Weekend links 71

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Manuel Orazi (1860–1934) was one of the best of the many Mucha imitators. An untitled & undated posting at Indigo Asmodel.

The mob now appeared to consider themselves as superior to all authority; they declared their resolution to burn all the remaining public prisons, and demolish the Bank, the Temple, Gray’s Inn, Lincoln’s Inn, the Mansion House, the Royal palaces, and the arsenal at Woolwich. The attempt upon the Bank of England was actually made twice in the course of one day; but both attacks were but feebly conducted and the rioters easily repulsed, several of them falling by the fire of the military, and many others being severely wounded.

To form an adequate idea of the distress of the inhabitants in every part of the City would be impossible. Six-and-thirty fires were to be seen blazing in the metropolis during the night.

An Account of the Riots in London in 1780, from The Newgate Calendar.

In a week of apparently limitless bloviation, a few comments stood out. Hari Kunzru: “Once, a powerful woman told us there was no such thing as society and set about engineering our country to fit her theory. Well, she got her way. This is where we live now, and if we don’t like it, we ought to make a change.” Howard Jacobson: “One medium-sized banker’s bonus would probably pay for all the trash that’s been looted this past week.” Meanwhile Boff Whalley complained about the predictable misuse of the word “anarchy” by lazy journalists.

• For further historical perspective, a list of rioters and arsonists from The Newgate Calendar (1824), and an account of the looting in London during the Blitz.

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From a selection of works by Max Walter Svanberg (1912–1994) at But Does It Float. There’s more at Cardboard Cutout Sundown.

• NASA posted a gorgeous photo from the surface of the planet Mars. Related: Astronomers have discovered the darkest known exoplanet. Obliquely related: Julio Cortázar’s From the Observatory, a prose poem inspired by the astronomical observatories at Jaipur and New Delhi, India, receives its first English translation.

The Advisory Circle is still in a Kosmische groove. Not Kosmische at all, Haxan Cloak’s mix for FACT has Wolf Eyes, Sunn O))) and Krzysztof Penderecki competing to shatter your nerves.

• The wonderful women (and friends) at Coilhouse magazine are having a Black, White and Red fundraising party in Brooklyn, NYC, on August 21st. Details here.

• Sodom’s ambassador to Paris: the flamboyant Jean Lorrain is profiled at Strange Flowers.

Empire de la Mort: Photographs of charnel houses and ossuaries by Paul Koudounaris.

The Craft of Verse by Jorge Luis Borges: The Norton Lectures, 1967–68.

• Jesse Bering examines The Contorted History of Autofellatio.

Robert Crumb explains why he won’t be visiting Australia.

The Crackdown (1983) by Cabaret Voltaire.

Art is magic. Magic is art.

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Cover concept by Chip Kidd.

I noted the imminent arrival of Gary Spencer Millidge’s labour of love last month and the volume itself turned up this week, and what a book it is, a heavyweight hardback that’s far more lavish than I anticipated. The first surprise comes when removing the dust jacket to find Alan’s scowling visage embossed on the boards. Inside there’s a wealth of Moore ephemera from biographical material (lots of family photos) to insights into the scripting process behind the comics. I already knew Alan made little thumbnail sketches of his comic layouts before writing his scripts, having been fortunate enough to see one of the work-in-progress books for From Hell one time when I was chez Moore. Now everyone can have that opportunity. In addition there’s a thorough overview of Alan’s career, from the earliest juvenilia through to recent issues of Dodgem Logic. The comics career often overshadows his other work but in a later part of the book there’s considerable attention given to his collaborations with musicians, dancers and others for the Moon and Serpent performances. For my part it’s a pleasure to see some of the designs I created for the Moon and Serpent CDs printed large-size and in better quality than pressing plants manage with compact discs. None of those releases sold in great quantities and all are now out-of-print so the artwork often feels lost.

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The front board.

What else? How about two sections of the book with fold-out pages? How about the first ever public appearance of Alan’s huge chart mapping the progress of every character through the unfinished Big Numbers? How about an introduction by Michael Moorcock where he calls Alan “a Robert Johnson of the Age of Doubt; questioning, confronting, mourning and yearning, representing his readers in profound ways, an intellectual autodidact, one of my few true peers for whom I have limitless respect.”? How about a compact disc featuring extracts from the Moon and Serpent CDs plus many other previously unreleased songs including pieces by the Emperors of Ice Cream? This is a gorgeous production designed by Simon Goggin and art directed by Julie Weir, and I haven’t even begun to read it yet. Is it necessary to state that it’s an essential purchase for anyone with more than a passing interest in Mr Moore and his many talented collaborators? Yours for twenty-five quid from Ilex Press. Some page samples follow.

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Front endpapers showing Alan’s working notes and sketches.

Continue reading “Art is magic. Magic is art.”

