designed the cover of that volume which also contains a piece of my fiction, Study in Blue, Green, and Gold.

Music in School (1969), episode 4: “A New Sound”. Amazing BBC TV programme for schools showing children playing avant-garde compositions using bowed metal sheets, tape loops, and primitive electronic equipment. I was at school then, and can’t help but feel a little jealous. Related: Delia Derbyshire Day approaches.

Voices Of Haiti (1953), recorded during ceremonials near Croix Des Missions and Petionville in Haiti by Maya Deren.

These days it’s hard to remember that Whistler’s Symphony in White, No. 1: The White Girl caused a bigger uproar at the Salon des Refusés of 1863 than Manet’s Déjeuner sur l’herbe, or that Monet was more influenced by Whistler than vice-versa. The delicacy of Whistler’s perceptions and his willingness to sacrifice everything for the sake of harmony make for an art less bracing than that of Degas or Pissarro. And yet how much life there is in his little Thames riverscapes. Perhaps we need another major exhibition—there hasn’t been one for twenty years—to re-evaluate him.

Whistler’s Battles by Barry Schwabsky

• Mix of the week (and a very good one it is): Abandoned Edwardian Schoolhouse by The Geography Trip.

Morton Subotnick tells Alfred Hickling how recording Silver Apples of the Moon blew his mind.

• The fantasy artwork of Ian Miller. A new book, The Art of Ian Miller, is published next month.

Queen for a Day by Alison Fensterstock. A look at the Mardi Gras Queens of New Orleans.

Tex Avery (1988): A 50-minute BBC documentary about the great animation director.

• The Gentle Revolutionary: Peter Tatchell talks to Joseph Burnett about Derek Jarman.

The Soaring and Nearly Forgotten Arches of New York City.

Dennis Hopper‘s photos of American artists in the 1960s.

Vodun at Pinterest.

Litanie Des Saints (1992) by Dr. John | Dim Carcosa (2001) by Ancient Rites | Far From Any Road (2003) by The Handsome Family