Weekend links 69

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Peacock Apocalypse (detail) by Julie Evans in collaboration with Ajay Sharma.

Here at { feuilleton }, home of the curly bracket affectation, your correspondent is still surprised to find his postings the subject of a critique by Rick Poynor in the latest edition of Eye magazine, the international review of graphic design. I haven’t seen a print copy yet but you can read Mr Poynor’s appraisal here. Meanwhile, over at Design Observer this week there’s another Poynor piece about the collage illustrations of Andrzej Klimowski.

Alan Moore (yes, him again) discusses the moment when the League of Extraordinary Gentlemen gets all swinging and psychedelic. And Iain Sinclair (yes, him again) is still doing the interview rounds promoting his current book, Ghost Milk.

Ayin Acla, a short film by Anna Thew with a soundtrack by Cyclobe. The most recent Cyclobe album, Wounded Galaxies Tap at the Window, was previously vinyl-only but is now available on CD.

• Bones and beads and other things in Wren Britton’s Pure Vile clothing and accessories. Related: Patrick Veillet’s wearable bone sculptures.

Lambshead Cabinet of Curiosities Q&A: Ann & Jeff VanderMeer answer questions about their latest anthology at Fangoria.

• Being a lifelong introvert, I’m sympathetic to Four Ways Technology Can Enable Your Inner Introvert by Philip Bump.

• In an all-too-rare meeting of minds and talents, Roy Harper talks to Joanna Newsom.

Jon Macy’s Teleny and Camille is reviewed at Lambda Literary.

• Author Carol Birch tells us how best to read Finnegans Wake.

Joel Pirela’s Design Classics posters.

Each And Every Word Must Die (1999) by Cyclobe | Brightness Falls From The Air (2001) by Cyclobe | Indulge Yourselves With Our Delicious Monster (2006) by Cyclobe

Weekend links 67

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Neutron Drip (2011) by Amrei Hofstätter.

The Lavender Scare is “the first feature-length documentary film to tell the story of the U.S. government’s ruthless campaign in the 1950s and ’60s to hunt down and fire every Federal employee it suspected was gay”. A film by Josh Howard based on the book by David K Johnson which the author has made a free download here.

• “Annette Peacock, the avant garde American composer, collaborator with Salvador Dalí, friend of Albert Ayler and Moog-synth pioneer, brought this seismically influential session out in 1972…” John Fordham reviews Annette Peacock’s I’m The One which can be purchased here.

• Writer and graphic design historian Steven Heller looks at The Steampunk Bible (edited by SJ Chambers & Jeff VanderMeer) in his column for The Atlantic. He also talks to Galen Smith about the book’s design.

M John Harrison reveals more about his forthcoming sf novel Pearlent, a partial sequel to Light and Nova Swing. I just re-read Light, and I’m currently In The Event Zone with the follow-up, so I’m looking forward to this one.

The Raven, a book by Lou Reed & Lorenzo Mattotti (and Edgar Allan Poe). A Journey Round My Skull previewed this in 2009.

Orson Welles’ Falstaff film, Chimes at Midnight, emerges into the light once more. When do we get a decent DVD release?

• More of the usual concerns: Iain Sinclair’s struggles with the city of London and Erik Davis talks to Alan Moore about psychogeography, John Dee, comic gods, and the art of magic.

Eddie Campbell takes a tip from Jim Steranko. Related: “Hey! A Jim Steranko effect!

Lambshead Cabinet: Win Jake von Slatt’s Mooney & Finch Somnotrope!

• Tilda Swinton is The Woman Who Fell to Earth.

XXth Century Avantgarde [sic] Books at Flickr.

Sound sculptures & installations by Zimoun.

I’m The One (1972) by Annette Peacock.

Alan Moore: Storyteller

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Another book out this month from Ilex Press (the Lambshead anthology should be out in the US today), Alan Moore: Storyteller is an illustrated biography of Mr Moore by comics writer and artist Gary Spencer Millidge whose 50th birthday tribute Alan Moore: Portrait of An Extraordinary Gentleman appeared in 2003.

Subjects covered include rarely-seen early work, breakthrough UK comics, the hugely successful American work that brought comics to a wider, adult audience, and the genre-defying independent stories of the 1990s, up to his current alternative periodical, Dodgem Logic.

Of equal interest, and covered in full here, are Moore’s other endeavours: freedom of speech; magic and ritual; performance art; anarchism; self-publishing; and supporting the arts in his native Northampton, amongst others. (more)

My copy is on its way, apparently, so I haven’t seen the contents yet but it should include some of my designs and illustrations for the Moon & Serpent CDs. The book also includes a 19-track CD of songs, readings, and performances by Alan and co. I’m looking forward to this one.

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My insert for the Snakes & Ladders CD (2003).

Previously on { feuilleton }
Alan Moore: Tisser l’invisible
Dodgem Logic #4
Watchmen
Alan Moore interview, 1988